Bach: Herz Und Mund Und Tat Und Leben; Magnificat / Albrecht, Munich Bach Choir

$9.99
Label
Oehms Classics
Release Date
February 25, 2014
Format
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    Featuring ⌄
    • COMPOSER
      BACH, J.S.
    • ORCHESTRA / ENSEMBLE
      Munich Bach Choir, Munich Bach Orchestra
    • PERFORMER
      Albrecht
    Product Details ⌄
    • RELEASE DATE
      February 25, 2014
    • UPC
      4260330918017
    • CATALOG NUMBER
      OC1801
    • LABEL
      Oehms Classics
    • NUMBER OF DISCS
      1
    • GENRE
      Orchestral & Symphonic
    Works ⌄

    1. Chorus: Herz und Mund und Tat und Leben

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    2. Accompanied Recitative: Gebenedeiter Mund! (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Julian Prégardien

      Conductor: Hansjörg Albrecht

    3. Aria: Schame dich, o Seele, nicht (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Olivia Vermeulen

      Conductor: Hansjörg Albrecht

    4. Recitative: Verstockung kann Gewaltige verblenden (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Sebastian Noack

      Conductor: Hansjörg Albrecht

    5. Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Andrea Lauren Brown

      Conductor: Hansjörg Albrecht

    6. Chorale: Wohl mir, dass ich Jesum habe

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    7. Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Julian Prégardien

      Conductor: Hansjörg Albrecht

    8. Recitative: Der hochsten Allmacht Wunderhand (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Olivia Vermeulen

      Conductor: Hansjörg Albrecht

    9. Aria: Ich will von Jesu Wundern singen (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Sebastian Noack

      Conductor: Hansjörg Albrecht

    10. Chorale: Jesus bleibet meine Freude

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    11. Sinfonia in D Major, BWV 1045: I. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Rebekka Hartmann

      Conductor: Hansjörg Albrecht

    12. Magnificat anima mea (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    13. Et exultavit (Soprano 2)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Lydia Teuscher

      Conductor: Hansjörg Albrecht

    14. Quia respexit (Soprano 1)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Andrea Lauren Brown

      Conductor: Hansjörg Albrecht

    15. Omnes generationes (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    16. Quia fecit mihi magna (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Sebastian Noack

      Conductor: Hansjörg Albrecht

    17. Et misericordia (Alto, Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Olivia Vermeulen, Julian Prégardien

      Conductor: Hansjörg Albrecht

    18. Fecit potentiam (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    19. Deposuit potentes (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Julian Prégardien

      Conductor: Hansjörg Albrecht

    20. Esurientes (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Olivia Vermeulen

      Conductor: Hansjörg Albrecht

    21. Suscepit Israel (Soprano 1, Soprano 2, Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Orchester

      Performer: Andrea Lauren Brown, Lydia Teuscher, Olivia Vermeulen

      Conductor: Hansjörg Albrecht

    22. Sicut locutus est (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht

    23. Gloria Patri (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Münchener Bach-Chor, Münchener Bach-Orchester

      Conductor: Hansjörg Albrecht




BACH Cantata No. 147. Sinfonia in D, BWV 1045. Magnificat in D • Hansjörg Albrecht, cond; Andrea Lauren Brown, Lydia Teuscher (sop); Olivia Vermeulen (alt); Julian Prégardien (ten); Sebastian Noack (bar); Rebekka Hartmann (vn); Munich Bach Ch & O • OEHMS 1801 (58:57)


This disc celebrates the 60th anniversary of the founding of the Munich Bach Choir and the Munich Bach Orchestra by the legendary Karl Richter. “Legendary” is a term perhaps too readily bandied about, but in Richter’s case, I think, it’s apt. Richter was the bridge between the monumental pre-World-War-II Bach interpretations and the fleet, light HIP (“historically informed practiced”) style in favor today. Before coming to Munich in 1951 Richter sang in Dresden’s Kreuzchor and served as organist at Leipzig’s St. Thomas Church. In Munich he led the Heinrich Schütz Circle, renaming it the Munich Bach Choir in 1954 and launching a new era, both for Munich and for Bach. His many performances and recordings with the MBC and its companion orchestra made him one of the most influential Bach interpreters of 1950s, 60s, and 70s. His chorus was large by today’s standards, though a far cry from the 200-plus voices sometimes previously assembled for major Bach festivals. His tempos, too, were much more leisurely that those we have come to favor, but he purged the music of the bloat that had been all too common, and he imbued his interpretations with a new intensity. He was never tempted to replace his excellent orchestra with period-instrument specialists. It would be hard to over-estimate the influence of Richter’s Archiv recordings on the evolving scene. But he was swept away by the tsunami of the historically informed tide. He died of a heart attack in 1981, reportedly embittered by his marginalization.


Despite some collective self-doubt, the MBC survived its founder and found new life under the direction of Hanns-Martin Schneidt. Hansjörg Albrecht assumed leadership of the choir in 2005, and like Schneidt has sought to expand the choir’s repertory without diluting its main focus on the music of J. S. Bach.


The new recording finds the choir still in excellent shape—and still large. The roster lists 28 sopranos, 22 altos (all apparently female), just nine tenors, and 17 basses. Whether all sing in these performances is a matter for speculation. The orchestra is much more modest, with a 3-3-2-2-1 string cohort and the necessary winds and continuo. The performances are brisk—every movement in both works is shorter than its counterpart in Richter’s versions. Some skirt the edge of plausibility, but the choir always holds. The soloists are very good or better. It’s a fitting tribute to the founder.


The orchestral sinfonia (still played on modern instruments) that separates the two popular choral works was apparently intended for a cantata now otherwise lost. It’s good to have.


FANFARE: George Chien