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COMPOSERBACH, J.S.
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PERFORMERKare Nordstoga
Bach: Sonatas / Kare Nordstoga
- LAWO Classics
- December 11, 2015
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RELEASE DATEDecember 11, 2015
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UPC7090020180991
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CATALOG NUMBERLWC1087
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LABELLAWO Classics
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NUMBER OF DISCS2
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GENRE
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Toccata
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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Fuga
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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I. Allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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II. Adagio
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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III. Allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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I. Vivace
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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II. Largo
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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III. Allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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I. Andante
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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II. Adagio e dolce
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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III. Vivace
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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Trio in D Minor, BWV 583
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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Toccata
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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Adagio
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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Fugue
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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I. Adagio - Vivace
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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II. Andante
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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III. Un poco allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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I. Allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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II. Largo
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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III. Allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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I. Vivace
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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II. Lento
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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III. Allegro
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
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Canzona in D Minor, BWV 588
Composer: Johann Sebastian Bach
Performer: Kåre Nordstoga
Featuring ⌄
Product Details ⌄
Works ⌄
As a definitive collection of etudes, the trio sonatas are for classical organists what Czerny’s studies are for pianists. Playing the organ requires the ability to manoeuvre independent lines in both hands and the pedals, and this is perfected playing Bach’s sonatas. In the words of Bach connoisseur Albert Schweitzer:
"To this very day they are the Gradus ad Parnassum for every organist. Whoever has studied them thoroughly will thereafter encounter scarcely a single difficulty. The slightest unevenness in touch is heard with appalling clearness in this complicated trio playing.
The sonatas are a book of study not only for performers, but for composers as well. Bach’s private lessons for gifted students required a repertoire for the study of the noble art of polyphony. At the same time, this is concert music and art in its full complexity, where the art of polyphony is cultivated alongside the most moving melodie."
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