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COMPOSERJohann Sebastian Bach
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PERFORMEROlivier Fortin, Julien Martin
Bach: Transcriptions / Fortin, Martin
- Alpha
- November 3, 2023
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RELEASE DATENovember 03, 2023
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UPC3760014199394
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CATALOG NUMBERALPHA939
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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I. Adagio ma non tanto
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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II. Allegro
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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III. Siciliana
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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IV. Allegro assai
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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Sonata No. 1 for Violin and Keyboard in B Minor, BWV 1014: III. Andante (arr. O. Fortin and J. Martin for recorder and harpsichord)
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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I. Andante
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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II. Adagio e dolce
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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III. Vivace
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (arr. P. Gouin for recorder and harpsichord)
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. O. Fortin and J. Martin for recorder and harpsichord)
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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I. Preludio
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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II. Fuga
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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III. Sarabande
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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IV. Gigue et double
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
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Sonata No. 4 for Violin and Keyboard in C Minor, BWV 1017: I. Siciliano: Largo (arr. O. Fortin and J. Martin for recorder and harpsichord)
Composer: Johann Sebastian Bach
Performer: Julien Martin, Olivier Fortin
Featuring ⌄
Product Details ⌄
Works ⌄
"Johann Sebastian Bach used the recorder in two Brandenburg concertos and some twenty cantatas and oratorios, but alas, he left us no sonata with harpsichord," say Julien Martin and Olivier Fortin. Arranging chamber music for a variety of instrumental ensembles was a widespread practice in the eighteenth century. Bach himself seems to have created a number of works that did not necessarily require the use of a specific instrument. Here Julien Martin and Olivier Fortin, musical partners for many years, present the Sonata in F major, originally written for transverse flute and continuo, transcriptions of the Trio Sonata for organ No. 3 in E minor, the Partita for violin No. 2 in G minor, and the Chorale 'Nun komm, der Heiden Heiland', whose extensive ornamental flourishes elongate and transform the chorale melody to the point of rendering it unrecognisable.
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