Baroque Music of Latin America / Palacios, Camerata Renacentista de Caracas

Regular price $18.99
Label
Sono Luminus
Release Date
March 14, 2000
Format
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    Featuring
    • COMPOSER
      ARAUJO FERNANDES HERRERA
    • PERFORMER
      Camerata Renacentista De Caracas
    Product Details
    • RELEASE DATE
      March 14, 2000
    • UPC
      053479319920
    • CATALOG NUMBER
      DOR-93199
    • LABEL
      Sono Luminus
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Quien Sale Aqueste Dia Disfracado

      Composer: Juan Mathias

      Ensemble: Camerata Renacentista de Caracas

      Performer: Sandrah Silvio, Isabel Palacios

    2. Dios y Joseph Apuestan

      Composer: Antonio Durán de la Motta

      Ensemble: Camerata Renacentista de Caracas

      Performer: Sandrah Silvio, Liliana Mazzarri

    3. Ausente del Alma

      Composer: Rafael Antonio Castellanos

      Ensemble: Camerata Renacentista de Caracas

      Performer: Isabel Palacios, Gilberto Jimenez

    4. Si de Rosa el Nombre

      Composer: Rafael Antonio Castellanos

      Ensemble: Camerata Renacentista de Caracas

      Performer: Isabel Palacios, Gilberto Jimenez

    5. Quando el bien que adoro

      Composer: Tomás de Torrejón y Velasco

      Ensemble: Camerata Renacentista de Caracas

      Performer: Isabel Palacios, Gilberto Jimenez

    6. A este sol peregrino

      Composer: Tomás de Torrejón y Velasco

      Ensemble: Camerata Renacentista de Caracas

    7. Desvelado dueno mio

      Composer: Tomás de Torrejón y Velasco

      Ensemble: Camerata Renacentista de Caracas

      Performer: Liliana Mazzarri, Isabel Palacios, Carlos Godoy

    8. Recordad Jilguerillos

      Composer: Juan de Araujo

      Ensemble: Camerata Renacentista de Caracas

      Performer: Isabel Palacios, Sandrah Silvio

    9. A la fuente de bienes

      Composer: Juan de Herrera

      Ensemble: Camerata Renacentista de Caracas

      Performer: Liliana Mazzarri, Isabel Palacios, Carlos Godoy

    10. A Recoger Pasiones Inhumanas

      Composer: Juan de Araujo

      Ensemble: Camerata Renacentista de Caracas

      Performer: Sandrah Silvio, Isabel Palacios, Carlos Godoy

    11. A cantar un villancico

      Composer: Roque Ceruti

      Ensemble: Camerata Renacentista de Caracas

      Performer: Sandrah Silvio, Isabel Palacios

    12. Nino Mio

      Composer: Jose Francisco Velasques

      Ensemble: Camerata Renacentista de Caracas

      Performer: Pedro Stern, Carlos Godoy

    13. Hanacpachap cussicuinin

      Composer: Juan Perez Bocanegra

      Ensemble: Camerata Renacentista de Caracas

    14. El Dia de Corpus

      Composer: Anonymous

      Ensemble: Camerata Renacentista de Caracas

    15. Villancico al Nacimiento

      Composer: José Cascante

      Ensemble: Camerata Renacentista de Caracas

      Performer: Pedro Stern, Iván García

    16. Tleycantimo choquiliya

      Composer: Gaspar Fernandes

      Ensemble: Camerata Renacentista de Caracas

      Performer: Esteban Cordero, Isabel Palacios, Gilberto Jimenez

    17. Dame albricia mano Anton

      Composer: Gaspar Fernandes

      Ensemble: Camerata Renacentista de Caracas

    18. Mano Fasiquiyo

      Composer: Gaspar Fernandes

      Ensemble: Camerata Renacentista de Caracas

      Performer: Esteban Cordero, Isabel Palacios, Iván García

    19. Esta Noche yo Baila

      Composer: Anonymous

      Ensemble: Camerata Renacentista de Caracas

      Performer: Iván García


The progress of Spanish colonization in the New World through the 16th and 17th century was such that during the Baroque Era the state of classical music was more advanced in Latin America than it was up north. This ambitious collection of vocal pieces by the Venezuelan early music group Camerata Renacentista de Caracas shows the geographical breadth, if not the stylistic variety, of the Latin American baroque with composers, nearly all of Spanish birth, who were based in Mexico, Guatemala, Bolivia, Peru, Colombia and Venezuela. Many of the selections are villancicos, a ubiquitous Spanish poetic form from the 15th century which lent itself to music, often with instrumental accompaniment, both secular and sacred: in the latter development, of which there are several examples here, it became a type of Christmas carol. By and large this is lovely and invigorating music, given alert and agile performances.