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COMPOSERBela Bartok
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PERFORMERCristian Macelaru, Wdr Sinfonieorchester
Bartók: The Wooden Prince; Dance Suite / Măcelaru, WDR Symphony Orchestra
- Linn Records
- March 10, 2023
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RELEASE DATEMarch 10, 2023
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UPC691062071420
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CATALOG NUMBERCKD714
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LABELLinn Records
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NUMBER OF DISCS1
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GENRE
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Opening -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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First Dance: Dance of the Princess in the Forest -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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The Prince Meets the Fairy and Sees the Princess -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Second Dance: Dance of the Trees -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Third Dance: Dance of the Waves -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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The Prince Has an Idea -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Fourth Dance: Dance of the Princess with the Wooden Prince -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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The Prince is in Despair -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Restored from His Lassitude the Prince Walks
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Fifth Dance: The Princess Prods and Encourages the Wooden Prince to Dance -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Sixth Dance: With an Alluring Dance, the Princess Tries to Appeal to the Prince -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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Seventh Dance: The Despair of the Princess -
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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The Happy Ending
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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I. Moderato
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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II. Allegro molto
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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III. Allegro vivace
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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IV. Molto tranquillo
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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V. Commodo
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
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VI. Finale
Composer: Béla Bartók
Ensemble: WDR Sinfonieorchester Köln
Conductor: Cristian Măcelaru
Featuring ⌄
Product Details ⌄
Works ⌄
Following their first album for Linn (Dvorák: Legends Op. 59, Czech Suite Op. 39), the WDR Sinfonieorchester and Cristian Măcelaru pursue the same folk vein with two orchestral works by Béla Bartók. Based on a rather childish tale (prince, princess, fairies, and of course a happy ending!), the music of the ballet The Wooden Prince – recorded in full here – has all the ingredients of a masterpiece: masterful scoring for large forces, use of musical themes, an effortless amalgam of folk and late-Romantic elements.
Composed in 1923 to celebrate the 50th anniversary of the merging of the towns of Buda and Pest – alongside commissions by Ernö Dohnányi and Zoltán Kodály – the century-old Dance Suite is a six-movement work that has become one of Bartók’s best known compositions. Born in Timișoara, a short distance from Hungary, Măcelaru can boast an unparalleled understanding of Bartók, as evident here.
REVIEW:
For overall quality Măcelaru rivals Mälkki, and comparing the two readings episode by episode, one is as likely as the other to convey a little more mood and color. But neither really has the freshness of discovery and excitement heard in Boulez’s first account on Sony, and neither of the two orchestras, the WDR Symphony and Helsinki Philharmonic, approaches Boulez’s spectacular results with the New York Philharmonic.
Măcelaru is up against it again in the Dance Suite, which has had outstanding recordings from Fricsay, Boulez, Solti, and Iván Fischer, among others. Less raw than Solti, Măcelaru shows himself a master of the score in a reading that crackles with aliveness and presence. He gets animated playing from the Cologne musicians, and you quickly forget that they are not on a par with eminent ensembles in this music.
I was captivated from start to finish, and more importantly, I got a bead on Măcelaru beyond my only other exposure to him, in the Shostakovich piano concertos. There’s no reason not to give this release the same enthusiastic praise that has become the norm for Măcelaru. The recorded sound is full, vivid, and lifelike.
-- Fanfare
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