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COMPOSERBARTOK, BELA
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ORCHESTRA / ENSEMBLEPhilharmonia Orchestra, Royal Scottish National Orchestra
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PERFORMERJarvi
Bartók: Concerto for Orchestra; The Miraculous Mandarin etc. / Järvi, Philharmonia, RSNO
- Chandos
- July 29, 2014
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RELEASE DATEJuly 29, 2014
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UPC095115245224
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CATALOG NUMBERCHAN 241-52
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LABELChandos
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NUMBER OF DISCS2
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GENRE
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Opening -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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First Dance: Dance of the Princess in the Forest -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Second Dance: Dance of the Trees -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Third Dance: Dance of the Waves -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Fourth Dance: Dance of the Princess with the Wooden Prince -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Fifth Dance: The Princess Prods and Encourages the Wooden Prince to Dance -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Sixth Dance: With an Alluring Dance, the Princess Tries to Appeal to the Prince -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Seventh Dance: Alarmed, the Princess Hurries After the Prince, but the Forest Keeps Her Back -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Postlude
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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No. 1. An Evening in the Village
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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No. 2. Bear Dance
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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No. 3. Melody
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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No. 4. Slightly Tipsy
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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No. 5. Swineherd's Dance
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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A shabby room in the slums -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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First decoy game -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Second decoy game -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Third decoy game -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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The girl is undecided -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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The Mandarin's passion is finally roused -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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Suddenly the Mandarin's head appears between the pillows -
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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The body of the Mandarin begins to glow with a greenish blue light -
Composer: Béla Bartók
Ensemble: London Voices, Philharmonia Orchestra
Conductor: Neeme Järvi
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The mandarin falls to the floor and at once leaps at the girl
Composer: Béla Bartók
Ensemble: Philharmonia Orchestra
Conductor: Neeme Järvi
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I. Introduzione: Andante non troppo - Allegro vivace
Composer: Béla Bartók
Ensemble: Royal Scottish National Orchestra
Conductor: Neeme Järvi
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II. Giuoco delle coppie: Allegro scherzando
Composer: Béla Bartók
Ensemble: Royal Scottish National Orchestra
Conductor: Neeme Järvi
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III. Elegia: Andante non troppo
Composer: Béla Bartók
Ensemble: Royal Scottish National Orchestra
Conductor: Neeme Järvi
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IV. Intermezzo interrotto: Allegretto
Composer: Béla Bartók
Ensemble: Royal Scottish National Orchestra
Conductor: Neeme Järvi
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V. Finale: Pesante - Presto
Composer: Béla Bartók
Ensemble: Royal Scottish National Orchestra
Conductor: Neeme Järvi
Featuring ⌄
Product Details ⌄
Works ⌄
The Concerto for Orchestra has remained one of Bartók’s most popular orchestral works since its triumphant premiere in 1944. Its title signals that each section of instruments is treated in a soloistic and virtuoso way. According to Bartók himself, ‘the general mood of the work represents, apart from the jesting second movement, a gradual transition from the sternness of the first movement and the lugubrious death-song of the third, to the life-assertion of the last one’.
The ballet The Miraculous Mandarin is heard here in its complete form. Set in a seedy urban underworld, it tells the tale of a prostitute, the three thugs that control her, and their mysterious encounter with the eponymous Mandarin. In portraying this scenario Bartók creates an astonishingly vivid score with some of the most colourful music he ever wrote.
The Wooden Prince, an earlier ballet, could not on the surface be further from The Miraculous Mandarin. Lacking its daring modernism, it instead shows the influence of Debussy, Strauss, and Wagner. However, its outwardly sunny character obscures a strange and surreal undertone.
The Hungarian Pictures are skilful and imaginative orchestrations made in 1931 of five earlier piano pieces. Each with its own distinct character, these pieces give the impression of being an authentic folksong arrangement, although this is true only of the last of the five. - Chandos
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