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COMPOSERBEETHOVEN, LUDWIG VAN
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PERFORMERGarrick Ohlsson
Beethoven: Piano Sonatas Vol 3 / Garrick Ohlsson
- Bridge Records
- October 24, 2006
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RELEASE DATEOctober 24, 2006
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UPC090404920721
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CATALOG NUMBERBCD9207
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LABELBridge Records
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NUMBER OF DISCS1
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GENRE
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I. Allegro con brio
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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II. Adagio
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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III. Scherzo: Allegro
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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IV. Assai allegro
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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I. Allegro
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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II. Allegretto
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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III. Rondo: Allegro comodo
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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I. Allegro
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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II. Andante
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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III. Scherzo: Allegro assai
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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I. Presto alla tedesca
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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II. Andante
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
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III. Vivace
Composer: Ludwig van Beethoven
Performer: Garrick Ohlsson
Featuring ⌄
Product Details ⌄
Works ⌄
The god of inspiration sprints hand in hand with Garrick Ohlsson as the pianist nears completion of his Beethoven sonata cycle. The present disc opens with one of Op. 2 No. 3's finest recorded performances. Ohlsson's lean, propulsive first movement incorporates distinctly contrasted themes and subtle tempo modifications. Everything hangs together so well that when Ohlsson leans on the accelerator for the movement's final octave outburst the effect is conclusive rather than vulgar.
Ohlsson also plays Op. 14 No. 1 beautifully, bringing a refreshingly terse quality to the Allegretto by underlining its sudden dynamic shifts. The pianist's genial, expansive account of Op. 14 No. 2's opening movement evokes memories of Claudio Arrau's likeminded mid-1960s recording, yet Ohlsson stresses different details, such as the left hand's chromatic broken octaves. Ohlsson's crisp yet full-bodied shaping of the second movement's detached chords brings out the music's Haydn-like wit, to say nothing of the finale's aptly timed, elegant fingerwork.
Excellent sound and notes.
-- Jed Distler, ClassicsToday.com
Beethoven: Piano Sonatas Vol 5 / Garrick Ohlsson
The newest volume in Garrick Ohlsson's impressive and illuminating cycle.
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