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COMPOSERBRAHMS SCHUTZ
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ORCHESTRA / ENSEMBLEMonteverdi Choir, Orchestre Révolutionnaire Et Romantique
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PERFORMERGardiner, Fuge, Brook
Brahms: German Requiem; Schutz / Fuge, Brook, Gardiner
- SDG
- March 27, 2012
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RELEASE DATEMarch 27, 2012
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UPC843183070626
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CATALOG NUMBERSDG 706
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LABELSDG
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NUMBER OF DISCS1
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GENRE
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Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84"
Composer: Heinrich Schütz
Ensemble: Monteverdi Choir
Performer: Edmund Connolly
Conductor: John Eliot Gardiner
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Geistliche Chormusik, Op. 11, SWV 369-397: No. 23. Selig sind die Toten, die in dem Herren sterben, SWV 391
Composer: Heinrich Schütz
Ensemble: Monteverdi Choir
Conductor: John Eliot Gardiner
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I. Selig sind, die da Leid tragen
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Conductor: John Eliot Gardiner
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II. Denn alles Fleisch es ist wie Gras
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Conductor: John Eliot Gardiner
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III. Herr, lehre doch mich
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Performer: Matthew Brook
Conductor: John Eliot Gardiner
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IV. Wie lieblich sind deine Wohnungen
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Conductor: John Eliot Gardiner
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V. Ihr habt nun Traurigkeit
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Performer: Katherine Fuge
Conductor: John Eliot Gardiner
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VI. Denn wir haben hie keine bleibende Statt
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Performer: Matthew Brook
Conductor: John Eliot Gardiner
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VII. Selig sind die Toten
Composer: Johannes Brahms
Ensemble: Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Conductor: John Eliot Gardiner
Featuring ⌄
Product Details ⌄
Works ⌄
Brahms’ Ein deutsches Requiem is presented along pieces by Heinrich Schütz (1585-1672) which might have inspired its composition, giving the listener a new insight into the composer’s mind and music making. Deeply moving, profound, and powerful, the Requiem is central to our understanding of Brahms’ compositional personality and inner spiritual life. Behind its dramatic gestures and 19th century grandeur, it reveals Brahms’ obsessions with folk-songs and the music of the past. The libretto, assembled by Brahms himself based on the Lutheran Bible, makes it a definitive personal statement of his position in matters of religion. The booklet includes a note by composer Hugh Wood, explaining how the pieces relate to each other and giving a moving account of Brahms as a composer and as a man.
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