Braunfels: Orchestral Songs, Vol. 2 / Albrecht, Berlin Konzerthaus Orchestra

$19.99
Label
Oehms Classics
Release Date
October 14, 2016
Format
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    Featuring ⌄
    • COMPOSER
      BRAUNFELS, WALTER
    • PERFORMER
      Kuhmeier, Nylund, Merbeth, Konzerthausorchester Berlin, Albrecht
    Product Details ⌄
    • RELEASE DATE
      October 14, 2016
    • UPC
      4260330918475
    • CATALOG NUMBER
      OC1847
    • LABEL
      Oehms Classics
    • NUMBER OF DISCS
      1
    • GENRE
      Vocal
    Works ⌄

    1. No. 1. Die Einsame

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    2. No. 2. Ein Jüngling denkt an die Geliebte

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    3. No. 3. Die Geliebte des Kriegers

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    4. No. 1. Abendständchen

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    5. No. 2. Die Nacht

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    6. No. 3. Der Kranke

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    7. No. 4. Ist des Lebens Band mit Schmerz gelöst

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    8. No. 5. Der Pilot

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Camilla Nylund

      Conductor: Hansjörg Albrecht

    9. No. 1. O du gießender Gott

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Genia Kühmeier

      Conductor: Hansjörg Albrecht

    10. No. 2. Du bist, Herr, meine Labung

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Genia Kühmeier

      Conductor: Hansjörg Albrecht

    11. No. 3. Herr, ich bringe dir mein Kleinod

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Genia Kühmeier

      Conductor: Hansjörg Albrecht

    12. No. 4. Eia, fröhliche Anschauung

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Genia Kühmeier

      Conductor: Hansjörg Albrecht

    13. Der Tod des Kleopatra, Op. 59: Gebt mir mein Kleid, setzt mir die Krone auf!

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Ricarda Merbeth

      Conductor: Hansjörg Albrecht

    14. No. 1. Die Wartende

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Ricarda Merbeth

      Conductor: Hansjörg Albrecht

    15. No. 2. Schneller Abschied und Liebesnot

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Ricarda Merbeth

      Conductor: Hansjörg Albrecht

    16. No. 3. Trennung und Klage

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Ricarda Merbeth

      Conductor: Hansjörg Albrecht

    17. No. 4. Das Mädchen spricht zum Gott der achtmaltausend Speere

      Composer: Walter Braunfels

      Ensemble: Konzerthausorchester Berlin

      Performer: Ricarda Merbeth

      Conductor: Hansjörg Albrecht


Walter Braunfels regarded himself as a late-romantic, traditional composer in succession to Berlioz, Wagner and Bruckner. During the period of the Thrid Reich, he was dismissed from his positions as a "half Jew" and his works were banned from performance. After the Second World War, representatives of the musical avant-garde found Braunfel's style no longer contemporary, which is why he gradually became forgotten. His entire oeuvre has been enjoying a wonderful Renaissance since the 1990's, however, and is now being enthusiastically rediscovered by the international musical world.