C.P.E. Bach: Piano Concertos / Sciortino, Orchestra of Padua & Venice

Regular price $15.99
Label
Haenssler Classic
Release Date
June 2, 2023
Format
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    Featuring
    • COMPOSER
      Carl Philipp Emanuel Bach
    • ORCHESTRA / ENSEMBLE
      Orchestra Di Padova E Del Veneto
    • PERFORMER
      Orazio Sciortino
    Product Details
    • RELEASE DATE
      June 02, 2023
    • UPC
      881488230086
    • CATALOG NUMBER
      HC23008
    • LABEL
      Haenssler Classic
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Allegro di molto

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    2. II. Andante

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    3. III. Allegretto

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    4. I. Andante ed arioso - II. Cembalo solo - III. Arioso - IV. Cembalo solo - V. Arioso

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    5. VI. Allegro

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    6. I. Allegro

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    7. II. Poco adagio

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    8. III. Allegro assai

      Composer: Carl Philipp Emanuel Bach

      Ensemble: Orchestra di Padova e del Veneto

      Performer: Orazio Sciortino

    9. Fantasia in C Major, Wq. 61/6, H. 291

      Composer: Carl Philipp Emanuel Bach

      Performer: Orazio Sciortino

    10. La Gleim, Rondeau, Wq. 117/19, H. 89

      Composer: Carl Philipp Emanuel Bach

      Performer: Orazio Sciortino


Carl Philipp Emanuel Bach and the keyboard concerto—a lifelong relationship, challenging and exhaust¬ing, altogether fruitful, brilliant, and even spectacular into the bargain. As a 19-year-old (under the eyes of his father, so to speak) he wrote in Leipzig his first keyboard concerto; at the age of 74 in Hamburg he finished, in the year of his death, his last example of the genre. In-between lies a treasury of fifty keyboard concertos, colossal and fathomless.
It is a wonder that this uncommonly rich and stylistically influential genre of the composer is only now coming to light. Of all the genres of composition, C. P. E. Bach’s keyboard concertos have guarded their secret longest as unpublished music—that is, precisely the genre of works that qualify as the most personal and most advanced of his compositional oeuvre. He himself says of this: “Because I have had to create most of my works for particular persons and for the public, I have therein always been more constrained than with the few pieces which I prepared just for myself. Among all my works, especially for keyboard, are just a few…concertos, which I composed with total freedom and for my own use.”