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COMPOSERLuigi Cherubini
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ORCHESTRA / ENSEMBLEOrfeo Orchestra, Purcell Choir
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PERFORMERGyorgy Vashegyi
Cherubini: Les Abencérages or The Standard of Grenada / Vashegyi, Orfeo Orchestra
- Bru Zane
- November 11, 2022
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RELEASE DATENovember 11, 2022
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UPC8055776010076
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CATALOG NUMBERBZ1050
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LABELBru Zane
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NUMBER OF DISCS3
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GENRE
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Overture
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 1: Trio: Son trimphe s'apprete (Kaled, Alamir, Alémar)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Philippe-Nicolas Martin, Tomislav Lavoie, Thomas Dolié
Conductor: György Vashegyi
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Act I Scene 1: Air: Enfin j'ai vu naitre l'aurora (Almanzor, Noraïme)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Edgaras Montvidas, Anaïs Constans
Conductor: György Vashegyi
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Act I Scene 1: Duo. Qu'il est doux de pouvoir se dire (Almanzor, Noraïme)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Edgaras Montvidas, Anaïs Constans
Conductor: György Vashegyi
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Act I Scene 4: Paraissez, Alemar attende le couple hereux (Kaled, Almanzor)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Philippe-Nicolas Martin, Edgaras Montvidas
Conductor: György Vashegyi
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Act I Scene 6: Que l'amitie, que l'hymen vous rassemble (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 6:Chœur: Que Zéphyr sans cesse (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 6: Chœur: Palais des rois, noble séjour (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 6: Scene and Air: Braves Zegris, nobles Abencerages (Gonzalve)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Artavazd Sargsyan
Conductor: György Vashegyi
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Act I Scene 6: Laissons respirer la victoire (All)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Agnes Pinter, Anaïs Constans, Artavazd Sargsyan, Edgaras Montvidas, Philippe-Nicolas Martin, Tomislav Lavoie, Lóránt Najbauer, Douglas Williams, Thomas Dolié
Conductor: György Vashegyi
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Act I Scene 6: Gavotte
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 6: Recitative: Arioso et Chœur:Des troubadours, le cortège joyeux (Gonzalve, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Artavazd Sargsyan
Conductor: György Vashegyi
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Act I Scene 6: Romance: Vous qui naimez rien sur la terre (Troubadour, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Artavazd Sargsyan
Conductor: György Vashegyi
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Act I Scene 7: Les Folies d'Espagne
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 7: Finale
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Conductor: György Vashegyi
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Act I Scene 7: Que nous veut Octair? (Almanzor, Noraime, Octair, Chorus, Gonzalve, Abencerages, Kaled, Alamir, Zegris)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Edgaras Montvidas, Anaïs Constans, Lóránt Najbauer, Artavazd Sargsyan, Douglas Williams, Philippe-Nicolas Martin, Tomislav Lavoie
Conductor: György Vashegyi
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Act I Scene 8: Finale: Armez-vous, enfant d'Ismaël (All)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Agnes Pinter, Anaïs Constans, Artavazd Sargsyan, Edgaras Montvidas, Tomislav Lavoie, Thomas Dolié, Lóránt Najbauer, Douglas Williams, Philippe-Nicolas Martin
Conductor: György Vashegyi
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Act II Scene 1: Air: Il est vainqueur! Son triomphe s'apprete (Noraïme, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Anaïs Constans
Conductor: György Vashegyi
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Act II Scene 1:Chœur: Ô jeune et charmante princesse (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act II Scene 1:Air avec chœur: Livrez vos cœurs à l'allégresse (Noraïme, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Anaïs Constans
Conductor: György Vashegyi
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Act II Scene 2: Air de danse
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Conductor: György Vashegyi
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Act II Scene 3: Duet: C'est Egilone (Noraïme, Egilone, Almanzor)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Anaïs Constans, Agnes Pinter, Edgaras Montvidas
Conductor: György Vashegyi
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Act II Scene 4: Duet. Il vient! … Cher Almanzor! (Égilone, Noraïme, Almanzor)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Agnes Pinter, Anaïs Constans, Edgaras Montvidas
Conductor: György Vashegyi
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Act II Scene 5: Recitative: Organe de nos lois (Noraïme, Almanzor, Kaled)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Anaïs Constans, Edgaras Montvidas, Philippe-Nicolas Martin
Conductor: György Vashegyi
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Act II Scene 6: O victoire fatale! (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act II Scene 6: Air: Venerables guerriers, l'Espagne vous contemple (Alémar)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Thomas Dolié
Conductor: György Vashegyi
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Act II Scene 6: Scene: Noble et vaillant Abencerage (Abderame, Almanzor, Alémar)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Douglas Williams, Edgaras Montvidas, Thomas Dolié
Conductor: György Vashegyi
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Act II Scene 7: Princes, voici les defenseurs (Abderame, Zegris, Alémar, Kaled, Alamir, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Douglas Williams, Thomas Dolié, Philippe-Nicolas Martin, Tomislav Lavoie
Conductor: György Vashegyi
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Act II Scene 7: Recitative: Almanzor, tes juges en larmes (Abdérame, Alémar, Alamir, Kaled)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Douglas Williams, Thomas Dolié, Tomislav Lavoie, Philippe-Nicolas Martin
Conductor: György Vashegyi
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Act II Scene 7: Air: Suspendez a ces murs (Almanzor, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Edgaras Montvidas
Conductor: György Vashegyi
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Act II Scene 8: Quatuor avec chœur. Dans ce moment qui nous sépare (Almanzor, Kaled, Alamir, Alémar, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Philippe-Nicolas Martin, Edgaras Montvidas, Tomislav Lavoie, Thomas Dolié
Conductor: György Vashegyi
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Act II Scene 8: Finale: Les Zegris sont venges (Alémar, Kaled, Alamir, Zegris, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Thomas Dolié, Philippe-Nicolas Martin, Tomislav Lavoie, Edgaras Montvidas
Conductor: György Vashegyi
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Act III Scene 1: Air: Epaissis tes ombres funebres (Noraïme)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Anaïs Constans
Conductor: György Vashegyi
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Act III Scene 2: Duet: Protege-moi, Dieu tutelaire (Almanzor, Noraïme)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Edgaras Montvidas, Anaïs Constans
Conductor: György Vashegyi
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Act III Scene 2: Duet: Providence céleste (Noraïme, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Anaïs Constans
Conductor: György Vashegyi
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Act III Scene 2: Recitative: Derrière ces rochers (Almanzor, Noraïme, Alémar, Kaled, Alamir)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Edgaras Montvidas, Anaïs Constans, Thomas Dolié, Philippe-Nicolas Martin, Tomislav Lavoie
Conductor: György Vashegyi
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Act III Scene 5: Air: D'une haine long-temps captive (Alemar)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Thomas Dolié
Conductor: György Vashegyi
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Act III Scene 6: Grand Dieu! Quel triste journee (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act III Scene 6: Scene: Almanzor a perdu l'etendard (Le Herault, Alamir, Kaled, Almanzor)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Lóránt Najbauer, Philippe-Nicolas Martin, Tomislav Lavoie, Edgaras Montvidas
Conductor: György Vashegyi
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Act III Scene 6: Air: Mes amis ne me plaignez pas (Almanzor, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Edgaras Montvidas
Conductor: György Vashegyi
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Act III Scene 6: Veillez sur Noraïme (Alémar)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Thomas Dolié
Conductor: György Vashegyi
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Act III Scene 6: Chœur: Protège-nous, dieu secourable (Abdérame, Almanzor, Alémar)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Douglas Williams, Edgaras Montvidas, Thomas Dolié
Conductor: György Vashegyi
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Act III Scene 6: Recitative: Dieu veut, le roi permet (Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Conductor: György Vashegyi
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Act III Scene 6: Combat: Il triomphe! (Abdérame, Alémar, Alamir, Kaled)
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Performer: Douglas Williams, Thomas Dolié, Tomislav Lavoie
Conductor: György Vashegyi
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Act III Scene 7: Chœur: Pour venger nos communs outrages (Almanzor, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Edgaras Montvidas
Conductor: György Vashegyi
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Act III Scene 7: Recitative: De toutes parts la vérité s’élève (Almanzor, Kaled, Alamir, Alémar, Chorus)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Edgaras Montvidas, Philippe-Nicolas Martin, Tomislav Lavoie
Conductor: György Vashegyi
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Act III Scene 7: Finale: Un jour d'allegresse (All)
Composer: Luigi Cherubini
Ensemble: Purcell Choir, Orfeo Orchestra
Performer: Agnes Pinter, Anaïs Constans, Artavazd Sargsyan, Edgaras Montvidas, Tomislav Lavoie, Lóránt Najbauer, Douglas Williams, Thomas Dolié, Philippe-Nicolas Martin
Conductor: György Vashegyi
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Act III Scene 8: Air de danse finale
Composer: Luigi Cherubini
Ensemble: Orfeo Orchestra
Conductor: György Vashegyi
Featuring ⌄
Product Details ⌄
Works ⌄
Cherubini’s Les Abencérages, premiered in 1813, heralds the spectacle and extravagance of Romantic grand opera. From the Alhambra gardens to the battlefield, the action skillfully intertwines political conspiracies with a love story. Underpinned by the energy and timbres of period instruments, this recording demonstrates the work’s modernity and its musical qualities. Anaïs Constans valiantly tackles the demanding role of Noraïme, while Edgaras Montvidas displays his lyric tenor voice in a series of sublime airs whose beauty was already hinted at by none other than Roberto Alagna in a recital disc released in 2003. Around this couple, a plethoric cast of soloists (Dolié, Sargsyan, Williams, Martin, Lavoie, etc.) achieves the same high standards of French diction and style. The Hungarian conductor György Vashegyi, flanked by the Purcell Choir and Orfeo Orchestra, reveals here another key milestone of French Romantic opera.
REVIEWS:
Unstaged in Paris for over two centuries Les Abencérages, a kind of ‘missing link’ in the history of French opera, has been disinterred by Bru Zane. The overture with its two warring themes – romantic passion versus battlefield chivalry – announce a changed sensibility where the political is properly personal.
György Vashegyi and the Orfeo Orchestra find Beethoven – drums and trumpets and driving rhythms – in Cherubini’s score, and hints at the start of Act III of the Romanticism to come with Mendelssohn. While Étienne de Jouy’s libretto is set in the exotic Alhambra of late-15th century Moorish Grenada, its spectacle and masterly use of the chorus suggests the coming French Grand Opéra. Its story presents two warring factions within the last Spanish caliphate ready to be reconciled through the warrior Almazor’s marriage to Princess Norïme. That is until the villainous Vizier Alémar starts to plot!
Cherubini’s vocal line is free of Italian decorative thrills. Anaïs Constans handles Norïme’s high tessitura with grace, and Edgaras Montvidas’s Almanzor is a worthy heir to Louis Nourrit, the tenor who created the role in 1813. His farewell when exiled from Grenada having ‘lost’ the kingdom’s sacred standard on the battlefield is properly affecting.
Yet it’s the Purcell Choir who steal the vocal honours, with magnificent singing by the women in Act I as they prepare for the wedding, and the men rattling their vocal sabres handsomely as the plot thickens in Act II. For all that, the musical history is perhaps more striking than the opera itself.
-- BBC Music Magazine
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