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COMPOSERFALLA, MANUEL DE
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PERFORMERVarious
Manuel de Falla Collection
- Brilliant Classics
- September 24, 2021
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RELEASE DATESeptember 24, 2021
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UPC5028421963532
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CATALOG NUMBERBRI96353
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LABELBrilliant Classics
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NUMBER OF DISCS5
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GENRE
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Scene 1: Introduction y Escena (Introduction and Scene)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Scene 1: En la cueva (La noche)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 1: Canción del amor dolido (Song of the Suffering Love)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 1: El aparecido
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 2: Danza del terror
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Scene 2: El circulo magico (Romance del pescador)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 2: A media noche (Los sortilegios)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 2: Danza ritual del fuego (Para ahuyentar los malos espiritus)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Scene 2: Escena
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Scene 2: Canción del fuego fatuo (Song of the Will-o'-the-Wisp)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 2: Pantomima (Pantomime)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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Scene 2: Danza del juego de amor
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Scene 2: Final: Las campanas del amanecer
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 1. El paño moruno
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 2. Seguidilla murciana
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 3. Asturiana
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 4. Jota
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 5. Nana
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 6. Canción
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 7. Polo
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn
Conductor: Eduardo Mata
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No. 1. Fanfare sobre el nombre de E. F. Arbos
Composer: G. Pekkera
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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No. 2. A Claude Debussy
Composer: G. Pekkera
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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No. 3. Rappel de la fanfare
Composer: G. Pekkera
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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No. 4. A Paul Dukas
Composer: G. Pekkera
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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No. 5. Pedrelliana
Composer: G. Pekkera
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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I. The Neighbour's Dance: Sequidillas
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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II. The Miller's Dance: Farruca
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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III. Final Dance: Jota
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Act I Scene 1: Ah! Ah! Ande le tarea (Workers of the forge, A voice from the forge, Grandmother, Distant voices, Voice of a vendor, Voice of a lady vendor)
Composer: Manuel de Falla
Ensemble: Schola Cantorum de Carácas, Alberto Grau Cantoría, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra of Venezuela
Performer: Cecilia Angell, Elvira Torres, Maria Eglee Perez, Lisbeth Rojas, Carlos Silva
Conductor: Eduardo Mata
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Act I Scene 2: Abuela, ino viene! (Salud, Grandmother)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Cecilia Angell
Conductor: Eduardo Mata
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Act I Scene 3: Ah! Ah! Ande la tarea (Workers of the forge, Salud, A voice from the forge)
Composer: Manuel de Falla
Ensemble: Schola Cantorum de Carácas, Alberto Grau Cantoría, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Elvira Torres, Maria Eglee Perez, Lisbeth Rojas, Carlos Silva
Conductor: Eduardo Mata
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Act I Scene 4: Salud! (Grandmother, Salud)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Cecilia Angell
Conductor: Eduardo Mata
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Act I Scene 5: Paco! Paco! (Salud, Paco)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Fernando de la Mora
Conductor: Eduardo Mata
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Act I Scene 6: Paco! Mi chavala! (Salud, Paco, Grandmother, Workers of the forge, Uncle Sarvaor, A voice from the forge, A voice in the distance)
Composer: Manuel de Falla
Ensemble: Schola Cantorum de Carácas, Alberto Grau Cantoría, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Fernando de la Mora, Cecilia Angell, William Alvarado
Conductor: Eduardo Mata
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Act I Scene 7: Intermezzo
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Act II Scene 1: Yo canto por soleares (Cantaor, Voices)
Composer: Manuel de Falla
Ensemble: Schola Cantorum de Carácas, Alberto Grau Cantoría, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra of Venezuela
Performer: Carlos Enrique Iglesias, Jorge Luis Negrete Martinez, Hector Talavera Medina
Conductor: Eduardo Mata
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Act II Scene 1: Danza
Composer: Manuel de Falla
Ensemble: Schola Cantorum de Carácas, Alberto Grau Cantoría, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra of Venezuela
Performer: Jorge Luis Negrete Martinez, Hector Talavera Medina
Conductor: Eduardo Mata
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Act II Scene 2: Alli esta! (Salud, Cantaor)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Carlos Enrique Iglesias
Conductor: Eduardo Mata
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Act II Scene 3: No te dije? (Uncle Sarvaor, Grandmother, Salud, Carmela, Paco)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Fernando de la Mora, Cecilia Angell, William Alvarado, Elizabeth Almenar
Conductor: Eduardo Mata
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Act II Scene 4: Interlude
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Conductor: Eduardo Mata
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Act II Scene 4: Carmela mia! (Paco, Carmela, Manuel, Uncle Salvaor)
Composer: Manuel de Falla
Ensemble: Simón Bolívar Symphony Orchestra of Venezuela
Performer: Fernando de la Mora, William Alvarado, Claudio Muskus, Elizabeth Almenar
Conductor: Eduardo Mata
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Act II Scene 4: Last scene: Que gracia! (Manuel, Guests, Uncle Sarvaor, Paco, Carmela, Salud, Grandmother)
Composer: Manuel de Falla
Ensemble: Schola Cantorum de Carácas, Alberto Grau Cantoría, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra of Venezuela
Performer: Martha Senn, Fernando de la Mora, Cecilia Angell, William Alvarado, Claudio Muskus, Elizabeth Almenar
Conductor: Eduardo Mata
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El pregón (The Proclamation) (Master Peter)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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La sinfonía de Maese Pedro (Master Peter's Symphony) (Master Peter, The Boy)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Scene 1: La Corte de Carlo Magno (The Court of Charlemagne) (The Boy)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Scene 1: Entrada de Carlo Magno (Entry of Charlemagne) (The Boy)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Scene 2: Melisendra (The Boy, Don Quixote, Master Peter)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Scene 3: El suplicio del Moro (The Moor's Punishment) (The Boy)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Scene 4: Los Pirineos (The Pyrenees) (The Boy)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Scene 5: La fuga (The Escape) (The Boy, Master Peter, Don Quixote)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Final (Finale) (Don Quixote, Master Peter)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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Psyché
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Julianne Baird
Conductor: Eduardo Mata
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I. Allegro
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Rafael Puyana
Conductor: Eduardo Mata
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II. Lento (giubiloso ed energico)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Rafael Puyana
Conductor: Eduardo Mata
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III. Vivace (flessibile, scherzando)
Composer: Manuel de Falla
Ensemble: Solistas de Mexico
Performer: Rafael Puyana
Conductor: Eduardo Mata
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Danza del molinero (Dance of the Miller)
Composer: Manuel de Falla
Performer: Benita Meshulam
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Danza de la molinera (Dance of the Miller's Wife)
Composer: Manuel de Falla
Performer: Benita Meshulam
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Danza de los vecinos (Dance of the Neighbours)
Composer: Manuel de Falla
Performer: Benita Meshulam
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Danza de la vida breve
Composer: Manuel de Falla
Performer: Benita Meshulam
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Homenaje de Claude Debussy
Composer: Manuel de Falla
Performer: Benita Meshulam
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Serenata
Composer: Manuel de Falla
Performer: Benita Meshulam
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Mazurka
Composer: Manuel de Falla
Performer: Benita Meshulam
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Serenata Andaluza
Composer: Manuel de Falla
Performer: Benita Meshulam
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Nocturno
Composer: Manuel de Falla
Performer: Benita Meshulam
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Canción
Composer: Manuel de Falla
Performer: Benita Meshulam
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Fantasia baetica
Composer: Manuel de Falla
Performer: Benita Meshulam
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I. En el Generalife
Composer: Manuel de Falla
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jutta Czapski
Conductor: Günther Herbig
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II. Danza lejana
Composer: Manuel de Falla
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jutta Czapski
Conductor: Günther Herbig
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III. En los jardines de la Sierra de Córdoba
Composer: Manuel de Falla
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jutta Czapski
Conductor: Günther Herbig
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No. 1. Aragonesa
Composer: Manuel de Falla
Performer: Benita Meshulam
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No. 2. Cubana
Composer: Manuel de Falla
Performer: Benita Meshulam
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No. 3. Montanesa
Composer: Manuel de Falla
Performer: Benita Meshulam
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No. 4. Andaluza
Composer: Manuel de Falla
Performer: Benita Meshulam
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El amor brujo (Love, the Magician): VIII. Danza del ritual del fuego fatuo (Ritual Fire Dance) (version for piano)
Composer: Manuel de Falla
Performer: Benita Meshulam
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Cortejo de gnomos
Composer: Manuel de Falla
Performer: Benita Meshulam
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Vals-capricho
Composer: Manuel de Falla
Performer: Benita Meshulam
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Allegro de concierto
Composer: Manuel de Falla
Performer: Benita Meshulam
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Canto de los remeros del Volga (Song of the Volga Boatmen)
Composer: Manuel de Falla
Performer: Benita Meshulam
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Pour le tombeau de Paul Dukas
Composer: Manuel de Falla
Performer: Benita Meshulam
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I. El paño moruno
Composer: Manuel de Falla
Performer: Timora Rosler, Klára Würtz
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II. Nana
Composer: Manuel de Falla
Performer: Timora Rosler, Klára Würtz
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III. Canción
Composer: Manuel de Falla
Performer: Timora Rosler, Klára Würtz
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IV. Polo
Composer: Manuel de Falla
Performer: Timora Rosler, Klára Würtz
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V. Asturiana
Composer: Manuel de Falla
Performer: Timora Rosler, Klára Würtz
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VI. Jota
Composer: Manuel de Falla
Performer: Timora Rosler, Klára Würtz
Featuring ⌄
Product Details ⌄
Works ⌄
As the central figure of Spanish music in the first half of the last century, de Falla (1876-1946) came to define the sound of Spain for listeners beyond its borders. Folk music, romanticism, neoclassicism, modernism: all the prevalent styles of his time were assimilated and absorbed within a personal idiom that advanced the work of notable predecessors such as Albeniz and Granados in establishing a distinctively Spanish idiom for art music, making him a worthy contemporary of other composers outside the central European mainstream from Vaughan Williams in England to Bartók in Hungary and Sibelius in Finland. Falla’s cycle of Seven Popular Spanish Songs is a perfect synthesis of artsong and folksong, performed here in Luciano Berio’s orchestration by Marta Senn and the Simon Bolivar Orchestra of Venezuela under the baton of Eduardo Mata, the Mexican conductor renowned for his dynamic interpretations of Hispanic repertoire. The songs return in their instrumental guise as the Suite populaire espagnole, with the cellist Timora Rosler accompanied by Klára Würtz. Rafael Puyana is a uniquely sympathetic soloist in the Harpsichord Concerto which gave the instrument new life beyond its Baroque associations. Benita Meshulam is widely recognized as the inheritor of Alicia de Larrocha’s mantle with her superbly atmospheric recordings of Spanish piano music.
REVIEW:
Manuel de Falla Collection is an honest title, since the five CDs present only a selection of his works, including well-known ones such as Nights in Spanish Gardens, El Amor Brujo, and The Three-Cornered Hat. The recordings with the Simon Bolivar Symphony Orchestra from 1981 convey particularly well the intensity of Spanish emotional worlds that Central Europeans like to assume. The round is opened with El Amor Brujo in a striking and lively performance. The interpretation of the Seven popular Spanish Songs, as well as Homenajas let the listener dive into Spanish worlds. The three dances from The Three-Cornered Hat in the version for orchestra will be joined by others in the piano version on a later CD.
For the recordings made in Venezuela, the conductor Eduardo Mata certainly holds the orchestra together and inspires it to effective performances. One could well imagine more sensitivity here, the nocturnal sultriness of the tango instead of the midday heat, so to speak, but there is little more to offer in the way of fire and color. More delicacy without sacrificing the technical quality of the recording is offered by the oldest recording.
In Nights in Spanish Gardens, the Berlin Symphony Orchestra performs under the judicious direction of Günther Herbig. The singers go along with the emotional South American approach, not without delicately savoring the music.
The two pianists offer mature quality. Benita Mehuslam, who has also recorded the complete works for piano by De Falla on the label, is featured here with excerpts, Dances from the The-Cornered Hat and Spanish pieces. In the only chamber work, besides the piano music, Klara Würtz accompanies cellist Timora Rosler on the piano in the Suite Populaire Espagnole. The two artists, who have also won awards as a duo, give the top dance of sensitivity and European noblesse, so to speak, with their interpretation that concludes the collection. Harpsichordist Rafael Puyana from Colombia can show all the registers of his skills in the harpsichord concerto. Here and also in El Retablode Maese Pedro as well as in Psyche the Solistas de Mexico play, again conducted by Eduardo Mata. Those who want to experience this composer intensively will find in this compilation a good opportunity to be infected by the joie de vivre of the music.
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