It was in Stuttgart that Distler first discovered Eduard Morike. He was fascinated by the lyric poetry of the Swabian poet. In the foreword to the Choral Song Book, he emphasized that the "rhythmic power and freedom of movement", "the objectivity of the poetic content, suggestive of old folk song", but also the "ardent subjectivity and stead-fast/ self-reliant character" drew him to Morike. The present recording offers, in it's selection of movements for mixed choir, women's and men's choirs, a cross-section of all the various compositional techniques and stylistic devices which Distler was able to combine so brilliantly.