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COMPOSERDUPARC, HENRI
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PERFORMERLosier, Blumenthal
Duparc: Complete Melodies / Michele Losier, Daniel Blumenthal
- Fuga Libera
- May 12, 2009
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RELEASE DATEMay 12, 2009
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UPC5400439005525
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CATALOG NUMBERFUG552
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LABELFuga Libera
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NUMBER OF DISCS1
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GENRE
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L'Invitation au voyage (version for voice and piano)
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Au pays ou se fait la guerre
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Romance de Mignon
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Le galop
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Soupir
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Serenade
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Chanson triste (version for voice and piano)
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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La vague et la cloche
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Élégie
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Le manoir de Rosemonde
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Extase
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Serenade florentine
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Phidyle (version for voice and piano)
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Lamento
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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Testament
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
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La vie anterieure
Composer: Henri Duparc
Performer: Michèle Losier, Daniel Blumenthal
Featuring ⌄
Product Details ⌄
Works ⌄
The interpretation of the complete melodic works of Duparc, this absolute summit in the art of the Lied in the 19th century, calls for a rare mix of youth, experience, interiority and expressivity, in addition to a rare tessitura: a middle range voice in which the extremes are as pleasing as the middle register. Coming from Quebec, Michèle Losier, hitherto applauded on numerous North-American opera stages, impressed the 2008 edition of the Reine Elisabeth Singing Competition by her bewitching art of the recital. This enabled her to meet Daniel Blumenthal, a dream accompanist, and to risk this thrilling adventure in the beautiful hall of the Concertgebouw in Bruges. The result has disconcerting beauty and the added merit of enabling us to admire the lesser known melodies of this great genius, next to his universally celebrated masterpieces. Duparc, who stopped writing at thirty-nine (1884) and painfully survived himself for half a century, offers us the heart and soul of French Romanticism in this interpretation.
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