Dvorak: Piano Quartet No. 2, Op. 87, Piano Quintet No. 2, Op. 81 / Schubert Ensemble
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Founded in 1983, regularly giving more than sixty concerts a year, and having performed in over forty different countries, the Schubert Ensemble is firmly established...
Founded in 1983, regularly giving more than sixty concerts a year, and having performed in over forty different countries, the Schubert Ensemble is firmly established as one of the world’s leading exponents of chamber music for piano and strings.
The Ensemble here performs Piano Quintet No. 2, which is arguably one of Dvorák’s greatest and most popular chamber pieces, thanks to its memorable melodies and sheer panache. The composer took great pride in his country, in his people, their character and cultural heritage, all of which is evident in this work. In the words of the late British Dvorák scholar John Clapham: ‘[it] probably epitomizes more completely the genuine Dvorák style in most of its facets than any other work of his. Laughter and tears, sorrow and gaiety, are found side by side, as well as many moods that lie between these two extremes. All are presented with consummate mastery, they are decked in a wide range of instrumental colouring, and through the whole sweeps the life-blood of vital rhythm.’
Dvorák wrote his Piano Quartet No. 2 at the persistent request of his publisher Simrock in Berlin, who had long recognised the sales potential of the composer’s music. He was not wrong; the work went on to become one of Dvorák’s most frequently played chamber works. Here, Dvorák revels in taking on both tranquil and stormy moods; the feeling of great joy present in the third movement pre-echoes the sunny disposition of his Symphony No. 8, which was to follow immediately after the Quartet.
The seven songs which make up the cycle Gypsy Songs were written in 1880 to texts by the Czech poet Adolf Heyduk. The fourth, ‘Songs My Mother Taught Me’, is the best known internationally of all Dvorák’s songs. The version heard here, for piano quartet, was arranged by the four core members of the Schubert Ensemble, and is a highly popular encore piece performed at many of its concerts. - Chandos
The Ensemble here performs Piano Quintet No. 2, which is arguably one of Dvorák’s greatest and most popular chamber pieces, thanks to its memorable melodies and sheer panache. The composer took great pride in his country, in his people, their character and cultural heritage, all of which is evident in this work. In the words of the late British Dvorák scholar John Clapham: ‘[it] probably epitomizes more completely the genuine Dvorák style in most of its facets than any other work of his. Laughter and tears, sorrow and gaiety, are found side by side, as well as many moods that lie between these two extremes. All are presented with consummate mastery, they are decked in a wide range of instrumental colouring, and through the whole sweeps the life-blood of vital rhythm.’
Dvorák wrote his Piano Quartet No. 2 at the persistent request of his publisher Simrock in Berlin, who had long recognised the sales potential of the composer’s music. He was not wrong; the work went on to become one of Dvorák’s most frequently played chamber works. Here, Dvorák revels in taking on both tranquil and stormy moods; the feeling of great joy present in the third movement pre-echoes the sunny disposition of his Symphony No. 8, which was to follow immediately after the Quartet.
The seven songs which make up the cycle Gypsy Songs were written in 1880 to texts by the Czech poet Adolf Heyduk. The fourth, ‘Songs My Mother Taught Me’, is the best known internationally of all Dvorák’s songs. The version heard here, for piano quartet, was arranged by the four core members of the Schubert Ensemble, and is a highly popular encore piece performed at many of its concerts. - Chandos
Product Description:
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Release Date: May 29, 2012
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UPC: 095115171929
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Catalog Number: CHAN 10719
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Label: Chandos
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Number of Discs: 1
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Period: Chandos
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Composer: Antonín Dvořák
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Orchestra/Ensemble: Schubert Ensemble
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Performer: Alexandra Wood, Douglas Paterson, Jane Salmon, Simon Blendis, William Howard