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COMPOSERVarious
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PERFORMERVox Luminis, Lionel Meunier
Ein Deutsches Barockrequiem / Meunier, Vox Luminus
- Ricercar
- April 14, 2023
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RELEASE DATEApril 14, 2023
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UPC5400439004450
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CATALOG NUMBERRIC445
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LABELRicercar
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NUMBER OF DISCS1
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GENRE
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Gedenke, Herr, wie es uns gehet
Composer: Andreas Scharmann
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Sinfonia: Und da der Sabbath vergangen war
Composer: Thomas Selle
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Selig sind, die da geistlich arm sind
Composer: Johann Hermann Schein
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Die mit Tränen säen
Composer: Christian Geist
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Musicalische Seelenlust, Part I: No. 8. Die Erloseten des Herren
Composer: Tobias Michael
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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12 Madrigalische Trostgesänge: No. 6. Ach Herr, lehre doch mich
Composer: Wolfgang Carl Briegel
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Ach wie gar nichts sind alle Menschen
Composer: Andreas Hammerschmidt
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Die Gerechten Seelen sind in Gottes Hand
Composer: Heinrich Schwemmer
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Wie lieblich sind deine Wohnunge
Composer: Johann Hermann Schein
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Ich will schweigen, "Threnus"
Composer: Johann Hermann Schein
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Der Tod ist verschlungen
Composer: Andreas Hammerschmidt
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Selig sind die Toten
Composer: Johann Philipp Förtsch
Ensemble: Vox Luminis
Conductor: Lionel Meunier
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Ich hebe meine Augen auf zu den Bergen
Composer: Andreas Hammerschmidt
Ensemble: Vox Luminis
Conductor: Lionel Meunier
Featuring ⌄
Product Details ⌄
Works ⌄
Johannes Brahms drew texts from various Biblical sources for his Deutsches Requiem. As we hear in his choral music, he had a passion for polyphony and was inspired by models from the great Lutheran tradition of the late Renaissance and the Baroque. Ricercar and Vox Luminis have explored this early repertoire with the same passion for many years now, although with no less admiration for Brahms's masterpiece. It is no surprise that some of the texts that Brahms chose had already been set by his illustrious predecessors; it simply remained for us to trace a path through these earlier scores, so many meditations on death, and to assemble a very different Deutsches Requiem: one animated by the emotions of the Lutheran Baroque.
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