![Film Music Classics - Shostakovich: Odna [Alone] / Fitz-Gerald](http://arkivmusic.com/cdn/shop/files/1285403.jpg?v=1786763012&width=1200)
Naxos
Film Music Classics - Shostakovich: Odna [Alone] / Fitz-Gerald
$19.99
Only 3 left
Details
- Composer
- SHOSTAKOVICH, DMITRY
- Artist
- Mataeva, Kiknadze, Voropaev, M. Fi
- Format
- CD
- Label
- Naxos
- Released
- Jan 29, 2008
- Catalog #
- 8570316
- UPC
- 747313031672
About
Shostakovich scored dozens of films, starting in the silent era with a long, almost symphonic, accompaniment to Kozintsev and Trauberg’s New Babylon (1929). At the last minute the censors imposed heavy cuts on the film and there wasn’t time even to begin to try and make Shostakovich’s music fit what was left of the film. For his next film Odna (Alone) Shostakovich decided to make things easier for everybody and wrote music in easily assimilated portions ranging in duration from about 30 seconds to four and a half minutes. There are 48 cues on this CD – the complete score for the film.
Odna was planned as the first Soviet sound film but, due to the bulkiness of the sound recording equipment, it was shot, on location, as a silent with the soundtrack being added later at the Leningrad studios. As the soundtrack was poor, title cards were used as well as sound – hence the description of a sound/silent film. The plot is simplicity itself. Elena, a young teacher looks forward to a life with her husband-to-be in Leningrad but she is sent to the Altai, on the Mongolian border. She tries to teach the children, and they enjoy their lessons, but the parents need them to tend the sheep. Elena nearly dies in a snowdrift but is rescued “thanks to the Soviet State”, as a title card tells us. Finally, Elena leaves the Altai and returns to Leningrad, but we have no idea if her presence in the village has made any difference to the lives if the people she leaves behind. Shostakovich is much more positive in his closing music, giving a quite optimistic view.
The music covers a wide variety of styles and moods. There’s a lot of the kind of music we know from The Age of Gold, and the opera The Nose, circus music similar to that which appears in the first movement of the 4th Symphony, highly serious (but with a slight thumbing of the nose) for the village Soviet chairman waking up (track 29), but there’s also high drama, especially in the scenes where Elena nearly freezes to death, a very evocative use of the Theremin here.
The booklet tells us that this is one of Shostakovich’s best scores. It’s certainly one of his most varied and it’s easy to follow the slender plot. There’s also some delightful orchestrations – I particularly loved the duet for bassoons and harp and the duet for oboe and wood blocks! – ranging from full orchestra to chamber music combinations. You can hear the orchestral sound Shostakovich became famous for, sometimes in embryo, in almost every track.
The restoration of the score was obviously a labour of love. Much time and effort has obviously gone into the making of this disk. The performance is excellent: the orchestra is on top form and the soloists are, mercifully, lacking the kind of wide vibrato we used to get from Soviet singers.
All in all, an exciting release which finally does justice to a score we have only really known, in tantalisingly incomplete form, through Rozhdestvensky’s short Suite - which he recorded in the early 1980s, and which is now available in a 14 disk set from BMG/Melodia, or as a 2 disk set of Manuscripts from Different Years 74321 59058 2 - a version of the Suite by Dmitri Smirnov for wind ensemble (Netherlands Wind Ensemble, Meladina Record MRCD0021) and a Russian Disc issue of 1995 (RD CD 10 007) which included 29 cues from the score.
This is the real thing and it was worth the wait. Recording and notes are superb.
This Naxos series of Film Music Classics simply goes from strength to strength.
-- Bob Briggs, MusicWeb International
Odna was planned as the first Soviet sound film but, due to the bulkiness of the sound recording equipment, it was shot, on location, as a silent with the soundtrack being added later at the Leningrad studios. As the soundtrack was poor, title cards were used as well as sound – hence the description of a sound/silent film. The plot is simplicity itself. Elena, a young teacher looks forward to a life with her husband-to-be in Leningrad but she is sent to the Altai, on the Mongolian border. She tries to teach the children, and they enjoy their lessons, but the parents need them to tend the sheep. Elena nearly dies in a snowdrift but is rescued “thanks to the Soviet State”, as a title card tells us. Finally, Elena leaves the Altai and returns to Leningrad, but we have no idea if her presence in the village has made any difference to the lives if the people she leaves behind. Shostakovich is much more positive in his closing music, giving a quite optimistic view.
The music covers a wide variety of styles and moods. There’s a lot of the kind of music we know from The Age of Gold, and the opera The Nose, circus music similar to that which appears in the first movement of the 4th Symphony, highly serious (but with a slight thumbing of the nose) for the village Soviet chairman waking up (track 29), but there’s also high drama, especially in the scenes where Elena nearly freezes to death, a very evocative use of the Theremin here.
The booklet tells us that this is one of Shostakovich’s best scores. It’s certainly one of his most varied and it’s easy to follow the slender plot. There’s also some delightful orchestrations – I particularly loved the duet for bassoons and harp and the duet for oboe and wood blocks! – ranging from full orchestra to chamber music combinations. You can hear the orchestral sound Shostakovich became famous for, sometimes in embryo, in almost every track.
The restoration of the score was obviously a labour of love. Much time and effort has obviously gone into the making of this disk. The performance is excellent: the orchestra is on top form and the soloists are, mercifully, lacking the kind of wide vibrato we used to get from Soviet singers.
All in all, an exciting release which finally does justice to a score we have only really known, in tantalisingly incomplete form, through Rozhdestvensky’s short Suite - which he recorded in the early 1980s, and which is now available in a 14 disk set from BMG/Melodia, or as a 2 disk set of Manuscripts from Different Years 74321 59058 2 - a version of the Suite by Dmitri Smirnov for wind ensemble (Netherlands Wind Ensemble, Meladina Record MRCD0021) and a Russian Disc issue of 1995 (RD CD 10 007) which included 29 cues from the score.
This is the real thing and it was worth the wait. Recording and notes are superb.
This Naxos series of Film Music Classics simply goes from strength to strength.
-- Bob Briggs, MusicWeb International
Tracklist 48 tracks
-
1 The Beginning (Overture) 00:53
- Track
- 1
- Title
- The Beginning (Overture)
- Duration
- 00:53
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
2 Reel 1, Kuzmina in Leningrad: Kuzmina wakes 01:20
- Track
- 2
- Title
- Reel 1, Kuzmina in Leningrad: Kuzmina wakes
- Duration
- 01:20
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
3 Reel 1, Kuzmina in Leningrad: Konchen, konchen tekhnikum 01:05
- Track
- 3
- Title
- Reel 1, Kuzmina in Leningrad: Konchen, konchen tekhnikum
- Duration
- 01:05
- Composer
- Dmitri Shostakovich
- Performer
- Irina Mataeva
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
4 Reel 1, Kuzmina in Leningrad: Morning Exercises 01:27
- Track
- 4
- Title
- Reel 1, Kuzmina in Leningrad: Morning Exercises
- Duration
- 01:27
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
5 Reel 1, Kuzmina in Leningrad: March, "The Street" 00:37
- Track
- 5
- Title
- Reel 1, Kuzmina in Leningrad: March, "The Street"
- Duration
- 00:37
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
6 Reel 1, Kuzmina in Leningrad: Kuzmina waits Sobolevsky 00:42
- Track
- 6
- Title
- Reel 1, Kuzmina in Leningrad: Kuzmina waits Sobolevsky
- Duration
- 00:42
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
7 Reel 1, Kuzmina in Leningrad: Galop - Kakaya horoshaya budet zhizn'! (How Good Life will Be!) 02:42
- Track
- 7
- Title
- Reel 1, Kuzmina in Leningrad: Galop - Kakaya horoshaya budet zhizn'! (How Good Life will Be!)
- Duration
- 02:42
- Composer
- Dmitri Shostakovich
- Performer
- Dmitry Voropaev
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
8 Reel 1, Kuzmina in Leningrad: March 00:45
- Track
- 8
- Title
- Reel 1, Kuzmina in Leningrad: March
- Duration
- 00:45
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
9 Reel 1, Kuzmina in Leningrad: (Original) Introduction - The Cockery Sings: Ostan'sya! (Stay!) 03:59
- Track
- 9
- Title
- Reel 1, Kuzmina in Leningrad: (Original) Introduction - The Cockery Sings: Ostan'sya! (Stay!)
- Duration
- 03:59
- Composer
- Dmitri Shostakovich
- Performer
- Irina Mataeva, Dmitry Voropaev
- Ensemble
- Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
10 Reel 2, Kuzmina Enlists as a Teacher: Office Typewriters 00:04
- Track
- 10
- Title
- Reel 2, Kuzmina Enlists as a Teacher: Office Typewriters
- Duration
- 00:04
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
11 Reel 2, Kuzmina Enlists as a Teacher: A Young Girl Signs Up 00:59
- Track
- 11
- Title
- Reel 2, Kuzmina Enlists as a Teacher: A Young Girl Signs Up
- Duration
- 00:59
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
12 Reel 2, Kuzmina Enlists as a Teacher: Music from the Loudspeakers During Telephone Box Scene (composed by Padre Martini, arr. F. Kreisler) 00:57
- Track
- 12
- Title
- Reel 2, Kuzmina Enlists as a Teacher: Music from the Loudspeakers During Telephone Box Scene (composed by Padre Martini, arr. F. Kreisler)
- Duration
- 00:57
- Composer
- Dmitri Shostakovich
- Performer
- Ulrich Edelmann
-
13 Reel 2, Kuzmina Enlists as a Teacher: Kuzmina Starts to Sign Up 01:05
- Track
- 13
- Title
- Reel 2, Kuzmina Enlists as a Teacher: Kuzmina Starts to Sign Up
- Duration
- 01:05
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
14 Reel 2, Kuzmina Enlists as a Teacher: March 00:47
- Track
- 14
- Title
- Reel 2, Kuzmina Enlists as a Teacher: March
- Duration
- 00:47
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
15 Reel 2, Kuzmina Enlists as a Teacher: Barrel-Organ 01:05
- Track
- 15
- Title
- Reel 2, Kuzmina Enlists as a Teacher: Barrel-Organ
- Duration
- 01:05
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
16 Reel 2, Kuzmina Enlists as a Teacher: The Old Janitor Flirts with Her 00:31
- Track
- 16
- Title
- Reel 2, Kuzmina Enlists as a Teacher: The Old Janitor Flirts with Her
- Duration
- 00:31
- Composer
- Dmitri Shostakovich
- Performer
- Dmitry Voropaev
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
17 Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Overtone Singer 00:43
- Track
- 17
- Title
- Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Overtone Singer
- Duration
- 00:43
- Composer
- Dmitri Shostakovich
- Performer
- Mark van Tongeren
-
18 Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Steppe of the Altai 00:57
- Track
- 18
- Title
- Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Steppe of the Altai
- Duration
- 00:57
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
19 Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Altai 04:59
- Track
- 19
- Title
- Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Altai
- Duration
- 04:59
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
20 Reel 3, Kuzmina Arrives Alone in the Altai Steppes: She Meets the Village Chairman and Some of the Locals 03:38
- Track
- 20
- Title
- Reel 3, Kuzmina Arrives Alone in the Altai Steppes: She Meets the Village Chairman and Some of the Locals
- Duration
- 03:38
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
21 Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Kuzmina in Her Peasant's Hut 03:07
- Track
- 21
- Title
- Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Kuzmina in Her Peasant's Hut
- Duration
- 03:07
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
22 Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Kuzmina Takes Courage 00:25
- Track
- 22
- Title
- Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Kuzmina Takes Courage
- Duration
- 00:25
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
23 Reel 4, Kuzmina Starts Teaching the Local Children: Introduction 00:20
- Track
- 23
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: Introduction
- Duration
- 00:20
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
24 Reel 4, Kuzmina Starts Teaching the Local Children: The School Class 00:59
- Track
- 24
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: The School Class
- Duration
- 00:59
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
25 Reel 4, Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend The Sheep 02:53
- Track
- 25
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend The Sheep
- Duration
- 02:53
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
26 Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina is Struck as She Protests 00:43
- Track
- 26
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina is Struck as She Protests
- Duration
- 00:43
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
27 Reel 4, Kuzmina Starts Teaching the Local Children: The Village Children's Wife Sings A Lullaby to Her Baby 02:46
- Track
- 27
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: The Village Children's Wife Sings A Lullaby to Her Baby
- Duration
- 02:46
- Composer
- Dmitri Shostakovich
- Performer
- Anna Kiknadze
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
28 Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina Sees the Wife's Crockery and Reminisces 00:51
- Track
- 28
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina Sees the Wife's Crockery and Reminisces
- Duration
- 00:51
- Composer
- Dmitri Shostakovich
- Performer
- Dmitry Voropaev
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
29 Reel 4, Kuzmina Starts Teaching the Local Children: The Village Soviet Chairman Waking Up 03:04
- Track
- 29
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: The Village Soviet Chairman Waking Up
- Duration
- 03:04
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
30 Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina Confronts the Village Chairman 01:16
- Track
- 30
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina Confronts the Village Chairman
- Duration
- 01:16
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
31 Reel 4, Kuzmina Starts Teaching the Local Children: The Village Chairman Drinks Tea with His Wife 00:41
- Track
- 31
- Title
- Reel 4, Kuzmina Starts Teaching the Local Children: The Village Chairman Drinks Tea with His Wife
- Duration
- 00:41
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
32 Reel 5, Kuzmina Teaches in the Open Air: The Children Play and Dance with Her 02:12
- Track
- 32
- Title
- Reel 5, Kuzmina Teaches in the Open Air: The Children Play and Dance with Her
- Duration
- 02:12
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
33 Reel 5, Kuzmina Teaches in the Open Air: The Bai and the Sheep Trader, a Sheep is Slaughtered 02:48
- Track
- 33
- Title
- Reel 5, Kuzmina Teaches in the Open Air: The Bai and the Sheep Trader, a Sheep is Slaughtered
- Duration
- 02:48
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
34 Reel 5, Kuzmina Teaches in the Open Air: Kuzmina Protests 01:24
- Track
- 34
- Title
- Reel 5, Kuzmina Teaches in the Open Air: Kuzmina Protests
- Duration
- 01:24
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
35 Reel 5, Kuzmina Teaches in the Open Air: The Bai Shouts Back at Her 01:11
- Track
- 35
- Title
- Reel 5, Kuzmina Teaches in the Open Air: The Bai Shouts Back at Her
- Duration
- 01:11
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
36 Reel 5, Kuzmina Teaches in the Open Air: The Locals Conspire to Murder Kuzmina 04:44
- Track
- 36
- Title
- Reel 5, Kuzmina Teaches in the Open Air: The Locals Conspire to Murder Kuzmina
- Duration
- 04:44
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
37 Reel 6, Attempted Murder of Kuzmina: Kuzmina on Her Way to The Next Town 02:06
- Track
- 37
- Title
- Reel 6, Attempted Murder of Kuzmina: Kuzmina on Her Way to The Next Town
- Duration
- 02:06
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
38 Reel 6, Attempted Murder of Kuzmina: A Snowstorm Starts to Build 01:13
- Track
- 38
- Title
- Reel 6, Attempted Murder of Kuzmina: A Snowstorm Starts to Build
- Duration
- 01:13
- Composer
- Dmitri Shostakovich
- Performer
- Barbara Buchholz
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
39 Reel 6, Attempted Murder of Kuzmina: Snowstorm 02:18
- Track
- 39
- Title
- Reel 6, Attempted Murder of Kuzmina: Snowstorm
- Duration
- 02:18
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
40 Reel 6, Attempted Murder of Kuzmina: Kuzmina Almost Freezes to Death (beginning) 01:33
- Track
- 40
- Title
- Reel 6, Attempted Murder of Kuzmina: Kuzmina Almost Freezes to Death (beginning)
- Duration
- 01:33
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
41 Reel 6, Attempted Murder of Kuzmina: Kuzmina Almost Freezes to Death (conclusion) 04:47
- Track
- 41
- Title
- Reel 6, Attempted Murder of Kuzmina: Kuzmina Almost Freezes to Death (conclusion)
- Duration
- 04:47
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
42 Reel 7, Kuzmina's Rescue by Aeroplane: The Village Chairman Meets with the Locals 00:28
- Track
- 42
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: The Village Chairman Meets with the Locals
- Duration
- 00:28
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
43 Reel 7, Kuzmina's Rescue by Aeroplane: Kuzmina Close to Death to Bed 00:57
- Track
- 43
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: Kuzmina Close to Death to Bed
- Duration
- 00:57
- Composer
- Dmitri Shostakovich
- Performer
- Anna Kiknadze
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
44 Reel 7, Kuzmina's Rescue by Aeroplane: The Village Chairman and Meeting 00:26
- Track
- 44
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: The Village Chairman and Meeting
- Duration
- 00:26
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
45 Reel 7, Kuzmina's Rescue by Aeroplane: The Children Come to Comfort Kuzmina 01:08
- Track
- 45
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: The Children Come to Comfort Kuzmina
- Duration
- 01:08
- Composer
- Dmitri Shostakovich
- Performer
- Barbara Buchholz
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
46 Reel 7, Kuzmina's Rescue by Aeroplane: The Village Chairman Plans Her Funeral 00:55
- Track
- 46
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: The Village Chairman Plans Her Funeral
- Duration
- 00:55
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
47 Reel 7, Kuzmina's Rescue by Aeroplane: The Locals Express Themselves Violently 01:39
- Track
- 47
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: The Locals Express Themselves Violently
- Duration
- 01:39
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald
-
48 Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane from Moscow Arrives to Rescue the Teacher 03:46
- Track
- 48
- Title
- Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane from Moscow Arrives to Rescue the Teacher
- Duration
- 03:46
- Composer
- Dmitri Shostakovich
- Ensemble
- Radio-Sinfonie-Orchester Frankfurt
- Conductor
- Mark Fitz-Gerald