Foerster: Violin Concertos / Zenaty, Belohlávek, Bbc So
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FOERSTER Violin Concertos: No. 1 in c; 1 No. 2 in d • Ivan Ženatý (vn); Ji?í B?lohlávek, cond; BBC SO • SUPRAPHON 3961 (65:23)...
FOERSTER Violin Concertos: No. 1 in c; 1 No. 2 in d • Ivan Ženatý (vn); Ji?í B?lohlávek, cond; BBC SO • SUPRAPHON 3961 (65:23) Live: London 12/8/2007 1
Jan Kubelík urged Josef Bohuslav Foerster to write his First Violin Concerto, which Kubelík played for the first time in Chicago in October 1910. It’s a grand Romantic work, as ingratiating melodically as Bruch’s or Goldmark’s concertos but colored—or, at least, tinted—with references to the composer’s Czech ethnicity but even more strongly influenced by the virtuoso tradition, which it perhaps owes to Kubelík, who wrote a cadenza for the premiere that bejewels its soaring melodiousness. (The notes also explain that the Concerto served as a sort of test run for Foerster’s fourth opera, The Unvanquished , with its violinist-composer hero.) Ivan Ženatý plays the work’s first movement authoritatively, adding his own cadenza, which differs in style—as so many violinists’ cadenzas do—from the composer’s passages that surround it. Ženatý draws a rich tone from the lower registers of the 1743 Prince of Orange Guarneri del Gesù and a pure and clean sound from its upper ones; such tonal opulence enables him to mine the slow movement’s rich melodic vein. The third movement opens with a triple-time dance-like theme; many virtuoso concertos concluded with dance-like finales, but this one, marked Allegro grazioso , seems more elegantly balletic. Ženatý is at home in the work’s declamatory passages (as at the first movement’s opening) as well as in the ruminative slow movement or in the comparatively genial finale. The engineers have balanced the sonorous orchestral part and the brilliant solo in this live performance (with applause at the end). I believe the performance of the First Concerto on Orfeo 403971 may no longer be available.
The Second Concerto (the program claims to offer the first complete performance of both works), the notes accede, has not claimed the attention of violinists. Sketched in 1917 and 1918 and completed in 1926, the Concerto received its premiere on January 19, 1927. Of a piece with the First Concerto melodically, the Second nevertheless lacks its bravura, relying more heavily on pervasive lyricism. But such ingratiating melodiousness, projected against occasionally gauzy orchestration, should compensate for the Concerto’s lack of brilliance. The first two movements, marked Andante sostenuto and Andante moderato (the second movement flowing almost seamlessly out of the first), finally give way to a concluding Allegro. But while those first two movements hardly lack drama—the orchestra occasionally surges as sonorously as it does in Chausson’s Poème or Delius’s Concerto—the general atmosphere remains ecstatically if intimately tranquil. Even the finale, which begins with a hint of the folk dance, settles back into its characteristic melodic warmth. The recorded sound remains balanced throughout the Second Concerto in a way similar to that of the First, though the studio recording sessions took place on December 4–5, 2007, at the BBC’s Maida Vale Studios.
Foerster’s violin concertos offer a continuation of the luxurious melodic flow of those by Bruch, Goldmark, and, especially, Dvo?ák; and Ženatý’s sympathetic performances should provide a warm-hearted introduction to them even for listeners not favorably disposed to the violin music of this period. Very strongly recommended.
FANFARE: Robert Maxham
Product Description:
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Release Date: June 20, 2008
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UPC: 099925396121
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Catalog Number: SU3961-2
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Label: Supraphon
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Number of Discs: 1
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Composer: Josef Bohuslav Foerster
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Conductor: Jirí Belohlávek
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Orchestra/Ensemble: BBC Symphony Orchestra
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Performer: Ivan Zenaty