Francis Poulenc is considered one of the greatest melodists of the 20th century but it is his individual and immediately recognizable harmonic language that makes...

Francis Poulenc is considered one of the greatest melodists of the 20th century but it is his individual and immediately recognizable harmonic language that makes his music so distinctive. Often overlooked in his lifetime and in the years after his death, his sacred music was an expression of his more serious side and, following the death of his close friend, Pierre-Octave Ferroud, a re-awakening of his religious faith. The Sixteen’s new recording centers around the themes of conflict and atonement, reflecting both Poulenc’s intense internal struggles and the turbulence of life in France during the mid-20th century. “Some choirs of high renown aim for a kind of robotic perfection in sync with the digital age. Christophers’ troupe contains human beings coloring lines with individual hues, yet still acting and breathing as one.” (The Times)

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REVIEW:

The sacred music of Francis Poulenc would seem somewhat off the regular path of the popular British choir The Sixteen, but they show themselves to be sensitive and skillful Poulenc interpreters. The Mass in G is perfectly controlled, but somehow radiant.

– All Music Guide