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COMPOSERVarious
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ORCHESTRA / ENSEMBLEYekaterinburg Philharmonic Choir
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PERFORMERAndrei Petrenko
Russian Choral Concertos - An Introduction
- Fuga Libera
- May 24, 2024
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RELEASE DATEMay 24, 2024
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UPC5400439008281
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CATALOG NUMBERFUG828
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LABELFuga Libera
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NUMBER OF DISCS1
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GENRE
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Dnes Christos v Vifleeme Razhdayetsya (Today Christ is born in Bethlehem)
Composer: Stepan Degtyarev
Ensemble: Yekaterinburg Philharmonic Choir
Conductor: Andrei Petrenko
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Sacred Concerto No. 34, "Da voskresnet Boh" (Let God arise)
Composer: Dmytro Stepanovych Bortniansky
Ensemble: Yekaterinburg Philharmonic Choir
Conductor: Andrei Petrenko
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Pomishliayu den' strashniy (I Ponder Upon the Fearful Day)
Composer: Alexander Arkhangelsky
Ensemble: Yekaterinburg Philharmonic Choir
Conductor: Andrei Petrenko
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V molitvakh neusipayushchuyu bogoroditsu (In our Prayers, Ever-vigilant Mother of God)
Composer: Sergei Rachmaninoff
Ensemble: Yekaterinburg Philharmonic Choir
Conductor: Andrei Petrenko
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Angel vopiyashe (The Angel Cried Out), Op. 22, No. 18
Composer: Pavel Chesnokov
Ensemble: Yekaterinburg Philharmonic Choir
Performer: Albina Shaikhiyeva
Conductor: Andrei Petrenko
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Blazhen muzh (Blessed is the Man), Op. 44, No. 2
Composer: Pavel Chesnokov
Ensemble: Yekaterinburg Philharmonic Choir
Performer: Alexey Frolov
Conductor: Andrei Petrenko
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S Nami Bog (God Is with Us), Op. 40, No. 6
Composer: Pavel Chesnokov
Ensemble: Yekaterinburg Philharmonic Choir
Performer: Victor Galler
Conductor: Andrei Petrenko
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Perezvonï (Chimes): No. 16. Bely-bely snegi (White-White Snow)
Composer: Valery Aleksandrovich Gavrilin
Ensemble: Yekaterinburg Philharmonic Choir
Performer: Maxim Sinyayev
Conductor: Andrei Petrenko
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No. 10. Strekotunja, balabolka (The White-Fanged Magpie)
Composer: Georgy Vasilyevich Sviridov
Ensemble: Yekaterinburg Philharmonic Choir
Performer: Klavdia Bashkirtseva, Elena Galushko, Elena Rychkova
Conductor: Andrei Petrenko
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No. 7. Zorju bjut (Reveille is Sounded)
Composer: Georgy Vasilyevich Sviridov
Ensemble: Yekaterinburg Philharmonic Choir
Performer: Maria Romina, Ekaterina Nazarova, Alexey Frolov
Conductor: Andrei Petrenko
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The polyphonic choral concerto performed a cappella first appeared in Russian music at the beginning of the 18th century. Sacred in origin, it began as a multimovement setting of liturgical texts. Although it later became more secular in character, it nonetheless retained an elevated nature thanks to its use of Christian imagery. Most of the composers who worked in this genre were choirmasters and conductors, and inherited the traditions of the oldest professional choirs in Russia: the Moscow Synodal Choir and the Saint Petersburg Court Chapel.
The Golden Age of the Russian choral concerto came with the works of Dmitry Bortnyansky and Stepan Degtyarev during the reign of Catherine the Great. The genre took a new turn at the end of the 19th and the beginning of the 20th centuries, thanks to the efforts of Pavel Chesnokov, Sergei Rachmaninov and Alexander Arkhangelsky. Composers during the later 20th century had greater freedom to choose their poetic texts and to modify the form of the genre: they could make use of secular themes, as did Georgy Sviridov in Pushkin’s Garland, or follow the spiritual and philosophical path of the genre, as we see in Valery Gavrilin’s Chimes.
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