Gál: Das Lied Der Nacht, Op. 23 / Hotz, Osnabrucker Symphonieorchester

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Label: CPO
Release Date: April 12, 2019

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Featuring ⌄

COMPOSER

GAL, HANS
ORCHESTRA / ENSEMBLE

Osnabrucker Symphonieorchester
PERFORMER

Opernchor Des Theaters Osnabruck, Hotz

Product Details ⌄

RELEASE DATE

April 12, 2019
UPC

761203518623
CATALOG NUMBER

555186-2
LABEL

CPO
NUMBER OF DISCS

2
GENRE

Classical

Works ⌄

Act I: Es ist unerhört! (Folgedamen, Galwine, Hämone)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Miyuki Sanli, Susann Vent-Wunderlich

Conductor: Andreas Hotz
Act I: Verehrte Damen, wisst ihr Neues? (Kanzler, Folgedamen, Hämone)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Oliver Weidinger, Susann Vent-Wunderlich

Conductor: Andreas Hotz
Act I: Tancred! Herr Tancred! Seid uns gegrüßt! (Folgedamen, Tancred, Hämone, Galwine)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Rhys Jenkins, Susann Vent-Wunderlich, Miyuki Sanli

Conductor: Andreas Hotz
Act I: Herr Tancred! (Lianora, Tancred)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Lina Liu, Rhys Jenkins

Conductor: Andreas Hotz
Act I: Lianora, die Stunde drängt (Tancred, Folgedamen, Lianora, Kanzler, Hämone)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Rhys Jenkins, Lina Liu, Oliver Weidinger, Susann Vent-Wunderlich

Conductor: Andreas Hotz
Act I: Sie selbst, die steinerne Äbtissin! (Folgedamen, Äbtissin, Nonnen, Lianora)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Gritt Gnauck, Kathrin Brauer, Heike Hollenberg, Radoslava Yordanova, Lina Liu

Conductor: Andreas Hotz
Act I: Jahrelang hielt ich das heimliche Zepter (Äbtissin, Lianora, Nonnen)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Gritt Gnauck, Lina Liu, Kathrin Brauer, Heike Hollenberg, Radoslava Yordanova

Conductor: Andreas Hotz
Act I: Was ist gewesen? (Lianora, Ciullo, Folgedamen, Kanzler, Männer)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Lina Liu, Ralph Ertel, Oliver Weidinger

Conductor: Andreas Hotz
Act I: Nachen, mein Nachen gegen die Wellen! (Namenloser Sänger, Lianora)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Ralph Ertel, Lina Liu

Conductor: Andreas Hotz
Act II: Prelude

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Conductor: Andreas Hotz
Act II: Noch immer ist die Prinzessin traurig? (Hämone, Lianora)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Susann Vent-Wunderlich, Lina Liu

Conductor: Andreas Hotz
Act II: Ich gehe, Lianora (Hämone, Lianora)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Susann Vent-Wunderlich, Lina Liu

Conductor: Andreas Hotz
Act II: Die Sommernacht nur summt (Lianora, Namenloser Sänger)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Lina Liu, Ralph Ertel

Conductor: Andreas Hotz
Act II: Mit wem spricht die Prinzessin bei Nacht? (Tancred, Lianora, Namenloser Sänger)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Rhys Jenkins, Lina Liu, Ralph Ertel

Conductor: Andreas Hotz
Act II: Was ist gewesen? (Lianora, Namenloser Sänger)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Lina Liu, Ralph Ertel

Conductor: Andreas Hotz
Act II: Lass … lass mich jetzt (Lianora, Namenloser Sänger)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Lina Liu, Ralph Ertel

Conductor: Andreas Hotz
Act III: Introduction

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Conductor: Andreas Hotz
Act III: Mit Myrthenblüten (Folgedamen, Männer, Hämone, Galwine, Tancred)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Susann Vent-Wunderlich, Miyuki Sanli, Rhys Jenkins

Conductor: Andreas Hotz
Act III: Genug, Herr Tancred! (Lianora, Hämone, Kanzler, Tancred)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Lina Liu, Susann Vent-Wunderlich, Oliver Weidinger, Rhys Jenkins

Conductor: Andreas Hotz
Act III: Interlude

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Conductor: Andreas Hotz
Act III: Heil, Lianora! Heil! (Volk, Lianora, Kanzler, Tancred)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Lina Liu, Oliver Weidinger, Rhys Jenkins

Conductor: Andreas Hotz
Act III: Nachen, mein Nachen, wohin verschlagen? (Namenloser Sänger, Volk, Lianora)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Ralph Ertel, Lina Liu

Conductor: Andreas Hotz
Act III: Ah, Schmach! (Lianora, Tancred, Volk, Kanzler, Ciullo, Chorus)

Composer: Hans Gál

Ensemble: Osnabrück Theatre Chorus, Osnabrück Symphony Orchestra

Performer: Lina Liu, Rhys Jenkins, Oliver Weidinger, Ralph Ertel

Conductor: Andreas Hotz
Act III: Komm, Schwester Lianora! (Äbtissin, Nonnen)

Composer: Hans Gál

Ensemble: Osnabrück Symphony Orchestra

Performer: Gritt Gnauck, Kathrin Brauer, Heike Hollenberg, Radoslava Yordanova

Conductor: Andreas Hotz

After 1933 nobody had the opportunity to hear this opera. Then the Osnabrück Music Theater rediscovered Das Lied der Nacht by Hans Gál and performed it in 2017. This late-romantic opera to a text by Karl Michael von Levetzow premiered in 1926, but since its composer was of Jewish origin, the Nazis prohibited stage productions of it. During his later years Hans Gál was doubly forgotten: as one of the many Jewish artists who were forced into exile by the Fascists and as a conservative "very-latest romanticist" pursuing paths laid out by Brahms and Richard Strauss. He himself described Das Lied der Nacht as a "dramatic ballad" symbolically representing the emotional world of a Sicilian hereditary princess destined for sovereignty. The text set in twelfth-century Palermo evokes a magical, romantic world in which Antiquity and Byzantine and Moorish elements combine to form a synthesis of rare fascination and a lyrical blend of European and Oriental culture. After the premiere at the end of May 2017, the NOZ wrote, "Fantastic music, a good libretto, a marvelous performance, an all-around successful rediscovery that the premiere audience in the Osnabrück Theater celebrated with abundant applause." Now on cpo and an absolute listening must!