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COMPOSERGESUALDO
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PERFORMERMarco Longhini, Delitiae Musicae
Gesualdo: Madrigals, Books 5 & 6 / Longhini, Delitiae Musicae
- Naxos
- May 28, 2013
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RELEASE DATEMay 28, 2013
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UPC747313314775
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CATALOG NUMBER8573147-49
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LABELNaxos
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NUMBER OF DISCS3
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Gioite voi col canto
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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S'io non miro non moro
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Itene, o miei sospiri
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Dolcissima mia vita
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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O dolorosa gioia
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Qual fora, donna, un dolce Ohime
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Felicissimo sonno
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Se vi duol il mio duolo
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Occhi del mio cor vita
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Languisce al fin chi da la vita parte
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Merce grido piangendo
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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O voi, troppo felici
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Correte, amanti, a prova
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Asciugate i begli occhi
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Tu m'uccidi, oh crudele
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Deh, coprite il bel seno
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Poiche l'avida sete
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Ma tu cagion
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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O tenebroso giorno
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Se tu fuggi, io non resto
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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T'amo mia vita, la mia cara vita
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Se la mia morte brami
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Belta, poi che t'assenti
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Tu piangi, o Filli mia
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Resta di darmi noia
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Chiaro risplender suole
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Io parto, e non più dissi
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Mille volte il di moro
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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O dolce mio tesoro
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Deh, come invan sospiro
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Io pur respiro in così gran dolore
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Alme d'Amor rubelle
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Candido e verde fiore
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Ardita Zanzaretta
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Ardo per te, mio bene
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Ancide sol la morte
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Quel no crudel che la mia speme ancise
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Moro, lasso, al mio duolo
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Volan quasi farfalle
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Al mio gioir il ciel si fa sereno
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Tu segui, o bella Clori
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Ancor che per amarti
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Gia piansi nel dolore
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
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Quando ridente e bella
Composer: Carlo Gesualdo
Ensemble: Delitiæ Musicæ
Conductor: Marco Longhini
Featuring ⌄
Product Details ⌄
Works ⌄
GESUALDO Madrigals , Books 5 and 6 • Marco Longhini, cond; Delitiae Musicae • NAXOS 8.573147-49 (three discs: 182:40 Text and Translation)
Don Carlo Gesualdo (1566–1613), Prince of Venosa (the last of that aristocratic line), is renowned for the mannerist music he wrote, both sacred and secular, and the personal failings that enliven so many accounts of his life. He spent an important few years of his life in Ferrara after marrying the niece of Alfonso II d’Este, a court where he had much company among composers and singers, including Cipriano de Rore, Jacques de Wert, and Luzzasco Luzzaschi, not to mention the celebrated singing Ladies of Ferrara. He had grown up in similar surroundings in Venosa, where one of his teachers was Pomponio Nenna.
Another set of Gesualdo’s madrigals has now been completed, the last of several recordings marking the quarter-centenary of his death, although even this last installment was recorded two or three years ago. Marco Longhini’s interpretive approach is just different enough to make this an alternative to the others rather than a competition among them. We have had the old version of Angelo Ephrikian, recorded in 1968 but still available, sung one voice to a part with slow tempos (not as slow as Longhini), stylistically obsolete in a new era of Baroque interpretation. The other complete set came from Kassiopeia ( Fanfare 33:4) with considerably faster tempos but a keen sense of style. Longhini has now provided the third complete set, including for good measure the few other secular works published separately. Several other directors have recorded complete books, perhaps hoping to complete all six, among them Harry van der Kamp (29:3), Anthony Rooley (8:2), and those mentioned below.
This collection is striking for its departure from the performance practice of the first four books, issued one disc at a time (34: 1, 34:5, 35:3, 36:2). In each of those discs, he acknowledged an alternative performance practice by using harpsichord or theorbo to accompany half of the madrigals, leaving the rest unaccompanied, as all other recordings known to me have done. In these last two books, the madrigals are all unaccompanied. I find no explanation in Longhini’s lengthy and informative notes to indicate why his practice in the first four books has not continued here.
Tempos are again an obvious measure of the difference among competing versions of these madrigals. In Book 5, the northerners, Kassiopeia (33:4) and Hilliard (35:6), take about 55 minutes in all, while among the Italians, La Venexiana (29:2) takes 64 minutes and Longhini 83 minutes. Book 6 is similar, for Kassiopeia (also 33:4) is 67 minutes, La Compagnia del madrigali (36:6) is 78 minutes, and Longhini is 100 minutes. The very first madrigal in Book 6, Se la mia morte brami , is exactly twice as long here as in Kassiopeia’s. I would rather hear it too slow than too fast, but note that the recent La Compagnia del Madrigale version is a moderate four minutes. So it goes for every selection, if not exactly a 2:1 ratio. To be sure, all the cited versions are listenable or better, and on the fast side the Hilliard’s Book 5 is exquisite. Choosing moderation, it may be noted that La Venexiana’s Book 4 (24:3) may be added to their Book 5 and La Compagnia’s Book 6 to encompass lovely renditions of half the total. On the other hand, do not overlook Longhini’s extensive and literate notes (in fluent translations) in each issue, treating both music and biography at considerable length.
All of the recordings cited are sung very well and recorded up close. If you started collecting Longhini, don’t hesitate to complete the set. Naxos prints texts and English translations in the booklets as well as posting them online, unlike for some of their other recent issues.
FANFARE: J. F. Weber
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