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COMPOSERHANDEL, GEORGE FRIDERIC
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ORCHESTRA / ENSEMBLEPhilharmonia Baroque Orchestra
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PERFORMERMcgegan
Handel: Atalanta / Mcgegan, Labelle, Ryden, Slattery, Van De Sant
Regular price
$29.99
Unit price
per
- Philharmonia Baroque Productions
- July 15, 2015
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RELEASE DATEJuly 15, 2015
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UPC852188003065
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CATALOG NUMBERPBP04
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LABELPhilharmonia Baroque Productions
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NUMBER OF DISCS2
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GENRE
Featuring ⌄
Product Details ⌄
The fireworks on this live recording from 2005, featuring the Philharmonia Baroque Orchestra led by Nicholas McGegan, are definitely of the vocal variety.
"Nobody does baroque better than Nicholas McGegan and his Philharmonia Baroque Orchestra. And nobody does Handel better than McGegan and the PBO, either. So, there's no wonder the team do such a good job with Handel's Atalanta." -- John J. Puccio, Classical Candor
"Magnificent...the most vibrant, exhilarating stretch of musical showmanship this organization has offered in many a long season. Not since a decade ago have Philharmonia audiences witnessed a performance so deep, so affecting or so rich in musical splendor."
-- San Francisco Chronicle
"It is a particular joy to see a peformance such as this, utilising many of the dramatic and musical conventions of the eighteenth century, but with more than a nod towards modern sensibilities, especially when the score is as full of glories as Atalanta, and when performed this well."
-- Sandra Bowdler, The Opera Critic
"Nobody does baroque better than Nicholas McGegan and his Philharmonia Baroque Orchestra. And nobody does Handel better than McGegan and the PBO, either. So, there's no wonder the team do such a good job with Handel's Atalanta." -- John J. Puccio, Classical Candor
"Magnificent...the most vibrant, exhilarating stretch of musical showmanship this organization has offered in many a long season. Not since a decade ago have Philharmonia audiences witnessed a performance so deep, so affecting or so rich in musical splendor."
-- San Francisco Chronicle
"It is a particular joy to see a peformance such as this, utilising many of the dramatic and musical conventions of the eighteenth century, but with more than a nod towards modern sensibilities, especially when the score is as full of glories as Atalanta, and when performed this well."
-- Sandra Bowdler, The Opera Critic
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