SOMM Recordings
Handel: Silla / Darlow, Bowman, Baker, Lunn, Nicholls, Et Al
$32.99
Details
- Composer
- HANDEL, GEORGE FRIDERIC
- Artist
- Bowman, Lunn, Baker, Nichools, Marsh, Cragg, Dixon, Darlow
- Format
- CD
- Label
- SOMM Recordings
- Released
- Feb 01, 2000
- Catalog #
- SOMMCD 227-8
- UPC
- 748871227828
About
An admirable performance of a rare work.
‘The worst libretto Handel ever set … the construction is clumsy, the characterisation incredible,’ wrote Winton Dean, with his typical panache, in his and Merrill Knapp’s classic book on the earlier Handel operas. Never mind: if one is prepared to accept that Handel’s dramatic muse sometimes nodded, and just enjoy the music for what it is, Silla is amply worth a hearing. It had its first English revival in spring 2000, in the Handel series that Denys Darlow directs at the Royal College of Music, and the present recording is a by-product of those performances.
The opera, probably Handel’s shortest, dates from 1713 and seems, oddly, to have been written for a private performance at the main London opera house in honour of a new French Ambassador – although there is no certainty that the performance actually took place. The plot, an absurd farrago about the Roman dictator Sulla (‘Silla’ is the Italianised form), here a ruthless murderer who makes unsuccessful grabs at two of the three women in the cast (the third is his wife) and then suddenly repents, seems decidedly inappropriate for a festive occasion, or indeed any occasion at all. It’s the kind of libretto that has got baroque opera a bad name. Its sole merit – and this is quite important – is that it does allow opportunities for a considerable range of musical expression.
Curiously, however, Handel doesn’t seem to have been fully alert to those opportunities. Sulla himself, for example, gets music more amiable than so odious a character seems to deserve (including a truly lovely ‘sleep song’, with recorders), and the music for his wife Metella is often absurdly at odds with the text and her situation. But there are many attractive numbers, notably some telling music for the two pairs of lovers who find themselves threatened by Sulla’s importunities – Lepido and Flavia have two duets, the second a miniature but intensely poignant F minor Adagio, while Celia grieves the (supposed) death of her Claudio in a heartfelt G minor sarabande.
The mainly youthful cast here – these performances traditionally give opportunities to promising young singers – are very successful and I am sure we will hear a lot more of some of them. Rachel Nicholls sings Metella’s music in a pleasant, natural and very even voice, strong and resolute in the big aria that ends Act 2. As Celia, Elizabeth Cragg shows a lighter voice with a hint of an attractively grainy quality; Natasha Marsh’s full and rounded voice rings out to excellent effect in Flavia’s arias.
Except for the brief appearance of ‘Il Dio’, an odd kind of god who encourages Sulla’s ferocity in his dream vision (ably taken by Christopher Dixon), there are no true male voices. Lepido is sung by Joanne Lunn in a fresh, bright voice, accurate and rhythmic; Claudio is taken by Simon Brown, a capable and fluent countertenor with a strong and clear top register and much subtlety in handling details of stress and timing. He has a fine aria with trumpet to end Act 1. Sulla himself is sung by a Handelian of considerable and obvious experience – a fine model for the young members of the cast: James Bowman shows his knowledge of how to shape and colour Handel’s lines and (as in the fiery Act 2 aria) to sing forcefully and still musically. The voice rings well even if the lower register now has a little less character.
All the singers add a little, generally discreet ornamentation in the da capo sections. Denys Darlow, as always, conducts in a direct and unaffected fashion, showing consideration for the singers and understanding of Handel, with a good range of tempos and with spruce, lively rhythms. Handelians will not want to miss this chance of hearing a rare work admirably performed.'
-- Stanley Sadie, Gramophone [3/2001]
‘The worst libretto Handel ever set … the construction is clumsy, the characterisation incredible,’ wrote Winton Dean, with his typical panache, in his and Merrill Knapp’s classic book on the earlier Handel operas. Never mind: if one is prepared to accept that Handel’s dramatic muse sometimes nodded, and just enjoy the music for what it is, Silla is amply worth a hearing. It had its first English revival in spring 2000, in the Handel series that Denys Darlow directs at the Royal College of Music, and the present recording is a by-product of those performances.
The opera, probably Handel’s shortest, dates from 1713 and seems, oddly, to have been written for a private performance at the main London opera house in honour of a new French Ambassador – although there is no certainty that the performance actually took place. The plot, an absurd farrago about the Roman dictator Sulla (‘Silla’ is the Italianised form), here a ruthless murderer who makes unsuccessful grabs at two of the three women in the cast (the third is his wife) and then suddenly repents, seems decidedly inappropriate for a festive occasion, or indeed any occasion at all. It’s the kind of libretto that has got baroque opera a bad name. Its sole merit – and this is quite important – is that it does allow opportunities for a considerable range of musical expression.
Curiously, however, Handel doesn’t seem to have been fully alert to those opportunities. Sulla himself, for example, gets music more amiable than so odious a character seems to deserve (including a truly lovely ‘sleep song’, with recorders), and the music for his wife Metella is often absurdly at odds with the text and her situation. But there are many attractive numbers, notably some telling music for the two pairs of lovers who find themselves threatened by Sulla’s importunities – Lepido and Flavia have two duets, the second a miniature but intensely poignant F minor Adagio, while Celia grieves the (supposed) death of her Claudio in a heartfelt G minor sarabande.
The mainly youthful cast here – these performances traditionally give opportunities to promising young singers – are very successful and I am sure we will hear a lot more of some of them. Rachel Nicholls sings Metella’s music in a pleasant, natural and very even voice, strong and resolute in the big aria that ends Act 2. As Celia, Elizabeth Cragg shows a lighter voice with a hint of an attractively grainy quality; Natasha Marsh’s full and rounded voice rings out to excellent effect in Flavia’s arias.
Except for the brief appearance of ‘Il Dio’, an odd kind of god who encourages Sulla’s ferocity in his dream vision (ably taken by Christopher Dixon), there are no true male voices. Lepido is sung by Joanne Lunn in a fresh, bright voice, accurate and rhythmic; Claudio is taken by Simon Brown, a capable and fluent countertenor with a strong and clear top register and much subtlety in handling details of stress and timing. He has a fine aria with trumpet to end Act 1. Sulla himself is sung by a Handelian of considerable and obvious experience – a fine model for the young members of the cast: James Bowman shows his knowledge of how to shape and colour Handel’s lines and (as in the fiery Act 2 aria) to sing forcefully and still musically. The voice rings well even if the lower register now has a little less character.
All the singers add a little, generally discreet ornamentation in the da capo sections. Denys Darlow, as always, conducts in a direct and unaffected fashion, showing consideration for the singers and understanding of Handel, with a good range of tempos and with spruce, lively rhythms. Handelians will not want to miss this chance of hearing a rare work admirably performed.'
-- Stanley Sadie, Gramophone [3/2001]
Tracklist 59 tracks
- Disc 1
-
1 Overture: Largo - Allegro -Adagio 03:19
- Track
- 1
- Title
- Overture: Largo - Allegro -Adagio
- Duration
- 03:19
- Composer
- George Frideric Handel
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
2 Overture: Andante - Adagio 02:06
- Track
- 2
- Title
- Overture: Andante - Adagio
- Duration
- 02:06
- Composer
- George Frideric Handel
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
3 Overture: Minuet 00:57
- Track
- 3
- Title
- Overture: Minuet
- Duration
- 00:57
- Composer
- George Frideric Handel
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
4 Overture: March 01:23
- Track
- 4
- Title
- Overture: March
- Duration
- 01:23
- Composer
- George Frideric Handel
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
5 Act I Scene 1: Recitative: Silla, s'oggi risplende (Metella, Lepido, Silla) 00:54
- Track
- 5
- Title
- Act I Scene 1: Recitative: Silla, s'oggi risplende (Metella, Lepido, Silla)
- Duration
- 00:54
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls, Joanne Lunn, James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
6 Act I Scene 1: Aria: Alza il volo la mia fama (Silla) 03:36
- Track
- 6
- Title
- Act I Scene 1: Aria: Alza il volo la mia fama (Silla)
- Duration
- 03:36
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
7 Act I Scene 2: Recitative: S'ecclissa la mia gioia! (Metella, Lepido) 00:27
- Track
- 7
- Title
- Act I Scene 2: Recitative: S'ecclissa la mia gioia! (Metella, Lepido)
- Duration
- 00:27
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
8 Act I Scene 2: Aria: Fuggon l'aure in me di vita (Metella) 04:01
- Track
- 8
- Title
- Act I Scene 2: Aria: Fuggon l'aure in me di vita (Metella)
- Duration
- 04:01
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
9 Act I Scene 3: Recitative: Cieli, numi! che vidi? (Flavia, Lepido) 00:26
- Track
- 9
- Title
- Act I Scene 3: Recitative: Cieli, numi! che vidi? (Flavia, Lepido)
- Duration
- 00:26
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
10 Act I Scene 3: Aria: Se ben tuona il ciel irato (Lepido) 03:29
- Track
- 10
- Title
- Act I Scene 3: Aria: Se ben tuona il ciel irato (Lepido)
- Duration
- 03:29
- Composer
- George Frideric Handel
- Performer
- Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
11 Act I Scene 4: Recitative: Sin con lingua di foco (Celia, Flavia) 00:18
- Track
- 11
- Title
- Act I Scene 4: Recitative: Sin con lingua di foco (Celia, Flavia)
- Duration
- 00:18
- Composer
- George Frideric Handel
- Performer
- Elizabeth Cragg, Natasha Marsh
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
12 Act I Scene 4: Aria: Un sol raggio di speranza (Flavia) 04:49
- Track
- 12
- Title
- Act I Scene 4: Aria: Un sol raggio di speranza (Flavia)
- Duration
- 04:49
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
13 Act I Scene 5: Recitative: Sino su li occhi miei (Celia, Claudio) 01:06
- Track
- 13
- Title
- Act I Scene 5: Recitative: Sino su li occhi miei (Celia, Claudio)
- Duration
- 01:06
- Composer
- George Frideric Handel
- Performer
- Elizabeth Cragg, Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
14 Act I Scene 5: Aria: Senti, bell’idol mio! (Claudio) 03:08
- Track
- 14
- Title
- Act I Scene 5: Aria: Senti, bell’idol mio! (Claudio)
- Duration
- 03:08
- Composer
- George Frideric Handel
- Performer
- Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
15 Act I Scene 6: Si, t'amo, oh caro, e pur io son costretta (Celia) 00:17
- Track
- 15
- Title
- Act I Scene 6: Si, t'amo, oh caro, e pur io son costretta (Celia)
- Duration
- 00:17
- Composer
- George Frideric Handel
- Performer
- Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
16 Act I Scene 6: Aria: Se la speranza nudrisce il mio cor (Celia) 03:26
- Track
- 16
- Title
- Act I Scene 6: Aria: Se la speranza nudrisce il mio cor (Celia)
- Duration
- 03:26
- Composer
- George Frideric Handel
- Performer
- Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
17 Act I Scene 7: Recitative: Silla, dov'e la gloria (Claudio, Silla, Celia) 01:06
- Track
- 17
- Title
- Act I Scene 7: Recitative: Silla, dov'e la gloria (Claudio, Silla, Celia)
- Duration
- 01:06
- Composer
- George Frideric Handel
- Performer
- Simon Baker, James Bowman, Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
18 Act I Scene 7: Aria: Con tromba guerriera (Claudio) 05:19
- Track
- 18
- Title
- Act I Scene 7: Aria: Con tromba guerriera (Claudio)
- Duration
- 05:19
- Composer
- George Frideric Handel
- Performer
- Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
19 Act II Scene 1: Recitative: Flavia! … Signor, la tua grandezza ammira (Silla, Flavia) 00:49
- Track
- 19
- Title
- Act II Scene 1: Recitative: Flavia! … Signor, la tua grandezza ammira (Silla, Flavia)
- Duration
- 00:49
- Composer
- George Frideric Handel
- Performer
- James Bowman, Natasha Marsh
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
20 Act II Scene 1: Aria: Qual scoglio in mezzo all'onde (Flavia) 02:28
- Track
- 20
- Title
- Act II Scene 1: Aria: Qual scoglio in mezzo all'onde (Flavia)
- Duration
- 02:28
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
21 Act II Scene 2: Recitative: T'arresta, altera! Ma pietoso Amore (Silla) 00:20
- Track
- 21
- Title
- Act II Scene 2: Recitative: T'arresta, altera! Ma pietoso Amore (Silla)
- Duration
- 00:20
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
22 Act II Scene 2: Aria: Dolce nume de' mortali (Silla) 01:49
- Track
- 22
- Title
- Act II Scene 2: Aria: Dolce nume de' mortali (Silla)
- Duration
- 01:49
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
23 Act II Scene 3: Aria: Guerra, stragi e furor! (Il Dio) 02:03
- Track
- 23
- Title
- Act II Scene 3: Aria: Guerra, stragi e furor! (Il Dio)
- Duration
- 02:03
- Composer
- George Frideric Handel
- Performer
- Chris Dixon
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
24 Act II Scene 5: Recitative: Silla! ove ti guida (Lepido, Silla) 00:57
- Track
- 24
- Title
- Act II Scene 5: Recitative: Silla! ove ti guida (Lepido, Silla)
- Duration
- 00:57
- Composer
- George Frideric Handel
- Performer
- Joanne Lunn, James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
25 Act II Scene 5: Aria: E tempo, oh luci belle (Silla) 03:55
- Track
- 25
- Title
- Act II Scene 5: Aria: E tempo, oh luci belle (Silla)
- Duration
- 03:55
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
26 Act II Scene 6: Recitative: Mio diletto, che pensi? (Flavia, Lepido) 00:43
- Track
- 26
- Title
- Act II Scene 6: Recitative: Mio diletto, che pensi? (Flavia, Lepido)
- Duration
- 00:43
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
27 Act II Scene 6: Duet: Sol per te, bell'idol mio (Flavia, Lepido) 05:58
- Track
- 27
- Title
- Act II Scene 6: Duet: Sol per te, bell'idol mio (Flavia, Lepido)
- Duration
- 05:58
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
- Disc 2
-
1 Act II Scene 7: Recitative: Bella, lascia i sospiri! (Claudio, Celia) 00:57
- Track
- 1
- Title
- Act II Scene 7: Recitative: Bella, lascia i sospiri! (Claudio, Celia)
- Duration
- 00:57
- Composer
- George Frideric Handel
- Performer
- Simon Baker, Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
2 Act II Scene 7: Aria: Mi brilla nel seno (Claudio) 03:17
- Track
- 2
- Title
- Act II Scene 7: Aria: Mi brilla nel seno (Claudio)
- Duration
- 03:17
- Composer
- George Frideric Handel
- Performer
- Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
3 Act II Scene 8: Recitative: Mio bel nume, t'arresta! (Silla, Metella, Celia) 00:30
- Track
- 3
- Title
- Act II Scene 8: Recitative: Mio bel nume, t'arresta! (Silla, Metella, Celia)
- Duration
- 00:30
- Composer
- George Frideric Handel
- Performer
- James Bowman, Rachel Nicholls, Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
4 Act II Scene 8: Aria: Hai due vaghe pupillette (Metella) 04:11
- Track
- 4
- Title
- Act II Scene 8: Aria: Hai due vaghe pupillette (Metella)
- Duration
- 04:11
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
5 Act II Scene 9: Recitative: Che miro, oh Dei? Qui Silla? (Flavia, Silla, Lepido) 01:24
- Track
- 5
- Title
- Act II Scene 9: Recitative: Che miro, oh Dei? Qui Silla? (Flavia, Silla, Lepido)
- Duration
- 01:24
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh, James Bowman, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
6 Act II Scene 10: Duet: Ti lascio, idolo mio (Flavia, Lepido) 01:31
- Track
- 6
- Title
- Act II Scene 10: Duet: Ti lascio, idolo mio (Flavia, Lepido)
- Duration
- 01:31
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
7 Act II Scene 11: Recitative: Anima mia! … Mio caro! (Claudio, Celia, Silla) 01:14
- Track
- 7
- Title
- Act II Scene 11: Recitative: Anima mia! … Mio caro! (Claudio, Celia, Silla)
- Duration
- 01:14
- Composer
- George Frideric Handel
- Performer
- Simon Baker, Elizabeth Cragg, James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
8 Act II Scene 12: Recitative: Snabro! Lepido sia da' stral traffitto (Silla, Scabro) 00:21
- Track
- 8
- Title
- Act II Scene 12: Recitative: Snabro! Lepido sia da' stral traffitto (Silla, Scabro)
- Duration
- 00:21
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
9 Act II Scene 12: Aria: La vendetta e un cibo al cor (Silla) 02:17
- Track
- 9
- Title
- Act II Scene 12: Aria: La vendetta e un cibo al cor (Silla)
- Duration
- 02:17
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
10 Act II Scene 13: Recitative: Oh! perfido consorte (Metella, Scabro) 00:23
- Track
- 10
- Title
- Act II Scene 13: Recitative: Oh! perfido consorte (Metella, Scabro)
- Duration
- 00:23
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
11 Act II Scene 14: Aria: Se'l mio mal da voi dipende (Claudio) 01:34
- Track
- 11
- Title
- Act II Scene 14: Aria: Se'l mio mal da voi dipende (Claudio)
- Duration
- 01:34
- Composer
- George Frideric Handel
- Performer
- Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
12 Act II Scene 15: Recitative: Si, questi son trofei, pero imperfetti - Scene 16: Recitative: Deh! corri al tuo signore! (Silla, Metella) 00:58
- Track
- 12
- Title
- Act II Scene 15: Recitative: Si, questi son trofei, pero imperfetti - Scene 16: Recitative: Deh! corri al tuo signore! (Silla, Metella)
- Duration
- 00:58
- Composer
- George Frideric Handel
- Performer
- James Bowman, Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
13 Act II Scene 17: Aria: Secondate, oh giusti dei (Metella) 03:04
- Track
- 13
- Title
- Act II Scene 17: Aria: Secondate, oh giusti dei (Metella)
- Duration
- 03:04
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
14 Act III Scene 1: Recitative: Quanto devo, oh Metella, al tuo cor generoso (Lepido, Metella) 01:12
- Track
- 14
- Title
- Act III Scene 1: Recitative: Quanto devo, oh Metella, al tuo cor generoso (Lepido, Metella)
- Duration
- 01:12
- Composer
- George Frideric Handel
- Performer
- Joanne Lunn, Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
15 Act III Scene 2: Aria: Io non ti chiedo più, o sposo amato (Metella) 05:49
- Track
- 15
- Title
- Act III Scene 2: Aria: Io non ti chiedo più, o sposo amato (Metella)
- Duration
- 05:49
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
16 Act III Scene 3: Recitative: Al tua fedeltade, o caro amino (Lepido) 00:20
- Track
- 16
- Title
- Act III Scene 3: Recitative: Al tua fedeltade, o caro amino (Lepido)
- Duration
- 00:20
- Composer
- George Frideric Handel
- Performer
- Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
17 Act III Scene 3: Aria: Gia respira in petto i core (Lepido) 02:49
- Track
- 17
- Title
- Act III Scene 3: Aria: Gia respira in petto i core (Lepido)
- Duration
- 02:49
- Composer
- George Frideric Handel
- Performer
- Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
18 Act III Scene 4: Recitative: L'imper quanto e pio vasto e più pesante (Silla) 00:42
- Track
- 18
- Title
- Act III Scene 4: Recitative: L'imper quanto e pio vasto e più pesante (Silla)
- Duration
- 00:42
- Composer
- George Frideric Handel
- Performer
- James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
19 Act III Scene 5: Recitative: Placasti, oh bella diva, il tuo rigore? (Silla, Celia) 00:55
- Track
- 19
- Title
- Act III Scene 5: Recitative: Placasti, oh bella diva, il tuo rigore? (Silla, Celia)
- Duration
- 00:55
- Composer
- George Frideric Handel
- Performer
- James Bowman, Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
20 Act III Scene 5: Aria: Sei gia morto, idolo mio (Celia) 04:10
- Track
- 20
- Title
- Act III Scene 5: Aria: Sei gia morto, idolo mio (Celia)
- Duration
- 04:10
- Composer
- George Frideric Handel
- Performer
- Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
21 Act III Scene 6: Recitative: Rimembranze funeste (Celia, Claudio) 01:13
- Track
- 21
- Title
- Act III Scene 6: Recitative: Rimembranze funeste (Celia, Claudio)
- Duration
- 01:13
- Composer
- George Frideric Handel
- Performer
- Elizabeth Cragg, Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
22 Act III Scene 6: Aria: Luci belle, serene stelle (Claudio) 03:27
- Track
- 22
- Title
- Act III Scene 6: Aria: Luci belle, serene stelle (Claudio)
- Duration
- 03:27
- Composer
- George Frideric Handel
- Performer
- Simon Baker
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
23 Act III Scene 7: Aria: Stelle rubelle, a torto moriro (Flavia) 02:31
- Track
- 23
- Title
- Act III Scene 7: Aria: Stelle rubelle, a torto moriro (Flavia)
- Duration
- 02:31
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
24 Act III Scene 8: Recitative: Al fin, del mio rigore (Silla, Flavia) 01:54
- Track
- 24
- Title
- Act III Scene 8: Recitative: Al fin, del mio rigore (Silla, Flavia)
- Duration
- 01:54
- Composer
- George Frideric Handel
- Performer
- James Bowman, Natasha Marsh
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
25 Act III Scene 9: Recitative: Spirto adorato, oh Dio! (Flavia, Lepido) 00:52
- Track
- 25
- Title
- Act III Scene 9: Recitative: Spirto adorato, oh Dio! (Flavia, Lepido)
- Duration
- 00:52
- Composer
- George Frideric Handel
- Performer
- Natasha Marsh, Joanne Lunn
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
26 Act III Scene 10: Recitative: Metella, oh Dio! Qual sento (Silla, Metella) 00:47
- Track
- 26
- Title
- Act III Scene 10: Recitative: Metella, oh Dio! Qual sento (Silla, Metella)
- Duration
- 00:47
- Composer
- George Frideric Handel
- Performer
- James Bowman, Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
27 Act III Scene 10: Duet: Non s'estingue mail la fiamma (Metella, Silla) 03:42
- Track
- 27
- Title
- Act III Scene 10: Duet: Non s'estingue mail la fiamma (Metella, Silla)
- Duration
- 03:42
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls, James Bowman
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
28 Act III Scene 11: Recitative: Propizio arrida il cielo (Metella) 00:19
- Track
- 28
- Title
- Act III Scene 11: Recitative: Propizio arrida il cielo (Metella)
- Duration
- 00:19
- Composer
- George Frideric Handel
- Performer
- Rachel Nicholls
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
29 Act III Scene 12: Recitative: Pera la feritade! (Lepido, Claudio, All) 00:11
- Track
- 29
- Title
- Act III Scene 12: Recitative: Pera la feritade! (Lepido, Claudio, All)
- Duration
- 00:11
- Composer
- George Frideric Handel
- Performer
- Joanne Lunn, Simon Baker, James Bowman, Rachel Nicholls, Natasha Marsh, Elizabeth Cragg, Chris Dixon
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
30 Act III Scene 12: Sinfonia 00:41
- Track
- 30
- Title
- Act III Scene 12: Sinfonia
- Duration
- 00:41
- Composer
- George Frideric Handel
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
31 Act III Scene 12: Recitative: De' miei falli pentito (Silla, Lepido, Flavia, Celia) 00:54
- Track
- 31
- Title
- Act III Scene 12: Recitative: De' miei falli pentito (Silla, Lepido, Flavia, Celia)
- Duration
- 00:54
- Composer
- George Frideric Handel
- Performer
- James Bowman, Joanne Lunn, Natasha Marsh, Elizabeth Cragg
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow
-
32 Act III Scene 12: Chorus: Chi al trova tra procelle 01:58
- Track
- 32
- Title
- Act III Scene 12: Chorus: Chi al trova tra procelle
- Duration
- 01:58
- Composer
- George Frideric Handel
- Performer
- James Bowman, Simon Baker, Joanne Lunn, Rachel Nicholls, Natasha Marsh, Elizabeth Cragg, Chris Dixon
- Ensemble
- London Handel Orchestra
- Conductor
- Denys Darlow