Marius Neset combines Brecker's power and Jan Garbarek's tonal delicacy (The Guardian) and "makes his instrument dance like a gazelle and soar like an eagle, and he's an ingenious composer too." (Telegraph) Downbeat described him as "not only an impressive technician but also a formidable composer." On "Happy" Marius Neset draws for the first time on the pop, soul and funk of the 70s and 80s.