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COMPOSERDOWNLAND VARIOUS
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PERFORMERBream, Pears
Heavenly Love, Earthly Joy / Bream, Pears
- Sony Masterworks
- January 16, 2007
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RELEASE DATEJanuary 16, 2007
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UPC886970492720
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CATALOG NUMBER88697049272
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LABELSony Masterworks
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NUMBER OF DISCS1
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GENRE
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The First Book of Ayres or Little Short Songs: Absence, hear thou my protestation
Composer: Thomas Morley
Performer: Peter Pears, Julian Bream
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What then is love but mourning?
Composer: Philip Rosseter, Thomas Campion
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 2: I saw my lady weep
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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If she forsakes me
Composer: Philip Rosseter
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 1: Dear, if you change, I'll never choose again
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Musicke of Sundrie Kindes: Come, Phyllis, come unto these bowers
Composer: Thomas Ford
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 4, "A Pilgrimes Solace": Stay, Time, awhile thy flying
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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The First Book of Ayres or Little Short Songs: It was a lover and his lasse
Composer: Thomas Morley
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 3: Weep you no more, sad fountains
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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When Laura smiles
Composer: Philip Rosseter
Performer: Peter Pears, Julian Bream
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Musicke of Sundrie Kindes: Faire, sweet, cruell
Composer: Thomas Ford
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 2: Shall I sue, shall I seek for grace?
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 4, "A Pilgrimes Solace": Sweet, stay awhile, why will you rise?
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Who is it that this darke night
Composer: Thomas Morley
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 1: Can she excuse my wrongs
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 1: Come, heavy sleep
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 1: Wilt thou unkind thus reave me of my heart
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 2: Sorrow, stay, lend true repentant tears
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 3: The lowest trees have tops
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 2: Time's eldest son
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 4, "A Pilgrimes Solace": In Darkness Let Me Dwell
Composer: John Dowland
Performer: Peter Pears, Julian Bream
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Book of Songs, Book 3: Say, Love, if ever thou didst find
Composer: John Dowland
Performer: Peter Pears, Julian Bream
Featuring ⌄
Product Details ⌄
Works ⌄
Reviewers of tenor Peter Pears' performances so often feel compelled to mitigate praise for his artistry with some comment about, or apology for, the voice's quality--that it's one of those "love it or hate it" voices. Nonsense. I say it's a wonderful voice, its unmistakable timbre pleasingly distinctive, its somewhat bright edge accompanied by a warm, natural, unforced, open-throated resonance. And especially in English songs, Pears was a master storyteller, shaping the musical lines with a poet's sense of textual nuance and clever inflection, often delivered with a twinkle in the eye or, especially with Dowland, a tear or two. His lovely rendition of Dowland's "Come, heavy sleep" is about as close to perfect as we'll ever hear a song sung.
Of course, Pears' partner in this recital, Julian Bream, was a master of Dowland's solo music and is more than comfortable in his significant supporting role here. Pears and Bream performed many concerts together over a period of many years, beginning around 1963 when the earliest of these tracks were recorded, and you simply can't listen to such gems as Philip Rosseter's "What then is love?", Morley's "It was a lover and his lass" and "Absence", or Dowland's "Weep you no more, sad fountains" without being grateful for this rare and rewarding partnership. The sound tends to favor the treble on some tracks, but your ear adjusts to this quickly, readily and happily attending to the singing and playing, enjoying the promise of the disc's title.
--David Vernier, ClassicsToday.com
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