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COMPOSERHERRMANN, BERNARD
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ORCHESTRA / ENSEMBLELos Angeles Philharmonic Orchestra
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PERFORMEREsa-Pekka, Salonen
Herrmann: The Film Scores - Vertigo, Psycho, Etc / Salonen
- Sony Masterworks
- July 19, 2007
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RELEASE DATEJuly 19, 2007
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UPC074646270028
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CATALOG NUMBERSONY62700
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LABELSony Masterworks
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NUMBER OF DISCS1
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GENRE
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The Man Who Knew Too Much: Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The City
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Rainstorm
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Madhouse
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Murder
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Water
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Swamp
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Stairs
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Knife
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Cellar
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Finale
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Hunt
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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North by Northwest: Overture
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Nightmare
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Scene d'Amour
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Gromek
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Killing
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Fire Engine
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Bedroom
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Reading
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Garden
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Nightmare
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Flowers of Fire
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Flamethrower
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Captain's Death
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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The Road
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Finale
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Prelude
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Blues
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Night Prowl
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Bloodbath
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
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Finale
Composer: Bernard Herrmann
Ensemble: Los Angeles Philharmonic Orchestra
Conductor: Esa-Pekka Salonen
Featuring ⌄
Product Details ⌄
Works ⌄
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There is much to savour here: the thrilling sense of spectacle engendered in the brazen Prelude to The Man Who Knew Too Much (1956); the sweep and lustre of the LAPO’s response in the two extended excerpts from Marnie (1964); the aural feast served up by the score rejected by Hitchcock for Torn Curtain (1966, whose characteristically unconventional instrumentation includes 16 horns, 12 flutes, nine trombones and two tubas). In the Suite from Psycho (1960) Salonen draws playing of terrific bite and menace from his Los Angeles string section. Most striking of all is the remarkable concentration this partnership brings to those pivotal slow numbers like “The Madhouse” and “The Swamp” (both of which convey such numbing dread through their indeterminate tonality). Salonen’s finely sculpted realization of the suite for strings, harp and percussion from Herrmann’s score to Francois Truffaut’s Fahrenheit 451 (1966) has a wistfulness (especially in the poignant bars of the concluding “The Road”) that rather scores over Joel McNeely’s recent Varese Sarabande version with the Seattle SO. How good, too, that room was found for Christopher Palmer’s effective synthesis of Herrmann’s very last composition, the magnificently sinister and moody score for Martin Scorsese’s Taxi Driver (1975).
“Any grumbles at all?”, I hear you ask. Well, just a couple. In the overture to North by Northwest (1959) Salonen’s chosen tempo strikes me as just a little too hectic to give quite enough lift to those obsessive fandango rhythms, whereas Herrmann’s own soundtrack recording on EMI Premier conveys an altogether greater sense of menace. Salonen also tries to wring too much out of the gorgeous “Scene d’amour” from Vertigo (1958) – McNeely with the RSNO on Varese Sarabande is less self-consciously sticky and infinitely more moving as a result. Otherwise, I have nothing but praise.
A winner of a disc, in sum, resplendently played and engineered, and excellently annotated by Alex Ross. If this generous new Sony collection doesn’t succeed in alerting a whole new audience to the genius of Bernard Herrmann, then nothing will.
-- Gramophone [1/1997]
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