Sony Masterworks
Herrmann: The Film Scores - Vertigo, Psycho, Etc / Salonen
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Details
- Composer
- HERRMANN, BERNARD
- Artist
- Esa-Pekka, Salonen
- Format
- CD
- Discs
- 1
- Label
- Sony Masterworks
- Released
- Jul 19, 2007
- Catalog #
- SONY62700
- UPC
- 074646270028
About
This disc received the 1998 Cannes Classical Music Award for "Best 20th-Century Orchestral Recording." It was also nominated for the 1998 Grammy Award for "Best Engineered Album, Classical."
-----
There is much to savour here: the thrilling sense of spectacle engendered in the brazen Prelude to The Man Who Knew Too Much (1956); the sweep and lustre of the LAPO’s response in the two extended excerpts from Marnie (1964); the aural feast served up by the score rejected by Hitchcock for Torn Curtain (1966, whose characteristically unconventional instrumentation includes 16 horns, 12 flutes, nine trombones and two tubas). In the Suite from Psycho (1960) Salonen draws playing of terrific bite and menace from his Los Angeles string section. Most striking of all is the remarkable concentration this partnership brings to those pivotal slow numbers like “The Madhouse” and “The Swamp” (both of which convey such numbing dread through their indeterminate tonality). Salonen’s finely sculpted realization of the suite for strings, harp and percussion from Herrmann’s score to Francois Truffaut’s Fahrenheit 451 (1966) has a wistfulness (especially in the poignant bars of the concluding “The Road”) that rather scores over Joel McNeely’s recent Varese Sarabande version with the Seattle SO. How good, too, that room was found for Christopher Palmer’s effective synthesis of Herrmann’s very last composition, the magnificently sinister and moody score for Martin Scorsese’s Taxi Driver (1975).
“Any grumbles at all?”, I hear you ask. Well, just a couple. In the overture to North by Northwest (1959) Salonen’s chosen tempo strikes me as just a little too hectic to give quite enough lift to those obsessive fandango rhythms, whereas Herrmann’s own soundtrack recording on EMI Premier conveys an altogether greater sense of menace. Salonen also tries to wring too much out of the gorgeous “Scene d’amour” from Vertigo (1958) – McNeely with the RSNO on Varese Sarabande is less self-consciously sticky and infinitely more moving as a result. Otherwise, I have nothing but praise.
A winner of a disc, in sum, resplendently played and engineered, and excellently annotated by Alex Ross. If this generous new Sony collection doesn’t succeed in alerting a whole new audience to the genius of Bernard Herrmann, then nothing will.
-- Gramophone [1/1997]
-----
There is much to savour here: the thrilling sense of spectacle engendered in the brazen Prelude to The Man Who Knew Too Much (1956); the sweep and lustre of the LAPO’s response in the two extended excerpts from Marnie (1964); the aural feast served up by the score rejected by Hitchcock for Torn Curtain (1966, whose characteristically unconventional instrumentation includes 16 horns, 12 flutes, nine trombones and two tubas). In the Suite from Psycho (1960) Salonen draws playing of terrific bite and menace from his Los Angeles string section. Most striking of all is the remarkable concentration this partnership brings to those pivotal slow numbers like “The Madhouse” and “The Swamp” (both of which convey such numbing dread through their indeterminate tonality). Salonen’s finely sculpted realization of the suite for strings, harp and percussion from Herrmann’s score to Francois Truffaut’s Fahrenheit 451 (1966) has a wistfulness (especially in the poignant bars of the concluding “The Road”) that rather scores over Joel McNeely’s recent Varese Sarabande version with the Seattle SO. How good, too, that room was found for Christopher Palmer’s effective synthesis of Herrmann’s very last composition, the magnificently sinister and moody score for Martin Scorsese’s Taxi Driver (1975).
“Any grumbles at all?”, I hear you ask. Well, just a couple. In the overture to North by Northwest (1959) Salonen’s chosen tempo strikes me as just a little too hectic to give quite enough lift to those obsessive fandango rhythms, whereas Herrmann’s own soundtrack recording on EMI Premier conveys an altogether greater sense of menace. Salonen also tries to wring too much out of the gorgeous “Scene d’amour” from Vertigo (1958) – McNeely with the RSNO on Varese Sarabande is less self-consciously sticky and infinitely more moving as a result. Otherwise, I have nothing but praise.
A winner of a disc, in sum, resplendently played and engineered, and excellently annotated by Alex Ross. If this generous new Sony collection doesn’t succeed in alerting a whole new audience to the genius of Bernard Herrmann, then nothing will.
-- Gramophone [1/1997]
Tracklist 37 tracks
-
1 The Man Who Knew Too Much: Prelude 02:40
- Track
- 1
- Title
- The Man Who Knew Too Much: Prelude
- Duration
- 02:40
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
2 Prelude 02:04
- Track
- 2
- Title
- Prelude
- Duration
- 02:04
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
3 The City 01:44
- Track
- 3
- Title
- The City
- Duration
- 01:44
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
4 The Rainstorm 01:25
- Track
- 4
- Title
- The Rainstorm
- Duration
- 01:25
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
5 The Madhouse 02:36
- Track
- 5
- Title
- The Madhouse
- Duration
- 02:36
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
6 The Murder 01:00
- Track
- 6
- Title
- The Murder
- Duration
- 01:00
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
7 The Water 01:11
- Track
- 7
- Title
- The Water
- Duration
- 01:11
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
8 The Swamp 02:28
- Track
- 8
- Title
- The Swamp
- Duration
- 02:28
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
9 The Stairs 01:32
- Track
- 9
- Title
- The Stairs
- Duration
- 01:32
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
10 The Knife 00:28
- Track
- 10
- Title
- The Knife
- Duration
- 00:28
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
11 The Cellar 01:16
- Track
- 11
- Title
- The Cellar
- Duration
- 01:16
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
12 Finale 01:57
- Track
- 12
- Title
- Finale
- Duration
- 01:57
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
13 Prelude 05:13
- Track
- 13
- Title
- Prelude
- Duration
- 05:13
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
14 The Hunt 05:45
- Track
- 14
- Title
- The Hunt
- Duration
- 05:45
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
15 North by Northwest: Overture 02:46
- Track
- 15
- Title
- North by Northwest: Overture
- Duration
- 02:46
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
16 Prelude 02:57
- Track
- 16
- Title
- Prelude
- Duration
- 02:57
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
17 The Nightmare 02:08
- Track
- 17
- Title
- The Nightmare
- Duration
- 02:08
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
18 Scene d'Amour 06:49
- Track
- 18
- Title
- Scene d'Amour
- Duration
- 06:49
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
19 Prelude 02:17
- Track
- 19
- Title
- Prelude
- Duration
- 02:17
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
20 Gromek 01:54
- Track
- 20
- Title
- Gromek
- Duration
- 01:54
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
21 The Killing 02:16
- Track
- 21
- Title
- The Killing
- Duration
- 02:16
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
22 Prelude 01:32
- Track
- 22
- Title
- Prelude
- Duration
- 01:32
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
23 Fire Engine 01:01
- Track
- 23
- Title
- Fire Engine
- Duration
- 01:01
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
24 The Bedroom 01:39
- Track
- 24
- Title
- The Bedroom
- Duration
- 01:39
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
25 The Reading 02:03
- Track
- 25
- Title
- The Reading
- Duration
- 02:03
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
26 The Garden 01:26
- Track
- 26
- Title
- The Garden
- Duration
- 01:26
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
27 The Nightmare 01:51
- Track
- 27
- Title
- The Nightmare
- Duration
- 01:51
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
28 Flowers of Fire 01:43
- Track
- 28
- Title
- Flowers of Fire
- Duration
- 01:43
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
29 Flamethrower 00:37
- Track
- 29
- Title
- Flamethrower
- Duration
- 00:37
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
30 Captain's Death 01:00
- Track
- 30
- Title
- Captain's Death
- Duration
- 01:00
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
31 The Road 02:14
- Track
- 31
- Title
- The Road
- Duration
- 02:14
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
32 Finale 02:25
- Track
- 32
- Title
- Finale
- Duration
- 02:25
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
33 Prelude 00:54
- Track
- 33
- Title
- Prelude
- Duration
- 00:54
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
34 Blues 03:10
- Track
- 34
- Title
- Blues
- Duration
- 03:10
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
35 Night Prowl 00:29
- Track
- 35
- Title
- Night Prowl
- Duration
- 00:29
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
36 Bloodbath 01:27
- Track
- 36
- Title
- Bloodbath
- Duration
- 01:27
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen
-
37 Finale 00:45
- Track
- 37
- Title
- Finale
- Duration
- 00:45
- Composer
- Bernard Herrmann
- Ensemble
- Los Angeles Philharmonic Orchestra
- Conductor
- Esa-Pekka Salonen