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COMPOSERAlfredo Casella, Mario Castelnuovo-Tedesco, Francesco Cilea, Giuseppe Martucci, Alfredo Piatti, Mari
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PERFORMERAmadeo Cicchese, Costantino Catena, Jacopo Di Tonno, Domenico Codespoti, Barbara Panzarella, Roberto
Italian Cello Sonatas
- Brilliant Classics
- June 14, 2024
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RELEASE DATEJune 14, 2024
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UPC5028421972787
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CATALOG NUMBERBRI97278
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LABELBrilliant Classics
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NUMBER OF DISCS6
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GENRE
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I. Allegro tranquillo
Composer: Ermanno Wolf-Ferrari
Ensemble: Quartetto Guadagnini
Performer: Amedeo Cicchese, Constantino Catena
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II. Largo
Composer: Ermanno Wolf-Ferrari
Ensemble: Quartetto Guadagnini
Performer: Amedeo Cicchese, Constantino Catena
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III. Allegro
Composer: Ermanno Wolf-Ferrari
Ensemble: Quartetto Guadagnini
Performer: Amedeo Cicchese, Constantino Catena
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I. Allegro moderato
Composer: Francesco Cilea
Performer: Jacopo Di Tonno, Domenico Codispoti
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II. Alla romanza
Composer: Francesco Cilea
Performer: Jacopo Di Tonno, Domenico Codispoti
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III. Allegro animato
Composer: Francesco Cilea
Performer: Jacopo Di Tonno, Domenico Codispoti
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I. Largo
Composer: Ildebrando Pizzetti
Performer: Amedeo Cicchese, Barbara Panzarella
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II. Molto concitato e angoscioso
Composer: Ildebrando Pizzetti
Performer: Amedeo Cicchese, Barbara Panzarella
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III. Stanco e triste: Largo
Composer: Ildebrando Pizzetti
Performer: Amedeo Cicchese, Barbara Panzarella
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I. Allegro giusto
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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II. Scherzo: Allegro molto
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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III. Intermezzo: Andantino flebile
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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IV. Finale: Allegro
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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No. 1 in E Minor: Moderato
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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No. 2 in B-Flat Major: Andante
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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No. 3 in A Minor: Allegro
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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No. 1. Andantino con moto
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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No. 2. Moderato
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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Melodia (version for cello and piano)
Composer: Giuseppe Martucci
Performer: Roberto Trainini, Massimiliano Ferrati
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I. Moderato mosso
Composer: Mario Pilati
Performer: Luca Signorini, Dario Candela
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II. Tema con variazioni
Composer: Mario Pilati
Performer: Luca Signorini, Dario Candela
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III. Animato
Composer: Mario Pilati
Performer: Luca Signorini, Dario Candela
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I. Lento (recitativo) - Allegro viva
Composer: Eliodoro Sollima
Performer: Gianluca Pirisi, Flavia Salemme
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II. Andante molto espressivo
Composer: Eliodoro Sollima
Performer: Gianluca Pirisi, Flavia Salemme
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III. Perpetuum mobile - Allegro con spirito
Composer: Eliodoro Sollima
Performer: Gianluca Pirisi, Flavia Salemme
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I. Arioso e sereno
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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II. Arietta con variazioni
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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III. Vivacemente
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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IV. Dolente ma con fierezza
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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V. Rustico
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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VI. Largo e pomposo
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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VII. Energico e ben ritmato
Composer: Mario Castelnuovo-Tedesco
Performer: Amedeo Cicchese, Barbara Panzarella
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I. Allegro assai
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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II. Adagio
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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III. Allegro ma non troppo
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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I. Preludio: Largo molto e sostenuto -
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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I. Bourree: Allegro molto vivace e scherzando
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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II. Largo -
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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II. Rondo: Allegro molto vivace, quasi giga
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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Notturno
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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Tarantella
Composer: Alfredo Casella
Performer: Andrea Favalessa, Maria Semeraro
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I. Allegro
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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II. Andantino
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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III. Presto
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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IV. Agitato vivace
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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I. Lento - Allegro spiritoso
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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II. Adagio lento
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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III. Variazioni del tempo I
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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IV. Presto ma non troppo
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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I. Allegro energico
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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II. Romanza: Lento
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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III. Finale: Allegro ma non troppo
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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I. Allegro assai moderato
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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II. Intermezzo: Vivo ed agitato
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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III. Allegro ma tranquillo
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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I. Introduzione: Largo - Allegro
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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II. Intermezzo: Adagio
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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III. Allegro vivo
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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I. Allegro non troppo
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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II. Andante religioso
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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III. Canone
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
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IV. Vivo
Composer: Alfredo Piatti
Performer: Lamberto Curtoni, Giovanni Doria Miglietta
Featuring ⌄
Product Details ⌄
Works ⌄
By the time of the ‘Ottocento’ (19th century), opera was the dominant force in Italian musical culture, with bel canto composers such as Rossini and Donizetti creating a public appetite for opera that eclipsed achievements by Italy’s musical sons in other genres. Some of these composers who focused their energies instead on instrumental music, swimming against the operatic tide, remained in their native land, while others found a home (or were forced to find one) abroad.
Giuseppe Martucci (1856-1909) is one who stayed. A gifted pianist, he bypassed the operatic path and wrote music with a kind of fluent synthesis of Italian lyricism and German, dialectic approach to form that reached an early peak in his Cello Sonata of 1880. Yet Martucci, as a teacher of composition in Bologna and then Naples, urged the teenaged Alfredo Casella (1883-1947) to study abroad.
Ildebrando Pizzetti (1880-1968) is among the few composers in this set whose entire career centered in Italy, and he wrote a substantial body of instrumental music.
Before the war and eventual exile, Mario Castelnuovo-Tedesco (1895-1968) succeeded in reinventing an essentially Romantic model (of both form and harmony) for his own time with his Cello Sonata Op. 50 of 1928.
From seven years earlier, Ildebrando Pizzetti’s Sonata of 1921 is a more gloomy, even tortured affair. The Cello Sonata of Francesco Cilea (1866-1950), while unmistakably cast as an ‘operatic’ work from its opening solo, features a protagonist scarcely burdened by the existential angst to be found in comparable works from northern Europe.
Like Cilea, Ermanno Wolf-Ferrari (1876–1948) is known for his operas but unlike Cilea’s cello sonata, Wolf-Ferrari’s Op. 30 dates from the final three years of his life and belongs to a mature output of instrumental music.
Virtuoso cellists Alfredo Piatti (1822-1901) produced many trifles and showpieces to display his artistry to his adoring public in London. He was most proud of the set of six sonatas included in this set. In 1844 he made his first appearance in the English capital and soon settled there, playing both as a soloist and in one of the first celebrity string quartets.
The Cello Sonata by Mario Pilati (1903-1938) is another product of the fast-moving 1920s, formed in a Romantic tradition but inflected – like the music of Casella, Pizzetti, and Castelnuovo-Tedesco – by contemporary trends in impressionism and futurism.
From the next generation of composers, the Cello Sonata composed in 1948 by Eliodoro Sollim (1926-2000) fluently incorporates the kind of modal harmonies and cross-rhythms adopted by the likes of Bartók and Janáček from the folk traditions of their own cultures.
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