Award-winning director Claus Guth’s acclaimed production of Jenůfa is a striking representation of an oppressed society ‘infused with heart-warming humanity’ (Evening Standard). Two courageous women...

Award-winning director Claus Guth’s acclaimed production of Jenůfa is a striking representation of an oppressed society ‘infused with heart-warming humanity’ (Evening Standard). Two courageous women struggle for fulfillment against the backdrop of a claustrophobic rural community. With music inspired by the traditional folk melodies of his native Moravia, Janáček’s score movingly captures Jenůfa’s progression from hope to despair to eventual radiant happiness, while her stepmother, the Kostelnicka, is one of opera’s most complex maternal figures. Hungarian conductor Henrik Nánási conducts Asmik Grigorian in her much-anticipated Royal Opera House debut in the title role, alongside Karita Mattila as the Kostelnicka and a star cast.

REVIEW:

The first wave of Czech composer Leoš Janáček’s great operas centered on tragic heroines: together with Káťa Kabanová and The Makropulos Case, which followed it, Jenůfa is a triumphant and insightful music drama, as Oliver Mears’ 2021 staging at London’s Royal Opera House shows. Lithuanian soprano Asmik Grigorian plays the demanding title role sensitively and intelligently, the great Finnish soprano Karita Matilla is just as powerful as Kostelnicka, her stepmother, and conductor Henrik Nánási leads the orchestra and chorus in a gripping account of Janáček’s intense score. The hi-def video and audio are first-rate.

-- The Flip Side (Kevin Filpski)