The lineage of Western concert music is one which brims with tradition and history, through teachers and pupils, listeners and performers, spanning centuries and continents...

The lineage of Western concert music is one which brims with tradition and history, through teachers and pupils, listeners and performers, spanning centuries and continents alike. But one of the common threads which runs through this lineage is the urge by composers, performers, and audiences to all be part of a transcendent emotional experience through music itself. “Music saves one note at a time,” says Kaviani. “Not by ending wars but by waging them in the name of beauty, nobility, and humanity against all that lies to, numbs, or crushes the human spirit. It saves not by eliminating hunger but by creating more appetite for enlightenment, transcendence and human civilization.” Kaviani’s Te Deum is a secular work which uses the original Latin text of the Christian hymn of praise and presents it through the lens of modernity. The piece in many ways exemplifies the composer’s humanistic, emotionally-driven approach in an invigorating celebration of art, life, and the forces beyond our own selves. A more recent work, Tous les matins du monde, written almost 10 years after the Te Deum, shows Kaviani as he is now, more mature, austere and more sensitive. Kaviani’s a cappella work is conceived and executed in a clearly contemporary style, with shifting moments of lamentation and contemplation juxtaposed with a profound sense of transcendence.