Keynotes / Marti

$20.99
Label
Ramee
Release Date
July 9, 2021
Format
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    Featuring ⌄
    • COMPOSER
      VARIOUS
    • PERFORMER
      Corina Marti
    Product Details ⌄
    • RELEASE DATE
      July 09, 2021
    • UPC
      4250128519168
    • CATALOG NUMBER
      RAM1916
    • LABEL
      Ramee
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Descendit de celis [I-Fl MS Pluteus 29.1, 13th Century]

      Composer: Anonymous

      Performer: Corina Marti

    2. Danse real [F-Pnm Français 844, Chansonnier du Roi, 13th century]

      Composer: Anonymous

      Performer: Corina Marti

    3. Domino [I-Fl MS Pluteus 29.1, 13th Century]

      Composer: Anonymous

      Performer: Corina Marti

    4. Tribum que non abhoruit

      Composer: Philippe de Vitry

      Performer: Corina Marti

    5. Chose Tassin I

      Composer: Tassin

      Performer: Corina Marti

    6. Kyrie: Cunctipotens genitor Deus [Faenza Codex]

      Composer: Anonymous

      Performer: Corina Marti

    7. Ave maris stella [Faenza Codex, 13th century]

      Composer: Anonymous

      Performer: Corina Marti

    8. Kyrie angelicum [D-Mbs Mus. ms. 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 2nd half of the 15th century]

      Composer: Anonymous

      Performer: Corina Marti

    9. Redeuntes in mi [No. 232d, Buxheimer Orgelbuch, ca. 1460]

      Composer: Anonymous

      Performer: Corina Marti

    10. Mit ganczem willen wünsch ich dir [D-B MS Mus. 40613, Lochamer-Liederbuch, ca. 1452–60]

      Composer: Anonymous

      Performer: Corina Marti

    11. Humble pitié [GB-Ob MS. Canon. Pat. Lat. 229, late 14th-early 15th century]

      Composer: Anonymous

      Performer: Corina Marti

    12. Praeambulum super d a f et g [Private Collection, Tabulature of Adam Ileborgh, 1448]

      Composer: Anonymous

      Performer: Corina Marti

    13. Untitled [I-PEc Ms. 3410, undated]

      Composer: Anonymous

      Performer: Corina Marti

    14. Stella pia

      Composer: Henricus Hessman de Argentorato

      Performer: Corina Marti

    15. Molendinum de Paris

      Composer: Pierre des Molins

      Performer: Corina Marti

    16. Benedicamus domino [Faenza Codex, 15th century]

      Composer: Anonymous

      Performer: Corina Marti

    17. Amen [I-FZc MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Corina Marti

    18. Io me son uno che per la frasche (from Codex Faenza)

      Composer: Jacopo da Bologna

      Performer: Corina Marti

    19. Deh come dolcemente m'abbracciava (from Panciatichi Codex)

      Composer: Giovanni da Cascia

      Performer: Corina Marti

    20. Se la vista soave (from Squarcialupi Codex)

      Composer: Francesco Landini

      Performer: Corina Marti

    21. Per larghi prati e per gran boschi folti (from Panciatichi Codex)

      Composer: Giovanni da Cascia

      Performer: Corina Marti

    22. Cantano gl'angiolieti Sanctus [GB-Lbl Add. MS 29987, 14th century]

      Composer: Anonymous

      Performer: Corina Marti

    23. Benedicamus sane per omnia

      Composer: Anonymous

      Performer: Corina Marti

    24. Benedicamus [GB-Ob MS. Canon. Pat. Lat. 229, late 14th / early 15th century]

      Composer: Anonymous

      Performer: Corina Marti


Some of the greatest works ever composed were conceived for and inspired by keyboard instruments. Today, however, the splendor of the canonical works for keyboard instruments composed after 1600 — Bach’s Preludes and Fugues, Beethoven’s Sonatas and Chopin’s Nocturnes — tends to overshadow works composed earlier, despite there being a rich history of repertoire and a variety of instruments at that earlier time. Corina Marti here not only explores the earliest keyboard music to be composed in Europe but also provides a fascinating insight into a world of virtuoso players and the music composed for them, playing a selection of instruments that are hardly known today: a metal-stringed clavisimbalum (an early form of harpsichord), an upright gut-stringed claviciterium, two organetti (portative organs) of different sizes, and the church organ in Altenbruch in northern Germany with its array of original pipes that date from the fifteenth century.