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COMPOSERLACHNER, FRANZ
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PERFORMERChor Des Bayerischen Rundfunks, Munchner Rundfunkorchester, Weikert
Lachner: Catharina Cornaro / Weikert, Munich Radio Orchestra
- CPO
- September 7, 2018
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RELEASE DATESeptember 07, 2018
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UPC761203781225
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CATALOG NUMBER777812-2
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LABELCPO
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NUMBER OF DISCS2
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GENRE
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Overture
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Conductor: Ralf Weikert
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Act I Scene 1: Ein Freudentag voll Lust und Glanz (Catharina Cornaro, Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Kristiane Kaiser
Conductor: Ralf Weikert
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Act I Scene 2: Recitative and Duet: Mein Marco (Catharina Cornaro, Marco Venero, Andrea Cornaro)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Kristiane Kaiser, Daniel Kirch, Simon Pauly
Conductor: Ralf Weikert
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Act I Scene 3: Aria: Mir leben auf die Tage entschwund'ner Lebenslust (Andrea Cornaro)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Simon Pauly
Conductor: Ralf Weikert
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Act I Scene 4: Recitative and Duet: Signor, ein Fremder will euch sprechen (Servant, Andrea, Onofrio)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Matthias Ettmayr, Simon Pauly, Christian Tschelebiew
Conductor: Ralf Weikert
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Act I Scene 5: Finale: Ein Freudentag voll Lust und Glanz (Catharina, Marco, Andrea, Onofrio, Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Kristiane Kaiser, Daniel Kirch, Simon Pauly, Christian Tschelebiew
Conductor: Ralf Weikert
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Act II: Introduction
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Conductor: Ralf Weikert
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Act II Scene 1: Blickt auf mit Vertrauen (Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Conductor: Ralf Weikert
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Act II Scene 2: Recitative and Aria: Auf immer getrennt (Catharina, Andrea)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Kristiane Kaiser, Simon Pauly
Conductor: Ralf Weikert
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Act II Scene 3: Duet: Dein Haupt schmückt eine Krone (Andrea, Catharina)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Simon Pauly, Kristiane Kaiser
Conductor: Ralf Weikert
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Act II Scene 4: Finale: Wie? Hab' ich recht verstanden? (Catharina, Marco, Spirido, Angelo)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Kristiane Kaiser, Daniel Kirch, Timo Jansen, Wolfgang Klose
Conductor: Ralf Weikert
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Act III: Introduction
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Conductor: Ralf Weikert
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Act III Scene 1: Niemals auf dem Erdenrunde blühte eine schön're Braut (Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Conductor: Ralf Weikert
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Act III Scene 2: Recitative and Aria: Wohl dir! (Andrea, Catharina, Page, Jakob II, Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Simon Pauly, Kristiane Kaiser, Priska Eser, Mauro Peter
Conductor: Ralf Weikert
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Act III Scene 3: Hoch lebe Zyperns Königin (Chorus, Onofrio)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Christian Tschelebiew
Conductor: Ralf Weikert
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Act III Scene 4: Recitative and Trio: Hier an dieser Stelle kämpft ich in der Nacht (Marco, Spirido, Angelo)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Daniel Kirch, Timo Jansen, Wolfgang Klose
Conductor: Ralf Weikert
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Act III Scene 5: Finale: Wenn sie zum Altare treten (Marco, Spirido, Angelo, Chorus, Jakob II, Catharina)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Daniel Kirch, Timo Jansen, Wolfgang Klose, Mauro Peter, Kristiane Kaiser
Conductor: Ralf Weikert
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Act IV Scene 1: Entr'act
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Conductor: Ralf Weikert
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Act IV Scene 2: Recitative and Aria: Zum Heil hat uns Venedig dich gesandt (Catharina)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Kristiane Kaiser
Conductor: Ralf Weikert
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Act IV Scene 3: Recitative and Duet: Catharina, meine teure Gattin (Jakob II, Catharina)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Mauro Peter, Kristiane Kaiser
Conductor: Ralf Weikert
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Act IV Scene 4: Recitative and Duet: Oh Herr! (Officer, Jakob II, Catharina, Marco)
Composer: Franz Paul Lachner
Ensemble: Münchner Rundfunkorchester
Performer: Andreas Burkhart, Mauro Peter, Kristiane Kaiser, Daniel Kirch
Conductor: Ralf Weikert
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Act IV Scene 5: Recitative and Quartet: Unglücklicher, was suchst du hier (Catharina, Marco, Onofrio, Jakob II, Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Kristiane Kaiser, Daniel Kirch, Christian Tschelebiew, Mauro Peter
Conductor: Ralf Weikert
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Act IV Scene 6: Auf zum Sternenthrone schwingt sich sein Geist (Chorus)
Composer: Franz Paul Lachner
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Conductor: Ralf Weikert
Featuring ⌄
Product Details ⌄
Works ⌄
At a time when the majority of German composers turned from the opera to the singspiel and its considerably smaller dimensions, Franz Lachner continued the tradition of the grand historical opera with Catharina Cornaro. Lachner’s once so very successful opera, last performed in Munich in 1903, was forgotten for many decades, but a few years ago the editor Volker Tosta of Stuttgart prepared a new edition of this work, its first published version, especially for the concert performance by the Munich Radio Orchestra. The action of the tragic opera is based on the true-life story of the Queen of Cyprus. Political intrigues and great passions distinguish the plot. It is difficult to believe that this musically so very appealing work, which captivated the audience at Munich’s Prince Regent Theater already with its highly atmospheric overture during the performance on which this album is based, ever could be forgotten. “With this opera the German school has been enriched with a dramatic work that has to be counted as one of the most genial and magnificent of the works belonging to it.” This is what the Allgemeine Musikalische Zeitung wrote after the premiere, and Max Zenger’s Geschichte der Münchner Oper of 1923 documents the pathbreaking effect of this opera when it states that Catharina Cornaro had “quite literally become Munich’s hallmark, like the two towers of the Cathedral of Our Lady.”
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