Marta Almajano and Jos� Miguel Moreno present works by Vincente Martin y Soler, Ferdinando Carulli, Mauro Giuliani, Fernando Sor & Johann Kaspar Mertz. Spanish soprano Marta Almajano became a part of the revival of Baroque music when she was a part of Al Ayre Espanol from it's foundation in 1987 until 2004. She teaches singing at the Escuela Superior de Musica de Cataluna in Barcelona. Jos� Miguel Moreno is one of the leading specialists of historical plucked string instruments, but with a repertory that extends from the 16th century to the present day. A co-founder of Glossa, he had previously recorded with Teresa Berganza for Philips and with Hesp�rion XX for Astr�e. As a soloist, as an accompanist or with his ensembles La Romanesca and Orph�nica Lyra (focused on the Spanish repertoire of the Renaissance and Baroque), Moreno has made some of the signal recordings that have helped establish Glossa's reputation: his groundbreaking album, The Spanish Guitar (1536-1836), for example, has sold in excess of 30,000 copies; other recordings have explored the musical worlds of Cervantes' Don Quijote and of the painter Diego Vel�zquez. Moreno has also recorded Boccherini Guitar Quintets, accompanied by his brother Emilio's La Real C�mara.