Chandos
Liszt: Works For Piano & Orchestra / Lortie
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Details
- Composer
- LISZT, FRANZ
- Artist
- Lortie, Pehlivanian
- Format
- CD
- Label
- Chandos
- Released
- May 01, 2006
- Catalog #
- CHAN 10371(3) X
- UPC
- 095115137123
About
Reviews of some of the original recordings that make up this set.
Fantasia on a Theme from Beethoven's Ruins of Athens, Grande Fantasie symphonique on Themes from Berlioz's Lelio
These are exuberant performances, overflowing with arch character and impish brio. Lortie doesn't merely phrase responsively; he deftly teases and articulates, so that even routine passage-work lifts into scintillant repartee, wittily met by Pehiavanian and The Hague Residentie Orchestra. For salient instance, this is the first time I've heard the young Liszt's hilariously slapdash, formally sprawling Lelio Fantasy actually . . . fantasticated. Leslie Howard's fine, sympathetic go at it with Karl Anton Rickenbacher and the Budapest Symphony (Hyperion CDA67401/2, 22:5), to take perhaps the most challenging comparison, seems literal and earnest after this nuance-rife take, couching coruscating roguery in feathery exquisiteness. Nor do Howard's broader tempos—timing in at 29:44 against Lortie's fleet 24:06—help to put this overlong jeu across. Chez Lortie and Pehiavanian, on the other hand, it is no longer a mere curiosity but a grandly empurpled Byronic narrative. Similar comparisons could be drawn piece by piece, but suffice it to say that in brilliant contrast to the workmanlike note-spinning that too often overtakes such ambitious intégrales, these artists approach music-making as a form of merrymaking, animating everything with irresistible verve. Sound is transparently immediate in a spacious aural frame. Enthusiastically recommended.
Adrian Corleonis, Fanfare [9/2000]
Piano Concertos
Volume 3 triumphantly concludes Louis Lortie's Chandos cycle of Liszt's works for piano and orchestra. Once again his mastery is as fluent as it is scintillating. Less heartstopping or intense than his finest rivals in the two concertos (Richter and Zimerman, and Argerich in No 1 only) his occasional distance lends enchantment, and his aristocratic brilliance brings a special distinction to pages inviting heaviness and theatricality. Listen to him unbending winsomely at 1.24" in the First Concerto or tossing aside the Allegro vivace with an almost winged bravura, and at 045" in the cadenza from the Second Concerto he shows a poetry and inwardness rarely achieved in such overt showpieces.
He does all that is humanly possible with the Third Concerto, which received its premiere in 1990, yet even he, alive to moments of authentic Lisztian rhetoric, can do little to erase one's sense of music in urgent need of revision. Likewise the Concerto Pathetique, judiciously arranged from a variety of sources, storms and rants with the sort of self-conscious drama that often came too easily to Liszt; never more so than in the allguns-blazing Allegro trionfante conclusion. But again, the performance is exemplary, the recordings of demonstration quality with a sensible rather than spectacular balance, and George Pehlivanian and The Hague Residentie Orchestra prove themselves admirable partners, even when they are hardly maestoso at the start of the First Concerto. Altogether this has been a most distinguished series.
-- Bryce Morrison, Gramophone [5/2002]
Fantasia on a Theme from Beethoven's Ruins of Athens, Grande Fantasie symphonique on Themes from Berlioz's Lelio
These are exuberant performances, overflowing with arch character and impish brio. Lortie doesn't merely phrase responsively; he deftly teases and articulates, so that even routine passage-work lifts into scintillant repartee, wittily met by Pehiavanian and The Hague Residentie Orchestra. For salient instance, this is the first time I've heard the young Liszt's hilariously slapdash, formally sprawling Lelio Fantasy actually . . . fantasticated. Leslie Howard's fine, sympathetic go at it with Karl Anton Rickenbacher and the Budapest Symphony (Hyperion CDA67401/2, 22:5), to take perhaps the most challenging comparison, seems literal and earnest after this nuance-rife take, couching coruscating roguery in feathery exquisiteness. Nor do Howard's broader tempos—timing in at 29:44 against Lortie's fleet 24:06—help to put this overlong jeu across. Chez Lortie and Pehiavanian, on the other hand, it is no longer a mere curiosity but a grandly empurpled Byronic narrative. Similar comparisons could be drawn piece by piece, but suffice it to say that in brilliant contrast to the workmanlike note-spinning that too often overtakes such ambitious intégrales, these artists approach music-making as a form of merrymaking, animating everything with irresistible verve. Sound is transparently immediate in a spacious aural frame. Enthusiastically recommended.
Adrian Corleonis, Fanfare [9/2000]
Piano Concertos
Volume 3 triumphantly concludes Louis Lortie's Chandos cycle of Liszt's works for piano and orchestra. Once again his mastery is as fluent as it is scintillating. Less heartstopping or intense than his finest rivals in the two concertos (Richter and Zimerman, and Argerich in No 1 only) his occasional distance lends enchantment, and his aristocratic brilliance brings a special distinction to pages inviting heaviness and theatricality. Listen to him unbending winsomely at 1.24" in the First Concerto or tossing aside the Allegro vivace with an almost winged bravura, and at 045" in the cadenza from the Second Concerto he shows a poetry and inwardness rarely achieved in such overt showpieces.
He does all that is humanly possible with the Third Concerto, which received its premiere in 1990, yet even he, alive to moments of authentic Lisztian rhetoric, can do little to erase one's sense of music in urgent need of revision. Likewise the Concerto Pathetique, judiciously arranged from a variety of sources, storms and rants with the sort of self-conscious drama that often came too easily to Liszt; never more so than in the allguns-blazing Allegro trionfante conclusion. But again, the performance is exemplary, the recordings of demonstration quality with a sensible rather than spectacular balance, and George Pehlivanian and The Hague Residentie Orchestra prove themselves admirable partners, even when they are hardly maestoso at the start of the First Concerto. Altogether this has been a most distinguished series.
-- Bryce Morrison, Gramophone [5/2002]
Tracklist 28 tracks
- Disc 1
-
1 Malediction, S121/R452 15:40
- Track
- 1
- Title
- Malediction, S121/R452
- Duration
- 15:40
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
2 I. Lento - 12:19
- Track
- 2
- Title
- I. Lento -
- Duration
- 12:19
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
3 II. Allegro vivace 07:56
- Track
- 3
- Title
- II. Allegro vivace
- Duration
- 07:56
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
4 III. Andantino, senza interruzione - Vivace animato 03:47
- Track
- 4
- Title
- III. Andantino, senza interruzione - Vivace animato
- Duration
- 03:47
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
5 Andante - 22:00
- Track
- 5
- Title
- Andante -
- Duration
- 22:00
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
6 Allegro moderato - 04:57
- Track
- 6
- Title
- Allegro moderato -
- Duration
- 04:57
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
7 [—] - Tempo I - Allegro - Allegro marziale 06:41
- Track
- 7
- Title
- [—] - Tempo I - Allegro - Allegro marziale
- Duration
- 06:41
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
- Disc 2
-
1 Allegro maestoso - Tempo giusto - 05:04
- Track
- 1
- Title
- Allegro maestoso - Tempo giusto -
- Duration
- 05:04
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
2 Quasi adagio - 04:52
- Track
- 2
- Title
- Quasi adagio -
- Duration
- 04:52
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
3 Allegretto vivace - 04:03
- Track
- 3
- Title
- Allegretto vivace -
- Duration
- 04:03
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
4 Allegro marziale animato 03:59
- Track
- 4
- Title
- Allegro marziale animato
- Duration
- 03:59
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
5 Piano Concerto No. 3 in E-Flat Major, S125a 12:48
- Track
- 5
- Title
- Piano Concerto No. 3 in E-Flat Major, S125a
- Duration
- 12:48
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
6 Adagio sostenuto assai - 05:01
- Track
- 6
- Title
- Adagio sostenuto assai -
- Duration
- 05:01
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
7 Allegro agitato assai - Un poco meno mosso - 01:57
- Track
- 7
- Title
- Allegro agitato assai - Un poco meno mosso -
- Duration
- 01:57
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
8 Allegro moderato - 04:55
- Track
- 8
- Title
- Allegro moderato -
- Duration
- 04:55
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
9 Allegro deciso - 03:07
- Track
- 9
- Title
- Allegro deciso -
- Duration
- 03:07
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
10 Marziale un poco meno allegro - Un poco animato - 01:06
- Track
- 10
- Title
- Marziale un poco meno allegro - Un poco animato -
- Duration
- 01:06
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
11 Un poco meno mosso - 02:56
- Track
- 11
- Title
- Un poco meno mosso -
- Duration
- 02:56
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
12 Allegro animato 01:49
- Track
- 12
- Title
- Allegro animato
- Duration
- 01:49
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
13 Totentanz, S126/R457 15:26
- Track
- 13
- Title
- Totentanz, S126/R457
- Duration
- 15:26
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
- Disc 3
-
1 Fantasie on Motive from Beethoven's Ruinen von Athen, S122/R454 10:47
- Track
- 1
- Title
- Fantasie on Motive from Beethoven's Ruinen von Athen, S122/R454
- Duration
- 10:47
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
2 Weber - Polonaise brillante, S367/R460 09:31
- Track
- 2
- Title
- Weber - Polonaise brillante, S367/R460
- Duration
- 09:31
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
3 Concerto pathétique, S365a 16:19
- Track
- 3
- Title
- Concerto pathétique, S365a
- Duration
- 16:19
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
4 Fantasia on Hungarian Folk Themes, S123/R458, "Hungarian Fantasy" 14:43
- Track
- 4
- Title
- Fantasia on Hungarian Folk Themes, S123/R458, "Hungarian Fantasy"
- Duration
- 14:43
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
5 Allegro con fuoco, ma non troppo - 06:07
- Track
- 5
- Title
- Allegro con fuoco, ma non troppo -
- Duration
- 06:07
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
6 Adagio - 06:43
- Track
- 6
- Title
- Adagio -
- Duration
- 06:43
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
7 Presto - 04:31
- Track
- 7
- Title
- Presto -
- Duration
- 04:31
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian
-
8 Allegro 03:41
- Track
- 8
- Title
- Allegro
- Duration
- 03:41
- Composer
- Franz Liszt
- Performer
- Louis Lortie
- Ensemble
- The Hague Residentie Orkest
- Conductor
- George Pehlivanian