Marschner: Der Templer und die Jüdin, Op. 60

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Label
MYTO Historical
Release Date
November 13, 2015
Format
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    Featuring ⌄
    • COMPOSER
      MARSCHNER, HEINRICH
    • ORCHESTRA / ENSEMBLE
      Musicians Choir Chorus
    • PERFORMER
      Sperlbauer, Heinrich, Oeggl, Equiluz, Dickl, Vobruba, Trattnig, Synek, Prein
    Product Details ⌄
    • RELEASE DATE
      November 13, 2015
    • UPC
      0801439902497
    • CATALOG NUMBER
      MYTO00249
    • LABEL
      MYTO Historical
    • NUMBER OF DISCS
      2
    • GENRE
      Opera / Operetta / Oratorio
    Works ⌄

    1. Act I: Ouverture

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Conductor: Kurt Tenner

    2. Act I: Ihr lagert still euch dort im Wald. (Bracy, Chorus, Guilbert)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Kurt Equiluz, Georg Oeggl

      Conductor: Kurt Tenner

    3. Act I: March

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Conductor: Kurt Tenner

    4. Act I: S'wird besser gehn (Wamba)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Leopold Vobruba

      Conductor: Kurt Tenner

    5. Act I: Wer Kraft und Muth in freier Brust (Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Conductor: Kurt Tenner

    6. Act I: Der Barfussler Monch seine Zelle verliess (Tuck, Ritter, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Hubert Trattnig, Kurt Dickl

      Conductor: Kurt Tenner

    7. Act I: Wie bang' ist mir! (Rebecca, Guilbert)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Liane Synek, Georg Oeggl

      Conductor: Kurt Tenner

    8. Act I: Erkenne mich! Dich tauschte nicht dein Glauben (Guilbert, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Georg Oeggl, Liane Synek

      Conductor: Kurt Tenner

    9. Act I: Der weiblichen Schonheit zu Fussen (Guilbert, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Georg Oeggl, Liane Synek

      Conductor: Kurt Tenner

    10. Act I: Ha, wohl ersonnen, Klugste aller Schonen! (Guilbert, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Georg Oeggl, Liane Synek

      Conductor: Kurt Tenner

    11. Act I: Keck dringen Feinde auf uns ein (Chorus, Guilbert, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Georg Oeggl, Liane Synek

      Conductor: Kurt Tenner

    12. Act I: Horch! Welcher Larm! Ich hore Waffenklang (Ivanhoe, Rebecca, Chorus, Ritter, Guilbert)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Fritz Sperlbauer, Liane Synek, Kurt Dickl, Georg Oeggl

      Conductor: Kurt Tenner

    13. Act II: Es zittert im Fruhrot vor Freuden die Welt (Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Conductor: Kurt Tenner

    14. Act II: Bruder wacht! Habet Acht! (Tuck, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Hubert Trattnig

      Conductor: Kurt Tenner

    15. Act II: Ha! Find ich Euch! (Ivanhoe, Chorus, Richard)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Fritz Sperlbauer, Kurt Dickl

      Conductor: Kurt Tenner

    16. Act II: Es ist dem Konig Ehr' und Ruhm (Ivanhoe, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Fritz Sperlbauer

      Conductor: Kurt Tenner

    17. Act II: Nicht zu verschmahen! (Guilbert)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Georg Oeggl

      Conductor: Kurt Tenner

    18. Act II: Wie so ernst und feierlich (Chorus, Beaumanoir, Guilbert)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Walter Heinrich, Georg Oeggl

      Conductor: Kurt Tenner

    19. Act II: Lasst den Schleier mir, ich bitte (Rebecca, Beaumanoir, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Liane Synek, Walter Heinrich

      Conductor: Kurt Tenner

    20. Act II: Verworf‘ne Judin! durch der Holle Macht (Beaumanoir, Chorus, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Walter Heinrich, Liane Synek

      Conductor: Kurt Tenner

    21. Act II: Wohlan, gebt mir den Handschuh her. (Beaumanoir, Guilbert, Rebecca, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Walter Heinrich, Georg Oeggl, Liane Synek

      Conductor: Kurt Tenner

    22. Act III: Schlinget frohe Tanze (Chorus, Ivanhoe)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Fritz Sperlbauer

      Conductor: Kurt Tenner

    23. Act III: Es ist doch gar kostlich, ein Konig zu sein (Wamba)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Leopold Vobruba

      Conductor: Kurt Tenner

    24. Act III: Herr, aus tiefen Jammernoten (Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Liane Synek

      Conductor: Kurt Tenner

    25. Act III: Weh mir, du bist's? (Rebecca, Guilbert)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Liane Synek, Georg Oeggl

      Conductor: Kurt Tenner

    26. Act III: March

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Conductor: Kurt Tenner

    27. Act III: Hier steht der tapfre Ritter Bois Guilbert (Beaumanoir, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Radio-Symphonieorchester Wien

      Performer: Walter Heinrich, Liane Synek

      Conductor: Kurt Tenner

    28. Act III: Kommst du zum Kampf für die Beklagte hier (Beaumanoir, Guilbert, Ivanhoe, Chorus, Rebecca)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Walter Heinrich, Georg Oeggl, Fritz Sperlbauer, Liane Synek

      Conductor: Kurt Tenner

    29. Act III: Doch welchen Lohn willst du, du holdes Wesen (Richard, Rebecca, Ivanhoe, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Anonymous, Radio-Symphonieorchester Wien

      Performer: Kurt Dickl, Liane Synek, Fritz Sperlbauer

      Conductor: Kurt Tenner

    30. Act I: Overture

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Conductor: Robert Heger

    31. Act I: Ihr Hexen und Geister (Chorus, Vampyrmeister, Ruthwen)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Philip Maero

      Conductor: Robert Heger

    32. Act I; Ha! noch einen ganzen Tag! (Ruthwen)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Philip Maero

      Conductor: Robert Heger

    33. Act I: Teurer Eltern einz‘ge Freude (Janthe, Ruthwen)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Irene Gasperoni, Philip Maero

      Conductor: Robert Heger

    34. Act I: Wo kann sie sein? (Chorus, Berkley, Janthe, Ruthwen)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Enrico Campi, Irene Gasperoni, Philip Maero

      Conductor: Robert Heger

    35. Act II: Heiter lacht die gold'ne Fruhlingssonne (Malwina)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Ester Orel

      Conductor: Robert Heger

    36. Act II: Du bist's! (Malwina, Aubry)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Ester Orel, Renato Gavarini

      Conductor: Robert Heger

    37. Act II: Sieh, Mutter, dort den bleichen Mann (Emmy, Chorus)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Dora Gatta

      Conductor: Robert Heger

    38. Act II : Wohl, du zwingst mich zum Verbrechen (Aubry, Ruthwen)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Renato Gavarini, Philip Maero

      Conductor: Robert Heger

    39. Act II: Wie ein schöner Fruhlingsmorgen (Aubry)

      Composer: Heinrich August Marschner

      Ensemble: Coro di Milano della RAI, Orchestra Sinfonica Nazionale della RAI di Milano

      Performer: Renato Gavarini

      Conductor: Robert Heger


One of the best known of Marchner’s operas, Der Templer und die Jüdin is based on Walter Scott’s tale “Ivanhoe”. Recorded in 1951, and with a strong cast led by Kurt Equiluz and Leone Synak, with the Grosses Orchester der RAVAG today known as Radio Sinfonieorchester Wien (Radio Symphony Orchestra Vienna) under the baton of Kurt Tenner. Marchner’s impact and influence far outstripped the number of operas he composed and Wagner counted him as one of his primary influences.