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COMPOSERMARTUCCI, GIUSEPPE
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ORCHESTRA / ENSEMBLEOrchestra Sinfonica Di Roma
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PERFORMERNoferini, La Vecchia
Martucci: Complete Orchestral Music Vol 1 / La Vecchia, Rome SO
- Naxos
- March 31, 2009
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RELEASE DATEMarch 31, 2009
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UPC747313092970
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CATALOG NUMBER8570929
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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I. Allegro
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
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II. Andante
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
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III. Allegretto
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
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IV. Mosso - Allegro risoluto
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
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Giga, Op. 61, No. 3 (arr. for orchestra)
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
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Canzonetta, Op. 65, No. 2 (arr. for orchestra)
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
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Andante, Op. 69, No. 2 (arr. for cello and orchestra)
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Performer: Andrea Noferini
Conductor: Francesco La Vecchia
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Nocturne, Op. 70, No. 1 (arr. for orchestra)
Composer: Giuseppe Martucci
Ensemble: Orchestra Sinfonica di Roma
Conductor: Francesco La Vecchia
Featuring ⌄
Product Details ⌄
Works ⌄
On the plus side, Francesco La Vecchia elicits more incisive string playing and more penetrating woodwind articulation in the neo-Wagnerian First symphony than Bakels, aided by Naxos' rich, dazzlingly detailed engineering. On the minus side, the Rome musicians do not quite match their Malaysian colleagues' impeccable intonation and seamless ensemble blend. However, the shorter works delight without qualification.
The Andante Op. 69 No. 2 clocks in nearly three minutes faster than the weightier Francesco D'Avalos/Philharmonia Orchestra recording, and benefits from cellist Andrea Noferini's warm tone and fluid phrasing. By contrast, La Vecchia takes two minutes more than D'Avalos over the Op. 70 No. 1 Notturno, yet generates plenty of sustaining power and chamber-like textural diversity. A fine start to a promising cycle, warmly recommended. [4/13/2009]
--Jed Distler, ClassicsToday.com
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