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COMPOSERHAYDN JOMMELLI
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PERFORMERVirtuosi Di Praga, Griffiths
Haydn: Missa Cellensis & Jommelli: Te Deum and Mass in D major / Kubelik, Bavarian Radio Symphony Orchestra and Choir
- Orfeo
- March 5, 2021
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RELEASE DATEMarch 05, 2021
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UPC4011790190624
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CATALOG NUMBERORF-MP2101
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LABELOrfeo
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NUMBER OF DISCS2
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GENRE
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Kyrie
Composer: Franz Joseph Haydn
Ensemble: Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks
Performer: Lucia Popp, Doris Soffel, Horst Rüdiger Laubenthal, Kurt Moll
Conductor: Rafael Kubelík
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Gloria
Composer: Franz Joseph Haydn
Ensemble: Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks
Performer: Lucia Popp, Doris Soffel, Horst Rüdiger Laubenthal, Kurt Moll
Conductor: Rafael Kubelík
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Credo
Composer: Franz Joseph Haydn
Ensemble: Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks
Performer: Lucia Popp, Doris Soffel, Horst Rüdiger Laubenthal, Kurt Moll
Conductor: Rafael Kubelík
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Sanctus
Composer: Franz Joseph Haydn
Ensemble: Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks
Performer: Lucia Popp, Doris Soffel, Horst Rüdiger Laubenthal, Kurt Moll
Conductor: Rafael Kubelík
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Benedictus
Composer: Franz Joseph Haydn
Ensemble: Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks
Performer: Lucia Popp, Doris Soffel, Horst Rüdiger Laubenthal, Kurt Moll
Conductor: Rafael Kubelík
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Agnus Dei
Composer: Franz Joseph Haydn
Ensemble: Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks
Performer: Lucia Popp, Doris Soffel, Horst Rüdiger Laubenthal, Kurt Moll
Conductor: Rafael Kubelík
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Te Deum
Composer: Niccolò Jommelli
Ensemble: Prague Chamber Choir, Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Te ergo quaesumus
Composer: Niccolò Jommelli
Ensemble: Prague Chamber Choir, Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Aeterna fac
Composer: Niccolò Jommelli
Ensemble: Prague Chamber Choir, Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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In te Domine speravi
Composer: Niccolò Jommelli
Ensemble: Prague Chamber Choir, Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Kyrie
Composer: Niccolò Jommelli
Ensemble: Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Gloria
Composer: Niccolò Jommelli
Ensemble: Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Sinfonia
Composer: Niccolò Jommelli
Ensemble: Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Credo
Composer: Niccolò Jommelli
Ensemble: Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Sanctus - Benedictus
Composer: Niccolò Jommelli
Ensemble: Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
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Agnus Dei
Composer: Niccolò Jommelli
Ensemble: Virtuosi di Praga
Performer: Judy Berry, Marta Beňačková, John La Pierre, Nikolaus Meer
Conductor: Hilary Griffiths
Featuring ⌄
Product Details ⌄
Works ⌄
Known as St Cecilia Mass, Haydn’s fifth Missa is the longest and most complex setting of the Latin Mass text. Rich in elaborate contrapuntal interweaving and with a duration of more than one hour, it reveals Haydn the opera composer. The present recording of a concert, performed in 1982 in the Ottobeuren Basilica with the Bavarian Radio Symphony Orchestra and Choir under the baton of Rafael Kubelik, is still considered a reference recording of the work. Niccolò Jommelli’s Mass in D major and his Te Deum were both written during his time at Charles Eugene’s Württemberg court, where he is said to have held the highest paid musician post in Europe. The Württemberg court loved French music and at the same time the virtuoso Mannheim school. These, together with Jommelli’s Italian roots, also shaped the composer’s stylistically diverse sacred oeuvre. The Te Deum with a brief length of not even a quarter of an hour, was frequently played even up until the early 19th century.
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