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COMPOSERVARIOUS
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PERFORMERMusica Bohemica, Krcek
Musica Bohemica - Songs And Dances Of Bohemian Baroque
- Supraphon
- January 29, 2013
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RELEASE DATEJanuary 29, 2013
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UPC099925409821
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CATALOG NUMBERSU4098-2
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LABELSupraphon
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NUMBER OF DISCS2
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GENRE
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Smrtí tanec - Kam tak rychle jdeme - Ó bože mùj, ó lásko má (arr. J. Krček for chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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U našeho bárty (arr. J. Krček for chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Alia phantasia
Composer: Anonymous
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Alia non illepide
Composer: Anonymous
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Alia I
Composer: Anonymous
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Alia II
Composer: Anonymous
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Saltus civilis
Composer: Anonymous
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Bonrepovský smrtí tanec (arr. J. Krček for chamber ensemble)
Composer: Anonymous
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Valachica (arr. J. Krček for chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Navařila buchet studenou vodou - Šla panenka smutně
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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V Prostějově na jarmarce
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Tanečná
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Káčo, káčo, kačenko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Jdi, má milá, jdi do lesa
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jaroslav Krček
Conductor: Jaroslav Krček
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Na našem dvoře
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Už se Krumlovskej zámeček bourá
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Ty klášterský zvony - Nezvoraný pole
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova, Jaroslav Krček
Conductor: Jaroslav Krček
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Můj zlatej holečku
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Moje milá je z rájova
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Formane, formane - Já jsem forman
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jaroslav Krček
Conductor: Jaroslav Krček
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Všecky, všecky, klášterský panenky
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Pěkně se zelená klášterská krajina
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Sedlák z prahy jede
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Na tej naší návsi
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova
Conductor: Jaroslav Krček
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V klášteře koníčky kšírujou
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jaroslav Krček
Conductor: Jaroslav Krček
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Okolo kláštera trávička zelená
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Koukni, holka, koukni
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jaroslav Krček
Conductor: Jaroslav Krček
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Ty krňanský ovce
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova, Jarmila Mihalikova
Conductor: Jaroslav Krček
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Ze zemì jsem na země přišel
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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U kláštera pole
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Kdyby byla vojna - Podívej se na mě
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Jdi, má milá, jdi do lesa - Roste stromek dubový
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Na tej naší návsi
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Zasazuj holečku
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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No. 23 and 54 from Čáslavsko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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No. 24 and 55 from Čáslavsko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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No. 21 from Čáslavsko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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No. 15 from Klatovsko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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No. 35 and 46 from Loketsko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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No. 9 and 10 from Plzeňsko
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Již jest čas na podzimku (arr. J. Krček for choir and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Do vozu sedala (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova
Conductor: Jaroslav Krček
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Já tu nebudu (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jaroslav Krček
Conductor: Jaroslav Krček
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Počkej, zastav malý formánečku (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova, Jaroslav Krček
Conductor: Jaroslav Krček
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Pročpak jsi, má milá (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova
Conductor: Jaroslav Krček
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Pomalu, nahoru (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Kdybych já věděla (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova
Conductor: Jaroslav Krček
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Co mám za trápení (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Louka, louka (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Má panenko boubelatá (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Ani jsem se smutná nenadála (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Šup sem, šup tam (arr. J. Krček for choir and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
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Měla jsem holoubka (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Včera mi svítilo slunečko (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Kdyby mi to Pán Bůh dal (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova, Hana Chlomkova
Conductor: Jaroslav Krček
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Zapla mi, sedláčku, službu mou (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Mé zlaté dolanské louky (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova
Conductor: Jaroslav Krček
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Pístecká hospoda (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jaroslav Krček
Conductor: Jaroslav Krček
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Což ten skřivánek (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Okolo Prahy (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Zelená se louka (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Jak je ta láska zlá (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Můj milý, nechej mì (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova
Conductor: Jaroslav Krček
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Jest-li to pravda nebo ne (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Hana Chlomkova
Conductor: Jaroslav Krček
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Když já pojedu přes ten les (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Hořela lipa, hořela (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Jarmila Mihalikova, Hana Chlomkova
Conductor: Jaroslav Krček
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Černé oči jděte spát (arr. J. Krček for voice and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Performer: Lubomir Vraspir
Conductor: Jaroslav Krček
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Až tam pojedete okolo vrat (arr. J. Krček for choir and chamber ensemble)
Composer: Traditional
Ensemble: Musica Bohemica
Conductor: Jaroslav Krček
Featuring ⌄
Product Details ⌄
Works ⌄
PÍSNE A TANCE BAROKNÍ: SONGS AND DANCES OF THE BOHEMIAN BAROQUE • Jaroslav Krcek, cond; Musica Bohemica • SUPRAPHON SU 4098-2 (2 CDs: 138:54)
The pieces assembled on these two discs are drawn from several collections: Pet baroknich tancu (Five Baroque Dances) by Kristian Hirschmentzel (1638–1703); Trí Hanácké tance (Three Dances from Haná), a collection dating from c.1700; Písne a tance ze Zlatokorunské sbírky Ond?eje H?lky (Songs and Dances from the Collection of Ond?ej H?lky from Zlatá Koruna); and Nejstar?í sbírky ?eských lidových písní a tanc? (The Oldest Collections of Czech Folk Songs and Dances). The last-named source, a critical edition of which was published by Supraphon in 1987, in turn comprises materials from various sources. These include (if I am not misreading the somewhat confusing booklet notes) the 400 ?eské národní písne (Czech Folk Songs) published by Jan Ritter von Ritterberg in 1825; the 87 Staré svetské písne (Old Secular Songs) from the region around the central Bohemian village of Sadská, published at about the same time; manuscripts compiled by Jirí Hartl (1781–1849), a schoolmaster from Stara Paka; and the Bon Repos Book, compiled beginning in 1720 at the behest of Count Frantisek Antonin Spork (1662–1738). Many of these songs and dances were first preserved in written and published form due to “governorate gatherings,” official projects of the Austro-Hungarian Empire to collect folk materials of its indigenous peoples that were initiated in 1818. Some of these sources exist only in second-hand form; for example, of the 160 pieces originally collected by the famed fiddler Ondrej Hulky (1752–1806) from the region around the Zlatá Koruna monastery in the Ceské Budejovice region of southern Bohemia, only 50 have survived due to their inclusion in the final 1864 edition of an anthology published by the Czech historian and poet Karel Jaromir Erben (1811–70), Prostonárodní ceské písne a ?íkadla (Czech Folk Songs and Nursery Rhymes), as Hulky’s original manuscript has not survived.
The designation “Baroque” is potentially misleading; virtually all of these items are believed to date back at least to the early 17th century, and just as well might be termed “late Renaissance”; they are all of a style that immediately brings to mind a Czech counterpart to Michael Praetorius. The arrangements and instrumentations of all the pieces have been undertaken by conductor Jaroslav Kr?ek and his brother Josef. A total of 68 dances and songs are presented, of which about 20 are purely instrumental while the remainder have one (or occasionally more) singer. The instrumentation is extremely colorful, with the performers drawing upon fipple flutes, cimbaloms, tarogatos, hurdy-gurdies, and even some otherwise unspecified “instruments newly devised and made by their own hands.” All the performances are, as one would anticipate, utterly idiomatic and charming, even if the singers are less polished and more rustic than I personally prefer. The recorded sound is excellent. Unfortunately no texts of any sort are provided for the songs. Despite this drawback, if you love folk music or Renaissance dance music collections and are looking to expand your collection in a slightly more exotic direction, then you definitely will want to acquire this set.
FANFARE: James A. Altena
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