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COMPOSERMERULA PIAZZI VISCONTI
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ORCHESTRA / ENSEMBLEEnsemble L'Aura Soave
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PERFORMERRognoni
Musica strumentale a Cremona al tempo di Stradivari / Rognoni, Elsemble L'Aura Soave
- MV Cremona
- November 18, 2016
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RELEASE DATENovember 18, 2016
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UPC8032632230243
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CATALOG NUMBERMVC008024
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LABELMV Cremona
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NUMBER OF DISCS1
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GENRE
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XXI. La dada
Composer: Tarquinio Merula
Ensemble: L', members Aura Soave Cremona
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XIII. La maruta
Composer: Tarquinio Merula
Ensemble: L', members Aura Soave Cremona
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XXIV. Ballo detto pollicio
Composer: Tarquinio Merula
Ensemble: L', members Aura Soave Cremona
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Aria detta la bella Pedrina
Composer: Anonymous
Ensemble: L', members Aura Soave Cremona
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I. Preludio
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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II. Corrente
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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III. Giga
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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IV. Sarabanda
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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I. Preludio: Largo
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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II. Corrente
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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III. Giga
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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IV. Sarabanda
Composer: Carlo Piazzi
Ensemble: L', members Aura Soave Cremona
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I. Preludio
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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II. Allemanda
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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III. Allegro
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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IV. Giga
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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I. Grave I
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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II. Presto I
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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III. Grave II
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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IV. Presto II
Composer: Gasparo Visconti
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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Select Preludes and Voluntaries for the Violin, by all the Greatest Masters: Preludio
Composer: Gasparo Visconti
Performer: Andrea Rognoni
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I. Adagio
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
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II. Allegro I
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
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III. Andante
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
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IV. Allegro II
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
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I. Allegro
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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II. Largo
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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III. Allegro assai
Composer: Andrea Zani
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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I. Allegro
Composer: Carlo Zuccari
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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II. Cantabile
Composer: Carlo Zuccari
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
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III. Presto
Composer: Carlo Zuccari
Ensemble: L', members Aura Soave Cremona
Performer: Andrea Rognoni
Featuring ⌄
Product Details ⌄
Works ⌄
Antonio Stradivarius is universally acknowledged as being the greatest violin maker of all time. About 600 of his instruments have survived until the present day, among them violins, violas, and cellos, most of which are still played, studied, and regarded by the most famous and renowned soloists, collectors, art galleries, and museums as the “non plus ultra.” The long life of Stradivarius covers a truly crucial period in the history of music: it stretches from the second half of the seventeenth century, a moment of the definitive triumph of the violin as principal instrument of Baroque instrumental music, to the first part of the eighteenth century, a period of transition toward musical classicism. We maintain that it is important, therefore, to rediscover these musicians who are little known to the public of today, but who were quite well known and respected in the Cremona of their day. They were perhaps great exchangers of concrete ideas and advice with the great violin makers of the time. As it happens today in modern violin making workshops, the exchange of ideas and advice between musicians and instrument makers is the basis for the professional growth of both.
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