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COMPOSERBARTOK, BELA
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ORCHESTRA / ENSEMBLEOpera North Orchestra
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PERFORMERBurgess, Farnes
Opera In English - Bartok: Bluebeard's Castle
- Chandos
- May 1, 2006
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RELEASE DATEMay 01, 2006
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UPC095115313329
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CATALOG NUMBERCHAN 3133
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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Prologue: Bluebeard's castle, a myth, a legend (Minstrel)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Opening: Will you enter? Look around you (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Opening: Here I am in Bluebeard's castle (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Opening: Tell me why you came here, Judith (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Opening: Ah! I can see 7 doorways (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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First Door: The Torture Chamber: Oh, I heard your castle sighing (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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First Door: The Torture Chamber: What's there? What's there? (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Second Door: The Armoury: What's there? (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Second Door: The Armoury: Trembling seizes all my castle (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Third Door: The Treasury: Glittering gold! (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Fourth Door: The Secret Garden: Oh! Lovely flowers! Oh! Beautiful scents (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Fifth Door: Bluebeard's Kingdom: Ah! (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Fifth Door: Bluebeard's Kingdom: Look! Brightness has filled my castle (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Sixth Door: Tears: Silent tranquil peaceful waters … (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Sixth Door: Tears: My last door will stay unopened (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Sixth Door: Tears: Tell me truly, tell me Bluebeard (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Sixth Door: Tears: I know what's behind it Bluebeard (Judith)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: Sally Burgess
Conductor: Richard Farnes
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Seventh Door: Bluebeard's Former Wives: Look upon the other women (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Seventh Door: Bluebeard's Former Wives: Daybreak - when I found the first one (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
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Seventh Door: Bluebeard's Former Wives: Midnight - when I found the fourth floor (Bluebeard)
Composer: Béla Bartók
Ensemble: Orchestra of Opera North
Performer: John Tomlinson
Conductor: Richard Farnes
Featuring ⌄
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Both singers are superb here. If Tomlinson is sounding a bit old, he's certainly not sounding weak, and the pitch-darkness of his tone is just right for this enigma of a man. "Forbidding" is the word that comes to mind. (He also speaks the Prologue, and sounds properly dour.) Burgess does almost everything right (she drops the high-C at the fifth door too quickly for it to have the resounding effect it ought to) and she can sound genuinely frightened without overstating or exaggerating. Her performance is all-of-a-piece; she's thoroughly believable.
The score is a study in brightness and grief, chiaroscurically speaking, and the clarity of the recording, the elegance and excellence of the playing of Opera North's Orchestra, and the leadership of Richard Farnes lets us experience most of the contrasts. It's not as vivid as renditions by Solti or Kertesz, but it's fine nonetheless. After the Kertesz (with Ludwig and Berry), this set is a fine choice if the English language doesn't get in your way--or if it's exactly what you need.
--Robert Levine, ClassicsToday.com
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