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COMPOSERDOWLAND, JOHN PURCELL, HENRY
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PERFORMERJakob, Emma, Lindberg, Kirkby
Orpheus In England: Dowland & Purcell: Songs And Lute Music / Kirkby, Lindberg
- BIS
- December 1, 2010
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RELEASE DATEDecember 01, 2010
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UPC7318590017258
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CATALOG NUMBERBIS-CD-1725
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Book of Songs, Book 2: Disdain me still, that I may ever love
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Book of Songs, Book 3: Lend your ears to my sorrow, good people
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Book of Songs, Book 1: Come, heavy sleep
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Prelude, P. 98
Composer: John Dowland
Performer: Jakob Lindberg
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Varietie of Lute Lessons, II. The Right Honourable Earl of Essex, His Galliard (42a)
Composer: John Dowland
Performer: Jakob Lindberg
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Book of Songs, Book 2: A shepherd in a shade
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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The Third and Last Booke of Songs or Aires: By a fountain where I lay
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Book of Songs, Book 1: Away with these self-loving lads
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Lachrimae, P. 15
Composer: John Dowland
Performer: Jakob Lindberg
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Tarleton's Resurrection, P. 59
Composer: John Dowland
Performer: Jakob Lindberg
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A Pilgrimes Solace: If that a sinner's sighs be angel's food
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Varietie of Lute Lessons: X. A Fantasie (1a)
Composer: John Dowland
Performer: Jakob Lindberg
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Book of Songs, Book 2: Toss not my soul
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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Book of Songs, Book 4, "A Pilgrimes Solace": In darkness let me dwell
Composer: John Dowland
Performer: Emma Kirkby, Jakob Lindberg
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She loves and she confesses too, Z. 413
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
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The Indian Queen, Z. 630, Act IV: They Tell Us That Your Mighty Powers (arr. for soprano and lute)
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
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Trumpet Tune in C Major, Z. 678, "Cibell" (arr. J. Lindberg for lute)
Composer: Henry Purcell
Performer: Jakob Lindberg
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Act II: Echo Dance of Furies
Composer: Henry Purcell
Performer: Jakob Lindberg
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Act II: The Groves Dance
Composer: Henry Purcell
Performer: Jakob Lindberg
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Fly swift, ye hours, Z. 369
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
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Bonduca, Z. 574, “The British Heroine”: No. 17. O lead me to some peaceful gloom
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
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What a sad fate is mine, Z. 428b
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
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The Second Part of Musick’s Hand-maid: A New Irish Tune in G Major, Z. 646, "Lilliburlero" (arr. J. Lindberg)
Composer: Henry Purcell
Performer: Jakob Lindberg
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The Second Part of Musick's Hand-maid : A New Scotch Tune in C Major, Z. 655 (arr. J. Lindberg)
Composer: Henry Purcell
Performer: Jakob Lindberg
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The Old Batchelor, Z. 607: Hornpipe in E Minor (arr. J. Lindberg)
Composer: Henry Purcell
Performer: Jakob Lindberg
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The Second Part of Musick’s Hand-maid: A New Ground in E Minor, Z. T682 (arr. J. Lindberg)
Composer: Henry Purcell
Performer: Jakob Lindberg
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From silent shades, and the Elysian groves, Z. 370, "Bess of Bedlam"
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
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Oedipus, King of Thebes, Z. 583: Music for a while
Composer: Henry Purcell
Performer: Emma Kirkby, Jakob Lindberg
Featuring ⌄
Product Details ⌄
Works ⌄
DOWLAND Songs and Lute Solos. PURCELL Songs and Lute Solos • Emma Kirkby (sop); Jakob Lindberg (lt) • BIS CD 1725 (75:19 Text and Translation)
It is almost superfluous to add a review to the header, for this disc provides exactly what the listing promises. There are nine songs and five solo lute pieces by Dowland, and seven songs and seven solo lute pieces by Purcell, culled from various sources, in performances by two of the greatest artists of our time that simply are beyond exquisite in every way. All is subtlety, refinement, delicacy, intimacy, and deeply penetrating expressiveness, in which every word, every inflection, and every chord takes its share and lightly carries its burden. Above all, it is art that is utterly natural and free from self-conscious artifice. If somehow you have never broached this repertoire or these performers before now, look no further for a starting point and take the plunge immediately. Those with prior acquaintance will need no further urging from me to regard this as an essential acquisition. The recorded sound is fairly close, with a pleasant and not excessive degree of warmth and reverberation. Intelligent program notes and full texts are provided. Highest possible recommendation, and an immediate nominee for the Classical Hall of Fame.
FANFARE: James A. Altena
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