Krzysztof Penderecki’s works for (string) quartet neatly encapsulate the stylistic breadth and trace the development of Poland’s most important modern composer throughout his six-decade-long career....

Krzysztof Penderecki’s works for (string) quartet neatly encapsulate the stylistic breadth and trace the development of Poland’s most important modern composer throughout his six-decade-long career. From the avantgarde rhythmical study that is Quartet No.1, via an ode to Webern, to the neo-romantic elder Penderecki’s Schubertian Clarinet Quartet, this collection covers all his chamber music for three and four strings, even the early neo-baroque outlier of his Three Pieces adapted from his film music for the steamy 1964 movie, The Saragossa Manuscript.

REVIEW:

From wild child of the experimental avant-garde to luscious neo-Romantic, Krzysztof Penderecki had an unusually profound stylistic transformation across his career. When his string quartets neatly encapsulate that trajectory, written as they were between 1960 and 2016, it’s no mean feat to pull off the entire cycle in consistently convincing and compelling fashion. Yet, that is what the Meccore Quartet has done here.

-- The Strad