Pergolèse - Vivaldi: Stabat Mater pour deux castrats

$20.99
Label
Château de Versailles Spectacles
Release Date
March 5, 2021
Format
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    Featuring ⌄
    • COMPOSER
      PERGOLESI VIVALDI
    • ORCHESTRA / ENSEMBLE
      Orchestre De L'Opéra Royal
    • PERFORMER
      Marino, Mineccia, Rhijn
    Product Details ⌄
    • RELEASE DATE
      March 05, 2021
    • UPC
      3770011431380
    • CATALOG NUMBER
      CVS033
    • LABEL
      Château de Versailles Spectacles
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Stabat mater dolorosa (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    2. Cuius animam gementem (Soprano)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    3. O quam tristis et afflicta (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    4. Quae moerebat et dolebat (Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    5. Quis est homo qui non fleret (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    6. Vidit suum dulcem natum (Soprano)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    7. Eia mater, fons amoris (Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    8. Fac, ut ardeat cor meum (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    9. Sancta Mater, istud agas (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    10. Fac, ut portem Christi mortem (Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    11. Inflammatus et accensus (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    12. Quando corpus morietur (Soprano, Alto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia, Samuel Mariño

      Conductor: Marie van Rhijn

    13. Aria: In furore iustissimae irae

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Samuel Mariño

      Conductor: Marie van Rhijn

    14. Recitative: Miserationum Pater piissime

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Samuel Mariño

      Conductor: Marie van Rhijn

    15. Aria: Tunc meus fletus evadet laetus

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Samuel Mariño

      Conductor: Marie van Rhijn

    16. Alleluia

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Samuel Mariño

      Conductor: Marie van Rhijn

    17. I. [Allegro]

      Composer: Antonio Vivaldi

      Performer: Josef Žák, Alice Coquart, Marie van Rhijn

    18. II. [Largo]

      Composer: Antonio Vivaldi

      Performer: Josef Žák, Alice Coquart, Marie van Rhijn

    19. III. Allegro

      Composer: Antonio Vivaldi

      Performer: Josef Žák, Alice Coquart, Marie van Rhijn

    20. Stabat Mater dolorosa

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    21. Cujus animam gementem

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    22. O quam tristis

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    23. Quis est homo

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    24. Quis non posset

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    25. Pro peccatis suae gentis

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    26. Eja mater, fons amoris

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    27. Fac ut ardeat

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn

    28. Amen

      Composer: Antonio Vivaldi

      Ensemble: Royal Opera Orchestra

      Performer: Filippo Mineccia

      Conductor: Marie van Rhijn


Two countertenors for Pergolesi's Stabat Mater: this is the resurrection of the first performance in France of this work, introduced by two Italian Castratos from the Royal Chapel of Louis XV, who were enthusiastic propagators of it both at Court and at the Concert Spirituel. Paris was conquered and saw in it the revolutionary mark of a Neapolitan genius, who alas passed away so young. Pergolesi, shortly before his death at the age of 26 and affected by illness, expressed the Virgin's suffering with the language of passion more typical of opera. The Stabat Mater, first performed in 1736, is one of the emblematic works of the baroque and had a profound effect on the musical world of the 18th century. To give full splendor to the sumptuous duet of angelic voices lamenting the pain of Mary at the foot of the Cross, two performers are required who blend their timbres, like the two Neapolitan castratos for whom this music was composed. The brilliant sopranist Samuel Marino and the no less brilliant counter tenor Filippo Mineccia form the exceptional duo for this programme of emotion and virtuosity.