Peter Gregson: Touch [CD & Blu-ray Audio]

Regular price $26.99
Label
Sono Luminus
Release Date
August 28, 2015
Format
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    Featuring
    • COMPOSER
      GREGSON, PETER
    • PERFORMER
      Peter Gregson
    Product Details
    • RELEASE DATE
      August 28, 2015
    • UPC
      053479219121
    • CATALOG NUMBER
      DSL-92191
    • LABEL
      Sono Luminus
    • NUMBER OF DISCS
      2
    Works
    1. Found

      Composer: Peter Gregson

      Performer: Peter Gregson

    2. Time

      Composer: Peter Gregson

      Performer: Peter Gregson

    3. Cycle

      Composer: Peter Gregson

      Performer: Peter Gregson, Sarah D'Angelo, Henry Flory, Eunice Kim, Derek Powell, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook

    4. Chorale

      Composer: Peter Gregson

      Performer: Peter Gregson

    5. Held

      Composer: Peter Gregson

      Performer: Peter Gregson, Derek Powell, Sarah D'Angelo, Eunice Kim, Esme Allen-Creighton, Dana Rokosny, Henry Flory, Douglas Jameson, Ali Cook

    6. Touch

      Composer: Peter Gregson

      Performer: Peter Gregson, Henry Flory, Derek Powell, Sarah D'Angelo, Eunice Kim, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook

    7. Turn

      Composer: Peter Gregson

      Performer: Peter Gregson, Derek Powell, Sarah D'Angelo, Eunice Kim, Dana Rokosny, Esme Allen-Creighton, Henry Flory, Douglas Jameson, Ali Cook

    8. Lost

      Composer: Peter Gregson

      Performer: Peter Gregson, Derek Powell, Sarah D'Angelo, Eunice Kim, Henry Flory, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook


This set includes a blu-ray audio CD playable on blu-ray players only and a standard CD playable on all CD players.

‘Touch’ comprises eight tracks for analogue synthesizer, cello, piano, and string orchestra. Where Lights in the Sky was saturated, sonically intense, almost ‘spoilt brat’-ish sound, Touch has a more refined palette of sounds. Composers are often asked what their music is about, especially with instrumental music such as this. To me, it sort of defeats the purpose and joy of listening to music. How do we interpret the emotion and meaning of music when we aren’t hand held through listening, or guided by a lyric? Just because music is slow, doesn’t mean that it is sad; just because it is fast, doesn’t make it happy. The same goes for tonality: major music isn’t intrinsically happy, minor music isn’t exclusively sad. Yes, these can be devices for eliciting an emotional response, but they are not in and of themselves complete. For me, this is the magic of music. It has many lives and many meanings, none of them right and none of them wrong.