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COMPOSERGREGSON, PETER
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PERFORMERPeter Gregson
Peter Gregson: Touch [CD & Blu-ray Audio]
- Sono Luminus
- August 28, 2015
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RELEASE DATEAugust 28, 2015
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UPC053479219121
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CATALOG NUMBERDSL-92191
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LABELSono Luminus
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NUMBER OF DISCS2
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Found
Composer: Peter Gregson
Performer: Peter Gregson
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Time
Composer: Peter Gregson
Performer: Peter Gregson
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Cycle
Composer: Peter Gregson
Performer: Peter Gregson, Sarah D'Angelo, Henry Flory, Eunice Kim, Derek Powell, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook
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Chorale
Composer: Peter Gregson
Performer: Peter Gregson
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Held
Composer: Peter Gregson
Performer: Peter Gregson, Derek Powell, Sarah D'Angelo, Eunice Kim, Esme Allen-Creighton, Dana Rokosny, Henry Flory, Douglas Jameson, Ali Cook
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Touch
Composer: Peter Gregson
Performer: Peter Gregson, Henry Flory, Derek Powell, Sarah D'Angelo, Eunice Kim, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook
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Turn
Composer: Peter Gregson
Performer: Peter Gregson, Derek Powell, Sarah D'Angelo, Eunice Kim, Dana Rokosny, Esme Allen-Creighton, Henry Flory, Douglas Jameson, Ali Cook
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Lost
Composer: Peter Gregson
Performer: Peter Gregson, Derek Powell, Sarah D'Angelo, Eunice Kim, Henry Flory, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook
Featuring ⌄
Product Details ⌄
Works ⌄
‘Touch’ comprises eight tracks for analogue synthesizer, cello, piano, and string orchestra. Where Lights in the Sky was saturated, sonically intense, almost ‘spoilt brat’-ish sound, Touch has a more refined palette of sounds. Composers are often asked what their music is about, especially with instrumental music such as this. To me, it sort of defeats the purpose and joy of listening to music. How do we interpret the emotion and meaning of music when we aren’t hand held through listening, or guided by a lyric? Just because music is slow, doesn’t mean that it is sad; just because it is fast, doesn’t make it happy. The same goes for tonality: major music isn’t intrinsically happy, minor music isn’t exclusively sad. Yes, these can be devices for eliciting an emotional response, but they are not in and of themselves complete. For me, this is the magic of music. It has many lives and many meanings, none of them right and none of them wrong.
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