Praetorius & Siefert: Complete Organ Works / Friedhelm Flamme

$25.99
Label
CPO
Release Date
November 18, 2016
Format
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    Featuring ⌄
    • COMPOSER
      KORTKAMP PRAETORIUS SIEFERT
    • PERFORMER
      Friedhelm Flamme
    Product Details ⌄
    • RELEASE DATE
      November 18, 2016
    • UPC
      761203795925
    • CATALOG NUMBER
      777959-2
    • LABEL
      CPO
    • NUMBER OF DISCS
      2
    • GENRE
      Instrumental
    Works ⌄

    1. Praeambulum in C Major

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    2. Christum wir sollen loben schon

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    3. Grates nunc omnes

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    4. Herr Gott dich loben wir

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    5. Magnificat germanice

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    6. Praeambulum in D Minor

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    7. Vater unser im Himmelreich

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    8. Von allen Menschen abgewandt

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    9. Praeambulum in F Major

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    10. Wan kann uns kommen an fur Not

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    11. Durch Adams Fall ist ganz verderbt

      Composer: Jacob Praetorius

      Performer: Friedhelm Flamme

    12. Herr Gott, dich loben wir

      Composer: Jakob Kortkamp

      Performer: Friedhelm Flamme

    13. Benedicam Dominum

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    14. No. 1 in G Minor

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    15. No. 2 in D Minor

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    16. No. 3 in G Minor

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    17. No. 4 in E Minor

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    18. Puer natus in Bethlehem

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    19. No. 5 in E Minor

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    20. No. 6 in F Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    21. No. 7 in F Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    22. No. 8 in C Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    23. Paduana

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    24. No. 9 in G Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    25. No. 10 in G Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    26. No. 11 in G Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    27. No. 12 in G Major

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    28. No. 13 in A Minor

      Composer: Paul Siefert

      Performer: Friedhelm Flamme

    29. Nun komm der Heiden Heiland

      Composer: Paul Siefert

      Performer: Friedhelm Flamme


The penultimate volume of our edition featuring organ works of the Northern German Baroque focuses on the complete organ works of Jakob Praetorius the Younger and Paul Siefert. Hieronymus Praetorius, the organist at the Church of St. James in Hamburg, is regarded as the most important founding figure in the field of independent Northern German organ artistry. Three of his four songs, Jakob, Johann, and MIchael who already in 1604 had contributed a quarter of the eighty-four cantional settings to the renowned Hamburger Melodeyen Gesangbuch, is said to have developed a special form of fingering and pedal technique making it possible for the organist to assume a very relaxed sitting position and corresponding to his serious, sober, personal disposition. According to the music critic Johann Mattheson, Praetorius's works were "mroe serious" and "more forcefully elaborated" than those of his friend Scheidemann.