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COMPOSERPURCELL, HENRY
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PERFORMERMields, Lautten Compagney Berlin, Katschner
Purcell: Love’s Madness / Dorothee Mields, Wolfgang Katschner, Lautten Compagney Berlin
- Carus
- April 24, 2012
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RELEASE DATEApril 24, 2012
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UPC4009350833715
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CATALOG NUMBERCV83371
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LABELCarus
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NUMBER OF DISCS1
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GENRE
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Bedlam Boys [17th Century]
Composer: Anonymous
Ensemble: Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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'Tis women makes us love
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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The Richmond Heiress, or A Woman Once in the Right, Z. 608: Then mad, very mad let us be
Composer: Henry Purcell
Ensemble: Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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3 Parts upon a Ground in F Major, Z. 731
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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A Fool's Preferment, Z. 571: No. 6. I'll sail upon the Dog-star
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Bonduca, Z. 574, "The British Heroine": No. 10. Jack, thou'rt a toper
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Dido and Aeneas, Z. 626, Act I: The Triumphing Dance
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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A Forsaken Lover's Complaint
Composer: Robert Johnson
Ensemble: soloist Lautten Compagney
Performer: Dorothee Mields
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Act V: Masque: Oh, the sweet delights of love!
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Act V: Masque: Dance of Bacchanals
Composer: Henry Purcell
Ensemble: Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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O solitude, my sweetest choice, Z. 406
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Fantasia a 5 in F, Z. 745, "Upon 1 Note"
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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Bonduca, Z. 574, "The British Heroine": No. 13. Sing, sing, ye Druids
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Dido and Aeneas, Z. 626, Act II: Oft she visits this lone mountain
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Full fathom five
Composer: Robert Johnson
Ensemble: soloist Lautten Compagney
Performer: Dorothee Mields
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Distress'd Innocence, Z. 577: VI. Rondeau
Composer: Henry Purcell
Ensemble: Lautten Compagney
Conductor: Wolfgang Katschner
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Sophonisba, Z. 590: Beneath a poplar's shadow
Composer: Henry Purcell
Ensemble: soloist Lautten Compagney
Performer: Dorothee Mields
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The Beggar's Opera, Act I: Grim King of the Ghosts
Composer: Johann Christoph Pepusch
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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From silent shades, and the Elysian groves, Z. 370, "Bess of Bedlam"
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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The Tempest Suite: Curtain tune
Composer: Matthew Locke
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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Tell me, some pitying angel, Z. 196, "The Blessed Virgin's Expostulation"
Composer: Henry Purcell
Ensemble: soloist Lautten Compagney
Performer: Dorothee Mields
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The Cruel Mother [18th Century]
Composer: Anonymous
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Once, twice, thrice, I Julia tried, Z. 265
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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William and Margret [17th Century]
Composer: Anonymous
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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The Willow Song [16th Century]
Composer: Anonymous
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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The Prophetess, Z. 627, "The History of Dioclesian", Act II: Song: Charon the peaceful Shade invites
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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There were 3 Ravens
Composer: Thomas Ravenscroft
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Ground in C Minor, Z. D221
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
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Ophelia's Mad Song [16th Century]
Composer: Anonymous
Ensemble: soloist Lautten Compagney
Performer: Dorothee Mields
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Act III: When I am laid in earth, "Dido's Lament"
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Performer: Dorothee Mields
Conductor: Wolfgang Katschner
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Act III: With drooping Wings, ye cupids come
Composer: Henry Purcell
Ensemble: members Lautten Compagney
Conductor: Wolfgang Katschner
Featuring ⌄
Product Details ⌄
Works ⌄
In the old days—that is, the 1980s and ‘90s—this is a recording that would have been done by the Baltimore Consort, with soprano Custer LaRue; but they would have left out the boring stuff, all those endlessly plodding “grounds”, or the excessively torturous (as opposed to the reasonably tortuous) six-and-one-half-minute Expostulation of the Blessed Virgin, in favor of livelier, more virtuosic, or just more light-hearted or even humorous material.
Mields is certainly a wonderful singer—indeed, this is some of the best work she’s done—and the instrumentalists are first-rate. But I don’t buy the legitimacy of the programmatic device that supposedly unifies the chosen repertoire: a “journey into the extremities of the life of the soul, caused by feelings of love.” The word “mad” pops up frequently in the liner notes, supposedly a theme that links all of the music, by Purcell and a few contemporaries—but you’ll be hard pressed to hear and feel this connection as you listen.
That’s not to say that the program isn’t composed of some fine and well-chosen songs—and Mields has admirable command of the material; yet her final, gorgeously sung Dido’s Lament lacks a true emotional connection with the character’s situation, eliminating that oft-recorded, beloved aria as a reason to own the disc. But there are plenty more reasons among the 31 tracks—and if you’re a fan of this period and place (latter 17th-century England), and of songs such as “Sing, sing Ye Druids” and “The Three Ravens”, you really won’t be disappointed with these stylish, polished, engaging performances.
-- David Vernier, ClassicsToday.com
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