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COMPOSERRAUTAVAARA
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ORCHESTRA / ENSEMBLERoyal Scottish National Orchestra
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PERFORMERLaura, Hannu, Mikkola, Lintu
Rautavaara: Cantus Arcticus, Etc / Lintu, Mikkola, Et Al
- Naxos
- February 15, 1999
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RELEASE DATEFebruary 15, 1999
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UPC636943414729
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CATALOG NUMBER8554147
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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I. Suo (The Marsh)
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
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II. Melankolia (Melancholy)
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
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III. Joutsenet muuttavat (Swans Migrating)
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
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I. Con grandezza
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Performer: Laura Mikkola
Conductor: Hannu Lintu
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II. Andante (ma rubato)
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Performer: Laura Mikkola
Conductor: Hannu Lintu
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III. Molto vivace
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Performer: Laura Mikkola
Conductor: Hannu Lintu
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I. Langsam, breit, ruhig
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
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II. Langsam, doch nicht schleppend
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
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III. Sehr schnell
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
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IV. Bewegt
Composer: Einojuhani Rautavaara
Ensemble: Royal Scottish National Orchestra
Conductor: Hannu Lintu
Featuring ⌄
Product Details ⌄
Works ⌄
The First Piano Concerto is a very strong work, and though very original, seems descended from the colors of Debussy, the broadness of Tchaikovsky and the harmonic contours of Sibelius. The piano writing is full, rich and virtuosic, pitting the soloist against the forces of the orchestra. This is a work that truly deserves to be a part of the standard repertory.
The Third Symphony employs much of the same power, but adds the grandeur and religiosity of Bruckner at the opening. At its weakest, some of the orchestral colors and motifs seem borrowed and melodramatic, but it is an immediately accessible work which opposes the formalist academic tradition.
'Cantus Articus' is the strangest work on this recording. Subtitled a "Concerto for birds and orchestra," this work features recorded Arctic birdsong, not just as background, but as the featured element. Unfortunately, anyone who has seen Hitchcock's THE BIRDS recently will find 'Cantus Articus' more than a little creepy!
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