"I’m convinced that Perlemuter’s Ravel is the best of him in [his] Nimbus recordings, more even than the raft of Chopin performances. Miroirs is a...

"I’m convinced that Perlemuter’s Ravel is the best of him in [his] Nimbus recordings, more even than the raft of Chopin performances. Miroirs is a delight; Noctuelles is full of evocative precision, and the poetic sensitivity he evinces is propelled with unselfconscious control in these early, 1973 recordings made in the studio. Textual control radiates outwards from these traversals. As for Gaspard there’s a total lack of fuss in Ondine – but the avoidance of artifice is a function of the poetic hauteur that gives such meaning to his playing. His Sonatine is crisp, the Valses animated by an especially witty Vif whilst Le Tombeau de Couperin moves with grace and deft accentuation, a notch slower than the BBC 1970 broadcast that has circulated. Seeking an analogue, this is the kind of pointillist playing George Copeland brought to Debussy, in contradistinction to Gieseking’s Turneresque wash; both wonderful but both very different. Perlemuter’s Ravel is a breath of fresh air."

-- Jonathan Woolf, MusicWeb International