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COMPOSERREGER, MAX
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PERFORMERGerhard Weinberger
Reger: Organ Works, Vol. 7 / Weinberger
- CPO
- August 6, 2021
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RELEASE DATEAugust 06, 2021
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UPC761203522927
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CATALOG NUMBER555229-2
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LABELCPO
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NUMBER OF DISCS2
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GENRE
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Introduction - Variations
Composer: Max Reger
Performer: Gerhard Weinberger
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Fugue
Composer: Max Reger
Performer: Gerhard Weinberger
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Prelude No. 1 in E Major
Composer: Max Reger
Performer: Gerhard Weinberger
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Fugue No. 1 in E Major
Composer: Max Reger
Performer: Gerhard Weinberger
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Prelude No. 3 in G Major
Composer: Max Reger
Performer: Gerhard Weinberger
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Fugue No. 3 in G Major
Composer: Max Reger
Performer: Gerhard Weinberger
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Fantasia
Composer: Max Reger
Performer: Gerhard Weinberger
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Fugue
Composer: Max Reger
Performer: Gerhard Weinberger
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Prelude No. 2 in D Minor
Composer: Max Reger
Performer: Gerhard Weinberger
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Fugue No. 2 in D Minor
Composer: Max Reger
Performer: Gerhard Weinberger
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No. 1. Ach Gott, verlass mich nicht
Composer: Max Reger
Performer: Gerhard Weinberger
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No. 3. Herr, nun selbst den Wagen halt
Composer: Max Reger
Performer: Gerhard Weinberger
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No. 8. Christ ist erstanden von dem Tod
Composer: Max Reger
Performer: Gerhard Weinberger
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No. 9. Christus, der ist mein Leben
Composer: Max Reger
Performer: Gerhard Weinberger
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No. 11. Nun danket alle Gott
Composer: Max Reger
Performer: Gerhard Weinberger
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Prelude No. 5 in B Minor
Composer: Max Reger
Performer: Gerhard Weinberger
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Fugue No. 5 in B Minor
Composer: Max Reger
Performer: Gerhard Weinberger
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Fantasie
Composer: Max Reger
Performer: Gerhard Weinberger
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Fuge
Composer: Max Reger
Performer: Gerhard Weinberger
Featuring ⌄
Product Details ⌄
Works ⌄
At long last our successful Reger Edition continues on its way. The critics have been more than enthusiastic about the previous releases, and Musik & Theater even stated: “These recordings number among the best currently available in the field of Reger’s organ music.” This month we are releasing Vol. 7, again with two albums in the best SS, and this time featuring Reger’s five easy-to-play Preludes and Fugues op. 56. Although the composer termed this composition “an organ work of small caliber” in a letter to the publisher Lauterbach & Kuhn, the critics reacted positively, and the organist and composer Robert Frenzel numbered its pieces, which form anything but a secondary work, “among the most poetic phenomena in the most recent organ literature.” And we absolutely have to agree with him. The generic combination of “Prelude and Fugue” is frequently assigned to the realm of so-called absolute music, but Reger’s op. 56 does not seem to belong to this world in which only the musical structure is of significance; instead, particularly the preludes, which mostly practice dynamic moderation – like many of the “pieces” from op. 59 and other works – are distinguished by a pronounced poetic character.
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