Respighi: La Primavera, La Pentola Magica / Adriano, Slovak Radio

$13.99
Label
Naxos
Release Date
December 16, 2008
Format
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    Featuring ⌄
    • COMPOSER
      RESPIGHI, OTTORINO
    • ORCHESTRA / ENSEMBLE
      Slovak Philharmonic Choir
    • PERFORMER
      Haan, Dvorsky, Valaskova, Adriano, Slovak R
    Product Details ⌄
    • RELEASE DATE
      December 16, 2008
    • UPC
      747313074174
    • CATALOG NUMBER
      8570741
    • LABEL
      Naxos
    • NUMBER OF DISCS
      1
    • GENRE
      Orchestral & Symphonic
    Works ⌄

    1. Invocazione

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Performer: Richard Haan

      Conductor: Adriano

    2. Le voci delle brezze, delle acque e dei fiori

      Composer: Ottorino Respighi

      Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra

      Performer: Richard Haan

      Conductor: Adriano

    3. I desideri del giovane

      Composer: Ottorino Respighi

      Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra

      Performer: Miroslav Dvorský

      Conductor: Adriano

    4. Le rimembranze del vecchio

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Performer: Miroslav Dvorský, Vladimir Kubovčík

      Conductor: Adriano

    5. Fanciulle estasiate - Fantasticheria di Sirvard

      Composer: Ottorino Respighi

      Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra

      Performer: Jana Valaskova, Henrietta Lednarova, Beata Geriova

      Conductor: Adriano

    6. L'incontro del giovine con Sirvard

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Performer: Richard Haan, Miroslav Dvorský, Jana Valaskova

      Conductor: Adriano

    7. Inno di Primavera

      Composer: Ottorino Respighi

      Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra

      Performer: Richard Haan

      Conductor: Adriano

    8. No, non e morto il figlio tuo

      Composer: Ottorino Respighi

      Performer: Denisa Šlepkovská, Jaroslav Harvan, Michal Sintal, Gabriel Koncer, Ivan Viskup, Ivan Paulicka, Frantisek Kovacs, Katarina Vavrekova

      Conductor: Adriano

    9. La mamma e come il pane caldo

      Composer: Ottorino Respighi

      Performer: Denisa Šlepkovská, Jaroslav Harvan, Michal Sintal, Gabriel Koncer, Ivan Viskup, Ivan Paulicka, Frantisek Kovacs, Katarina Vavrekova

      Conductor: Adriano

    10. Io sono la Madre

      Composer: Ottorino Respighi

      Performer: Denisa Šlepkovská, Jaroslav Harvan, Michal Sintal, Gabriel Koncer, Ivan Viskup, Ivan Paulicka, Frantisek Kovacs, Katarina Vavrekova

      Conductor: Adriano

    11. Mattino di luce

      Composer: Ottorino Respighi

      Performer: Denisa Šlepkovská, Jaroslav Harvan, Michal Sintal, Gabriel Koncer, Ivan Viskup, Ivan Paulicka, Frantisek Kovacs, Katarina Vavrekova

      Conductor: Adriano

    12. Preludio

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    13. Canzone armena - Danza

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Performer: Jakub Francisci

      Conductor: Adriano

    14. Entrata dello Tzar coi fidanzati

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    15. Scena dello Tzarewich

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    16. Danza degli arcieri tartari

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    17. Introduzione e danza Horowod

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    18. Danza cosacca

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    19. Danza della seduzione

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    20. Scena dei baci e arrivo dello Tzar

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano

    21. Finale

      Composer: Ottorino Respighi

      Ensemble: Slovak Radio Symphony Orchestra

      Conductor: Adriano




RESPIGHI La primavera (orch. Adriano). 1 4 lirichi su poesie popolari armene. 2 La pentola magica 3 • Adriano, cond; Richard Haan ( Praying One ); 1 Miroslav Dvorský ( Young Man ); 1 Jana Valásková ( Sirvard ); 1 Vladimír Kubov?ik ( Old Man ); 1 Denisa Šlepkovská (mez); 2 Jakub Francisci (trb); 3 Slovak PCh; 1 Slovak RSO • NAXOS 8.570741 (79:20)


These may be unfamiliar works, but there will be no mistaking the composer of the opening of La primavera —it could fit seamlessly into The Fountains of Rome —nor the echoes of Rimsky-Korsakov’s Le coq d’or in its fifth movement. The Russian’s influence is obvious throughout this work, with its bold colors and brash exuberance united by Respighi, with surprising success, to Gregorian ecclesiastical modes. A setting of Italian verse by flamboyant 20th-century Armenian poet Gostan Zarian, the texts are, judging from the synopsis provided, uncomfortably naive. However, those of us with no Italian need not be concerned, since no text or translation is provided. This recording—a re-release of a 1994 marco polo CD from a six-disc series of neglected Respighi—features Slovakian artists relatively unknown in the U.S. The one familiar name is Dvorský. This is not, however, the more famous Peter, but rather Miroslav, one of four Dvorský brothers who sing opera. All of the soloists are skillful, though one could occasionally wish for more abandon. Dvorský’s Young Man is pleasingly ardent, with nice thrust on the top. Baritone Richard Haan’s tendency to wobble detracts only a bit from his noble Praying One, Bass Vladimir Kubov?ik is a sonorous Old Man, and soprano Jana Valásková creates the beautiful young Sirvard charmingly, if with a bit more maturity and edge to her tone than ideal.


Continuing the Armenian theme, Quattro lirichi —from the same marco polo release—is a setting of poems by Zorian and 12th-century theologian and saint, Nerses Shenorhali. Originally written for Respighi’s wife Elsa, it, like La primavera , achieves an archaic pastoral quality through use of church modes. Gregorian chant was Elsa’s academic specialty and she was instrumental in introducing the modes to Respighi’s compositional palette. Mezzo Denisa Šlepkovská has a luxuriant voice, but her performance of the songs, fine though it is, might have been enhanced by a bit more subtlety and shading. Adriano orchestrated Respighi’s piano accompaniment for a chamber orchestra approximation of an Armenian deste ensemble. Elsa Respighi approved, and it certainly works. La pentola magica , a 1991 marco polo release, is a ballet pastiche of works by lesser-known 19th-century Russian composers, with original material in the same style and an ethereal setting of an Armenian folk theme for boy soprano. Only the most hardened of detractors of Respighi’s “new old music” could fail to be won over by this beguiling work. As in its successor, La boutique fantasque , Respighi succeeds in retaining the character of the originals while unifying them in a clever and cohesive new work.


I hope that this Naxos re-release, the second from the series, signals the eventual release of the ballet and cantata discs, currently only available as arkivmusic.com CD-R reissues, alas without Adriano’s informative liner notes. Adriano, the Swiss conductor and Respighi expert who led all of the original series, invests these works with energy and beauty. The Bratislava-based ensemble performs well, though the winds are less distinguished than the strings. The choir is excellent. The sound on this release is slightly brighter and clearer than the marco polo issue, though neither issue has a solid bottom. Gianandrea Noseda and the BBC Philharmonic have recorded an excellent La pentola magica for Chandos (10081) coupled with La boutique fantasque . While better played than the Naxos, it remains a second choice for me, as Adriano and his orchestra realize more of the dreamy charm of the work. Especially at Naxos’s prices, admirers of Respighi’s more famous scores should not hesitate.


FANFARE: Ronald E. Grames